An elegant midcentury demeanor runs through Cliff Korman Trio’s stately “Urban Tracks.” The group’s interplay is heavily steeped in jazz, incorporating elements of hard bop and Bossa Nova, allowing a luxurious sheen to shine. Chops here are apparent, for they let the rhythms flow freely. From the piano to the brushstrokes on the drum, there’s something movement-oriented about the evolution of the groove. Melodies are infused within these pulsing tempos, feeling thoughtful yet light as a feather. Everything here works, and there is an inherent communal quality to how the tracks are arranged. From each piece, there is a small section of a narrative that, when brought together, creates an entire living, breathing ecosystem.
The galloping gait of “Cheio de Malícia” opens the album with this sweeping note as the song settles into playful, giddy energy. Duration becomes a critical component of the transfixing moody swings of “Manhã de Carnaval.” “All the Things You Are” has holy energy, allowing some tenderness to rise between the different tones, giving the chords a plush, echoing demeanor. Subtle shades relying on the strength of the piano bloom forth in “Canhoto.” Upright bass radiates warmth with the classic, timeless tenor of “Whisper Not.” A much more minimal quality takes shape with the low-key “Fall,” where the song has a wintery presence. With “Saudade do Paulo,” the song is executed flawlessly and simultaneously with joyous energy, bringing the album to a close.
Cliff Korman Trio delivers something gorgeous with the powerful “Urban Tracks.”
#Cliff Korman Trio#Urban Tracks
