The Heard Eye Presents ‘Only One Earth’
The Heard Eye burst onto the indie scene in 2023, with the release of their innovative new album “Funkalypse”. After some time focusing on live shows and moving away from new music, the band returns with a hard-hitting reggae single in the form of “Only One Earth.”
The track starts out with gloriously warm and bright trumpets enveloping you in a tapestry of smooth reggae-infused funk. This is set against the backdrop of a rich, mellow bassline, while the groovy syncopated percussion kicks in.
The band wastes no time getting to their message of environmental conservation, starting off with powerful verses like
“Can they build a machine
To make the fertile soil
For the food to grow
What would it cost?
What have we lost?”
The rhythmic ensemble is tight yet fluid, carrying reggae’s signature sway to perfection. However, the light instrumentation takes nothing away from the song’s seriousness, and the titular question “We have only one Earth/Tell me what it’s worth” never misses and strikes you right in your soul.
The lyrics of this track pose visceral questions about whether modern conveniences can replace the bounties of nature and what would remain when we poison our only home. These are not idle musings, and they strike as firm reminders that our comforts are built on stilts that could collapse any day now.
Musically speaking, the melodic guitar solo that kicks in at about the halfway mark is absolutely glorious. It’s both expressive and assertive, filling the sonic space without overpowering it. In a track that’s nearly five and a half minutes long, it provides that change of pace to keep things fresh.
The production is crisp and spacious as well, with each instrument finding its own place. The bass, drums, trumpet, guitar, keyboard, and vocals all blend together harmoniously without sacrificing any of that delicious complexity. The intros, interlude, and outro feel like chapters in a story, making for a truly indulgent experience.
Only One Earth is a timely and reflective anthem that isn’t just meant to be heard, but felt as well. It’s a reminder that we need to change our ways now, or at the very least be conscious of all the damage that can’t be undone.
ONLINE:
https://theheardeye.com/
https://www.facebook.com/theheardeye/
https://www.youtube.com/channel/UCZYfBSsrpRbon80kVtx3mGg/featured
Joshua Ray Hudson with ‘The Dreams of a Working Man’
Hailing from North Carolina, Joshua Ray Hudson is an award-winning singer/songwriter and his latest release, ‘The Dreams of a Working Man’, is pure gold. Written about and for the hard-working Americans, this album has a real salt-of-the-earth feel to it. With elements of country and americana, ‘The Dreams of a Working Man’ touches on relevant topics that many people will relate to.
The record features Joshua Ray Hudson on vocals, guitar & bass along with The Blue Ridge Canyon Boys: Chalmers Croft-lead and acoustic guitar, mandolin, Nikao Wallace–drums, Josh Hamrick-bass guitar, Scott Sanders–keyboards. Justin Schipper–steel guitar (tracks 2, 3 & 10), and Bruce Bouton-steel guitar (track 5). Together these fine musicians have created music that speaks to the masses.
Joshua is howling away about life’s struggles right out of the gates on “The Wolf”. Joshua Ray Hudson has a lot to say about this ‘n’ that as “The Wolf” is relentless! Next, get ready for a heartfelt song called “I Had A Dream Last Night” where Joshua displays such richness in his voice with golden lyrics to boot. “I Had A Dream Last Night” offers up touching material where memories are revisited and portrayed for the audience. Get ready for a down-home sound and charming number with “Barefoot Southern Heart”. Nothin’ fancy about “Barefoot Southern Heart” but if feels oh so right and just perfect. We’ve reached the “The Silver Lining” where there is a real sense of truth pouring out that will move you. The title track is up next and the listener will understand once and for all that it is all about “The Dreams of a Working Man”. Joshua has so much grit and is so sincere when singing about “The Dreams of a Working Man”. Get ready to jam out to one fun tune on “Moonshine Runner” where you won’t want to waste a drip. On track seven, “That’s Why We Stand”, it’s all about the red, white and blue, our military and Old Glory. This prideful song about our country’s flag warms my heart with its patriotic theme as “That’s Why We Stand” is one stand-out single. Next, get a dose of “Roots” that grow stronger each and every day and never wither. Musical wisdom is hitting you hard on the following number titled “Old Too Quick, Wise Too Late” where you’ll just want to listen and let the words sink in. You will receive strong lyrics that pierce your ears on “Look At Me (the Autism song)” as Joshua is in the zone and delivering a commanding performance. There is also an excellent acoustic version of “That’s Why We Stand” that truly captures the heartbeat of America.
Joshua Ray Hudson has written over 350 songs, recorded four studio albums and has won the Don Gibson singer songwriter award three times. ‘The Dreams of a Working Man’ is some of Joshua’s finest work to date. Joshua Ray Hudson is a genuine country artist with roots music at the core of it all. Hard work does pay off and Joshua Ray Hudson is a true testament to that with his new release ‘The Dreams of a Working Man’.
