
There are venues that seem to absorb concerts and Ely Cathedral belongs firmly in that category. A demanding space for any performer. The scale is vast, the acoustics are exposed, and there’s nowhere to hide vocally. So when rising pop star Qymira stepped into that vast, centuries-old space, Qymira approached the setting with composure and control, delivering a set that relied on precision rather than spectacle.
Supporting Britain’s Got Talent winners Collabro, there was a measured elegance to the evening. From the opening moments, it was clear she understood the room. Her vocals were measured and consistent, allowing the natural reverb of the cathedral to do its work, trusting her material and letting it carry.
The set leaned heavily into her orchestral and cinematic writing, which suited the venue beautifully. Arrangements were structured carefully, with gradual builds and clear dynamic shifts. One of the strongest aspects of the performance was her vocals. In a space where even slight instability can be amplified, she maintained control throughout, particularly in sustained notes that carried cleanly across the hall.
Her stage presence is calm and self-assured. She doesn’t rely on constant movement or exaggerated gestures. That approach translated well in such a large, historic setting. The orchestral elements within her songs felt appropriately scaled for the cathedral. The balance between backing instrumentation and lead vocal was well judged, allowing lyrics and melody to remain at the forefront.
It was a beautiful and confident showing from an artist who became part of its atmosphere.
