It’s not hard to figure out that Tris McCall is a cerebral musician. Known in the New Jersey scene as a journalist as well as a rocker – he’s written for Jersey Beat, NJArts, The Newark Star Ledger, NJ.com and many others – his musical vocabulary runs deep. The essay that ties into the new single “Conspiracy Theory” (www.trismccall.net/conspiracy) demonstrates that he’s given his subject matter some obsessive thought.
What separates McCall from other artists with a similar academic approach to music is that unlike most, he knows when to get out of his own way. He’s not weighed down by the burden of his own intelligence and the need to flex his scholarly or musical ego. Instead, he chooses pop-infused indie rock as the vehicle to deliver his music. Think Elvis Costello does calculus. Or Hop Along singing about the ins and outs of life in Madison, WI. On paper it may sound complex, but press play, let the music do the talking, and it becomes an easy listen that is so enjoyable that you may not even realize that you’re learning something in the process.
This is precisely the effect of award-winning filmmaker George Pasles’s new video for “Conspiracy Theory.” Tris may not be wearing a tinfoil hat, but that’s about the only surface not covered in a shiny, metallic, overlay. Channeling a peculiar form of American madness, McCall lurks around a confined basement space, leaning in towards the camera with the kind of body language that feels like he’s about to drop some crazy thread on anyone who catches his gaze. As he serenades the camera, the great conspiracies of our time (JFK, faked moon landing, 9/11, Paul is Dead, etc.) flash across the screen. Even contemporary characters like Felix Sater and Erik Prince get a not-so-honorable mention. Acting like gatekeeper to this vault of alternative reality, McCall calls out repeatedly “It’s all connected.” That is, unless it’s not…