By Jimmy Rae
Valerie Rose Presents “Tin Can Woman”
After nearly three years of not releasing any new music, veteran performer Valerie Rose returns to releasing originals with her latest single, “Tin Can Woman.” The singer-songwriter and multi-instrumentalist delivers a spirited slice of roots-rock flair on this track, layered with retro vibes and her signature boldness.
https://distrokid.com/hyperfollow/valerierose/tin-can-woman
From the grooving basslines to the tight drum work, the instrumentation on Tin Can Woman blends old-school authenticity with a contemporary edge. The result is an instant earworm with a head-nodding rhythm that’ll stay in your mind long after the song’s over.
The lyrics to Tin Can Woman could very well be about Valerie herself as the song opens with her singing “I’ve got a reputation that serves me right/A sweet black angel raising hell in the night.” The writing on this track is simultaneously aggressive while still being playful, and meshes wonderfully with that blues-rock tone Valerie’s going for.
Tin Can Woman perfectly captures the range of Valerie’s musical influences from classic soul and jazz to early rock ‘n’ roll. The expressive saxophone solos are standout parts of the arrangement, providing a nostalgic touch without feeling dated. The texture and emotional depth serve as a perfect counterpart to Rose’s commanding vocals.
– https://skopemag.com/2025/07/03/valerie-rose-releases-new-single-tin-can-woman-friday-july-4th
Tin Can Woman is more than just another Valerie Rose song; it’s a reaffirmation of her artistic voice. Musically rich, lyrically bold, and executed with remarkable
independence, the track stands tall in her already diverse catalog.
Lyle Hutchins Presents ‘Flatlander’
New Orleans-based alt-rock and Americana artist Lyle Hutchins steps confidently into the spotlight with his debut album, “Flatlander,” an innovative work that blends acoustic warmth with subtle electronic textures.
At its core, Flatlander reflects Lyle’s musical journey, covering the trials and tribulations of pursuing a career no one approves of far far away from home. With its themes of nostalgia, anxiety, and self-discovery this is a record that earns your attention with each deliberate note and hushed vocal turn.
The album opens with “M.I.A.” which perfectly captures that feeling of just wanting to disappear from this world and get away from it all. Lyle’s talents as a multi-instrumentalist and songwriter are evident on this track as he smoothly transitions between sections showcasing diverse musicianship.
Yet Hutchins rarely lingers in one musical style for too long. Tracks like “Stockholm Syndrome” bring a fuller sound, almost akin to a classic 4-man indie rock band.
Meanwhile, “Drive to Canada” utilizes synths and autotune distortion to produce an electronic sound that feels modern without sacrificing depth.
But for us, the highlight of the album was the gentle acoustic single “Shoulders.” The light instrumentation really allowed Lyle’s lyricism and vocals to shine through, making the song’s emotional payoff hit that much harder.
1. M.I.A.
2. Shoulders
3. River Runs
4. Stockholm Syndrome
5. When I Was 13
6. Crow
7. Till It Thaws
8. Phantoms In The Mist
9. Over Now
10. Out Here
11. Drive to Canada
12. Stars
13. Staying In Line
14. Flatlander
The title track, “Flatlander,” serves as the album’s climactic finale. The gentle acoustics lead into a journey through love, distance, yearning and loneliness, creating a sonic landscape that captures both restlessness and resolution. The album comes to a close in a moment of catharsis that’s as evocative as it is beautifully constructed.
What’s most striking about Flatlander is its balance. It’s never showy, but it’s never dull. It leans into classic Americana storytelling traditions while experimenting with form and texture. It’s a record that rewards attentive listening, revealing more with each spin.
Flatlander is a welcome breath of fresh air that is thoughtful, unpretentious, and rich with atmosphere. Lyle Hutchins may be new to the scene, but with this debut, he proves himself an artist worth watching: one who understands the power of both silence and sound.
ONLINE:
https://www.lylehutchins.com
https://www.instagram.com/lylehutchinsmusic
https://soundcloud.com/lylehutchinsmusic
https://www.facebook.com/lyle.hutchins.31
https://www.tiktok.com/@lylehutchinsmusic
Billy Gilman Releases “Waylon”
Country music has always had a soft spot for dogs. From Blake Shelton’s “Ol’ Red” to Luke Bryan’s “Little Boys Grow Up and Dogs Get Old,” our furry friends often take center stage in songs that make you laugh, cry, or—more often than not—both. Billy Gilman’s new Bluegrass single “Waylon” is the latest entry into this heart-tugging canon, and it might just be one of the most quietly devastating tracks of the bunch.
