Veteran jazz vocalist Bonnie J Jensen makes a long-overdue comeback with “RISE”, her fifth solo album and her first since 2010’s “Shimmer.” Consisting of some classic jazz standards mixed in with reinterpretations of music from other genres, RISE is the work of a jazz vocalist entirely at ease with her craft, yet eager to stretch her artistry in new directions.
The album’s repertoire is as eclectic as it is cohesive, as Jensen kicks things off by bringing some swing and breathing life into The Styllistics’ 1971 soul hit “People make the world go round.” She moves fluidly between intriguing reinterpretations and paying homage to great modern jazz composers with her takes on Herbie Hancock’s “Butterfly” and “Cantaloupe Island.”
Even among the jazz standards, Jensen keeps things fresh by blending in unique singles like Chick Corea’s “Spain,” which serves as an epic centerpiece. With a runtime exceeding seven minutes, this is a great track to showcase her lyrical agility and musicianship.
One of the highlights on this album is Jensen’s smooth jazz cover of Sting’s “la belle dame sans regrets.” Her soft vocals add a level of depth and dimension that transcends the original, while the sax solos are a tasteful addition that elevate the atmosphere.
The album closes out with an incredible rendition of James Taylor’s “Don’t let me be lonely tonight.” matching the emotional impact of the original is a tough ask, but Jensen proves she’s up to the task with a powerful performance that brings tears to your eyes.
In these twelve tracks, Jensen draws on a handpicked roster of Australia’s finest jazz musicians; Matt McMahon on piano, Geoff Hughes on guitar, Ray Cassar on trumpet, Graham Jesse on saxophone and flute, Brett Hirst on bass, and Nicholas McBride on drums. Together, they craft a record of remarkable polish, depth, and variety.
Jensen produces this album herself, and it’s clear she knows exactly how to frame her instrument. The ensemble shifts from dining-room intimacy to full big-band punch without losing the album’s through-line of elegance. There’s an unhurried confidence in the way the record unfolds, with the musicians giving each song the space it needs.
“RISE” is a record steeped in tradition yet unafraid to take detours. It’s a collection that rewards close listening as much as it works as a late-night companion. In her return to the studio, Bonnie J Jensen hasn’t just picked up where she left off. She’s delivered one of her most accomplished statements to date.