About six years ago when I met Carlo Bellotti and signed to his label, I could not imagine that the possibility of working what you enjoy with people whom you respect is possible, but that certainly was and is in this case. During the production for this album, it was not just the anxiety with creation of music, playing and recording, but with the investigation of many crimes and murders in order to get the best musical atmosphere to describe them. During the recording in 2017 and 2018 I have managed to talk with people who were and are committed to mental institution, some with criminal past, others who were abused, and that brought a lot of much needed raw emotion to the album. Therefore, this album is a fictional story inspired by real-life events and experiences. And, besides this, without Carlo’s support and amazing production by Dimitrije Mladenovic, this magnum opus would not be possible. “Jazz Soundtracks for the Embalming” is an album I am very proud of in many aspects, but mainly because I truly feel that it is “Film without a picture”. And because it is part of Epictronic catalogue.