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UPPLOPPET Release “Golden Eyes” Video
The band comments: “The song is somehow flirting with all subgenres of rock music with everything from poprock to fast punkrock with a nice chorus to sing along with even if you don’t really know the lyrics!
The song is about buttering up to people to try to earn something you don’t deserve. But in the end you end up with nothing and everything is taken away from you. It’s somewhat a request to people to be real and honest about themselves.
Hope you enjoy this garage session that we rocked this banger out for you!”
PRE’s Kenny Muney reaches the pinnacle of success in “Top” video
“Top” is a latest video from Kenny’s Blue Muney mixtape, following the sacrilegious tape opener “Muney Prayer.” Spanning over 11 tracks with features from Key Glock, Money Man, Ceo Jizzle, and KATO2X, along with production from Hitkidd and PRE’s own Bandplay, Blue Muney is out now via Paper Route Empire.
Ethereal grit: David Borné’s “I Like The Idea” is an inclusive celebration of life’s goodness
Ethereal grit weaves throughout the 13 songs on David Borné’s upcoming full-length album, GENESIS, which will be released later this year. Produced by Jarrad K (Ruston Kelly, Lucie Silvas, Elohim) and engineered by Grammy winner Gena Johnson (John Prine, Jason Isbell, Chris Stapleton), the album follows the Nashville-based singer-songwriter on a path of healing: death, rebirth, and beginning again.
Picturesque share genre defying EP ‘IYKYK’
This new collection of songs includes fan favorites “Strange Habits” and “Hopeless”, which marked the return of the band after a several year hiatus following their critically acclaimed sophomore LP Do You Feel O.K?. Born out of a post-hardcore scene that’s often characterized more by aggression than accessibility, the five-piece steadfastly refuse to be boxed or pigeonholed, and they’re set on embracing musical tropes not traditionally associated with heavy music.
Kenny Muney Lives Like a Rock Star in “Top” Video
Locking into instrumentals with unshakeable focus, Kenny Muney mesmerizes with his triplet flow. Reflecting on his rise from the bottom to the pinnacle of his city’s rap scene, the Memphis native shares “Top,” a new music video. Complete with subsonic 808s and wailing electric guitars, “Top” is a slow-burning slapper, filled with fast-talking flexes and effortlessly tongue-twisting wordplay. In the video, directed by 35Miles, a CELINE-wearing Kenny performs with a DJ and an electric guitar player, as he overlooks the canyon with a mic and a rack in his hands. “Top” is the latest music video from Blue Muney, Kenny’s new mixtape, following the irreverent video for intro track “Muney Prayer.”
GRAMMY® Award-nominated multi-platinum rapper, singer, producer, artist, and actor Jidenna announced his upcoming 25 day North American headlining “The Silk Road Tour” that will kick off this summer – tickets are on sale Friday, April 28th. This announcement comes on the heels of his multi-single releases of “Blush,” “Safe,” and “Front End,” from his forthcoming album ME YOU & GOD available everywhere May 5th.
Antivalent release new single “Godlike Sinner”
Finnish alternative rock act ANTIVALENT has released a new track “Godlike Sinner” only a few months after the highly anticipated debut album “Lifelong”. “Godlike Sinner” is a kind of “hate song” dedicated to all the hypocrites and manipulative narcissists who live in their twisted dreamland exploiting others.
Out today! Explosive new HOWL BABY HOWL album ‘Heavy On The Tongue’!
‘Heavy On The Tongue’, contains 10 explosively catchy garage-rock songs reflecting on the times we live in, the disillusionment of humankind, and the need to stay optimistic. The album was recorded and produced by Howl Baby Howl and mixed by Greg Saunier of Deerhoof and mastered by Brian Batz from Sleep Party People.
OUT TODAY: MSEA – Mouth of the face of the sea (FFO Zola Jesus, Anohni, Sevdaliza)
MSEA is the solo project of Maria-Carmela Raso, a Canadian artist based in Iceland’s capital Reykjavik. Having released three EPs of music since 2018 variously described as “nightmare pop, ethereal and moody with hints of Julee Cruise and a more demented Anohni”, MSEA is now preparing for the release of her debut album later this year. The first single to be taken from it is “Mouth of the face of the sea”. It’s out today.