Released during May’s Mental Health Awareness Month, “Waylon” isn’t just a dog song—it’s a survival anthem. The titular Waylon isn’t a legendary outlaw singer (though the nod is clearly intentional); he’s a dog, and more importantly, the reason the song’s narrator is still here. That’s the gut-punch at the core of this track: sometimes, when everything else falls apart, it’s a wagging tail and a loyal stare that keep you tethered to life.
Co-written by Gilman, Dan Murph, and Philip Douglas, the lyrics are stark but stunning. “Please leave me Waylon / put anything else you want in that truck / ‘cause if I have to live here without you / that dog will be my reason to wake up,” Gilman sings, and you can practically hear a thousand dog owners whisper “Yep” through their tears. Gilman delivers the song with a vulnerability that feels earned, not performed. He’s not reaching for drama—he’s telling the truth, plain and simple.
When it comes to the musical composition, “Waylon” is a Bluegrass gem. The arrangement is gentle and uncluttered, featuring fiddle, banjo, acoustic guitar, and mandolin. There’s no big climax, no overproduction—just space for the story to breathe. Gilman’s voice, still pristine and expressive after all these years, carries the emotional weight with grace. Martha Christian’s harmony vocals provide just enough warmth to underscore the connection the narrator feels with his dog.
https://open.spotify.com/track/7iMLXbBZhqPpQdZXDUzNCi
And let’s talk about those dog songs. Country music has a long-standing tradition of honoring our pets, and “Waylon” joins an illustrious group. You’ve got the aforementioned “Ol’ Red,” a prison-break tale starring a clever bloodhound. There’s John Michael Montgomery’s “Friends,” which includes a dying man bequeathing his loyal pup. Dolly Parton gave us the heartwarming “Cracker Jack,” a tribute to her childhood dog. And more recently, Chris Stapleton’s “Maggie’s Song” tells the story of a beloved family dog from rescue to rainbow bridge in just a few sob-inducing verses.
What sets “Waylon” apart is how it fuses the emotional storytelling of dog songs with an unflinching look at mental health. That’s where this song really shines—it doesn’t just say “dogs are great.” It says, “dogs save lives,” and it means it. The collaboration with the American Foundation for Suicide Prevention makes this more than a single; it’s a statement.
“Waylon” is a quiet triumph—a song that sneaks up on you and stays. It’s for anyone who’s ever looked into their pet’s eyes and found a reason to keep going. It’s tender, it’s sad, and ultimately, it’s hopeful. If you’re a country fan, a dog lover, or just a human being with a heart, prepare to be moved. And maybe go hug your pup.
Gwen Waggoner
‘Good Vibrations’ by California ™ feat. Les Fradkin
Les Fradkin returns with his long-time musical project California™; this time with his wife, Loretta Fradkin, coming on board as a vocalist. With its light lyricism and breezy instrumentation, their latest release, “Good Vibrations”, has the makings of an instant summertime classic .
As its name suggests, the EP opens with a dazzling reinterpretation of The Beach Boys’ psychedelic pop masterpiece “Good Vibrations”. True to the style of Brian Wilson, this track is not derivative at all, and maintains Fradkin’s sonic personality in every chord.
https://californiatm-featlesfradkin.bandcamp.com/track/good-vibrations
https://open.spotify.com/album/66UZ2usJ5Ivsa3KIO5yVND
https://california.hearnow.com/good-vibrations
However, the Fradkins still pay homage to the original by maintaining that sense of joy and lightheartedness so characteristic of the Beach Boys. The use of the mellotron on this track is especially interesting, as it adds a bit of character that somehow works with the song’s psychedelic influences.
Les Fradkin’s experience as a musician really shines through on this EP as the sunny vibes of california pop are complimented perfectly by crisp modern textures and production finesse. Every note is balanced just right, feeling neither sloppy nor over-engineered.
The second track “Come fly to fall in love” is an original duet between Les and Loretta that invites the listener to embrace that liberating feeling of a great relationship. It’s a touching piece that adds contrast and variety to the collection.
On the other hand, “Island” just screams beaches and tropical vibes, adding in elements of Polynesian music to create a soundscape that transports you to a land of sand and coconut trees.
The common theme that ties all these tracks together is the idea of letting go and releasing yourself from the constraints of life, embracing freedom, love, and the joy of living.
California™ feat. Les Fradkin’s “Good Vibrations” is a masterclass in reimagining a classic genre. It doesn’t merely retread the familiar path of surf pop but refurbishes it with reverence, creativity, and vibrant new life. Whether you’re a lifelong fan of The Beach Boys or a curious newcomer, this EP is a must-listen.
Circus Mind Presents “Waste of Time”
Every artist has been at that stage in their career where they wonder if all the sleepless nights, soured relationships, and constant struggle were worth it. With their latest single “Waste of Time,” New York-based funk-rock collective Circus Mind delivers a sharply observed and irresistibly groovy reflection on the all-too-familiar feeling of creative burnout.