Savannah Taylor Ride’s the Beat on Her Jazzy Neo-Soul Single
Niveah is a 7 track EP released on Nov 25th, conceptualized by Savannah Taylor, SLWJMZ (Frreddie Gibbs,Sean Leon) and her longest collaborator, her father. Fusing R&B and Soul grooves with Hip Hop and Rap storytelling, it creates a landscape where Savannah Taylor explores her self-discovery, confidence, self- doubt and inner child. Since its release, the EP’s 1st single “Ride the Beat” has been featured on Spotify editorial playlists such as R&B Right Now and Mood Ring. The project received over 10,000 streams in the first month.
Keeya Keys drops hotly anticipated debut EP Keys to the City
Two years in the making and meticulously crafted with the help of London production quartet 4PLAY, Keys to the City sees Keeya in his element, carving out melodic flows alongside a plethora of talented artists including BOJ, Blanco and Kida Kudz. The six-track EP consolidates the North Londoner’s reputation as one of the UK’s finest new rap talents, showcasing his ability with ease to rap over over Garage, Rap, Drill and Gospel-influenced productions, having burst onto the scene in 2020 with a flurry of big singles including ‘Your Loss’, ‘Ruud’ and ‘Bebey’.
Ultra Q share new single ‘Rocket’ taken from debut album ‘My Guardian Angel’ out 9th June via Royal Mountain Records | Announced to support Wavves / Cloud Nothings in the US
On the track, frontman Jakob Armstrong says, “This was a tricky one. Originally there were two demos for the song. The first titled Rocket, and the second titled Bon Iver is a Greasy Weeb (I was doing some fun vocoder stuff). It’s probably good we ended up going with the first. This track feels like a melting point for the album. It finds its place in between the electronic blaze of ‘I Watched Them Go’ and the emo sheen of ‘VR Sex’. It bridges the gap. Lyrically I found the contrast between city nightlife and insomnia to be familiar. It feels comforting and warm even though those two things separately describe quite the opposite.”
STREET FIGHTER reveal video for “Street Fighter – A Decade Of Noise”
Welcome to the official tribute song and lyric video that pays tribute to the Danish heavy metal rock festival Nordic Noise, which celebrates its 11th anniversary this year.
STAFF PARTY Slam Corrupt Police For Abuse Of Power On New Single ‘Leech’
Brighton noise rock trio STAFF PARTY are pleased to reveal their new single ‘Leech’—the final track to be taken from their debut EP Dread, which is out now on all good streaming platforms.
NEWS: Jacana People & Antony Szmierek release new single ‘Twist Forever’ – out 19th April
Inkfields Releases ‘Fate of Luck’ as Edinburgh based songwriter ramps up to new album
THE AWARD-WINNING MUSICIAN ILAN ESHKERI HAS COMPOSED THE SCORE FOR ‘THE UNLIKELY PILGRIMAGE OF HAROLD FRY’
PALACE RELEASE NEW SINGLE “HOW FAR WE’VE COME”
“‘How Far We’ve Come’ is about an anxious and fearful glance into the future at what’s to come, with a sense of anger at the chaos we’ve created.” explains frontman Leo Wyndham; “It’s about the helplessness and hopelessness we can all feel sometimes knowing that time is ticking.”
SHELF LIVES confront ‘the crisis of masculinity’ on new single “All The Problems” ahead of extensive upcoming live dates
Co-produced by SPACE (Do Nothing, IDLES), “All The Problems” confronts the crisis of masculinity with one of Shelf Lives’ most gentle, melodic choruses. “Tell me something you like about yourself,” the duo sing softly in unison, evoking a question therapists often ask and most people can’t answer. Seeking the reasons behind male rage, the track balances extreme acts of violence with the jarringly passive way the wider world processes them.
Rap Riser Django Jay Shares Latest Street Heater ‘Cartel’
Underpinned with a cinematic production courtesy of Scott Styles, ‘Cartel’ is an anthem for the streets. Tapping in at just over three minutes long, Django Jay sits centre stage with his unapologetic attitude and fearless bars. Capturing the essence of the UK’s inner cities, the Preston-raised artist is one of few to put his ends on the map.