Equal parts funk rock and satirical soul, the track manages to transform artistic exhaustion into something danceable, humorous, and undeniably relatable with verses like;
“Just like the time it takes writing a song
Hoping that someone will sing along
It’s all a waste of time”
At its core, “Waste of Time” is a tongue-in-cheek critique of the creative grind, leading the charge with a wink and a smirk, and asking the question so many artists have muttered to themselves: Why are we even doing this?
The arrangement is as cleverly constructed as the song’s message. Waste of Time is driven by an irresistible funk groove and an accompaniment complete with crumpets, piano and even an ensemble of backing vocalists. The result is a sound that’s at once vintage and vibrant.
The production on Waste of Time is clean but warm, featuring crisp drums, bluesy guitar lines and rich keyboards. While each instrument is balanced with enough room to breathe, it still retains that natural feel of a live performance.
One of the most striking aspects of “Waste of Time” is how well it captures the existential paradox of being a creator: putting in countless hours, enduring rejection, and sacrificing comfort—all for something that may never yield a tangible return.
“Walking around mowed down by life’s confines
Wandering about the fate of your own designs”
Yet, rather than wallowing, Circus Mind chooses to embrace the absurdity. The groove becomes a form of resistance, a musical shrug in the face of futility.
Waste of Time follows in the footsteps of Circus Mind’s past genre-blending and innovative work, but marks a new level of lyrical ingenuity. It’s witty, funky, a bit cynical, and relaxed all at the same time without ever losing its focus. The track shows that even burnout can be art, and even failure can be fun.
https://www.circusmindband.com/
Heather Ward Presents ‘Gilded & Silver’
Seattle-based jazz vocalist Heather Ward took the jazz world by storm in May 2024 with her debut album “Honeysweet”. This year, she returns to the spotlight with Gilded & Silver, an enchanting and emotionally resonant collection that firmly establishes her as a rising force in contemporary jazz.
Drawing from traditional influences while carving out her own lane, Ward’s latest release is an elegant showcase of originals, jazz standards, and reinterpretations of pop classics. With her vocal subtlety, rich arrangements, and heartfelt storytelling, Ward invites listeners into a soundscape that is as intimate as it is timeless.
The album opens with an original titled “Into the Music,” a tribute to Heather’s Canadian jazz mentor, Hugh Fraser, and uncle, Joe Edmonds who both passed away during the pandemic. While her brooding vocals play with your emotions, in classic jazz style, Heather lets the piano and trumpet both take center stage with warm, hypnotic solos.
STREAMING:
LYRIC VIDEO FOR “Into the Music”:
From the opening notes, Gilded & Silver exudes the feel of a classic supper club, where the lights are low, and the music wraps itself around you like velvet. Ward’s sultry alto brings new life to familiar songs, and her rendition of “Dear Prudence” is one of the album’s standout moments as she transforms the Beatles classic into a slow-burning jazz ballad.
01. Into the Music
02. Towers
03. Dear Prudence
04. Blue Collar
05. Light Up My Room
06. My World is Beginning Today
07. A Million Miles Away
08. He’s A Tramp
09. My Favorite Things a la Trane
10. Midnight at the Oasis
11. Mercy Street
12. I Can’t Give You Anything but Love
The album also has a lighthearted side, as Heather performs a fun little cover of “He’s a Tramp” inspired by the Disney classic. Her vocals really shine on this track, with only the strumming of the double bass to accompany her performance.
Much of the album’s charm also lies in its uncluttered yet rich arrangements, with piano, upright bass, percussion, and subtle trumpet flourishes forming the backdrop for Ward’s vocals. The instrumentation never overpowers; instead, it breathes with her, each note carefully considered to enhance the lyrical and emotional message.
Heather is as reverent as she is inventive on Gilded and Silver, and she ends the album with the jazz standard performed by the likes of Billie Holiday and Ella Fitzgerald; “I can’t give You Anything but Love.” Once again, the instrumentation remains minimal, allowing Heather to pour her soul into the song uninterrupted.
In Gilded & Silver, Heather Ward has delivered more than a jazz record; she has crafted a deeply personal and musically sophisticated statement of identity. It is a work steeped in tradition but unafraid to push boundaries. We’re just two albums in, but this up-and-coming jazz artist already has the makings of a star.
ONLINE:
https://www.heatherwardstudios.com
https://www.facebook.com/quirkyjazz
https://www.tiktok.com/@heatherwardstudios
https://youtube.com/@heatherward9506
Melissa Kassel & Tom Zicarelli Group Release ‘Moments’
If you’re in the mood for inventive and original jazz that will get your mind racing, then you have to check out ‘Moments’ by Melissa Kassel & Tom Zicarelli Group. Melissa Kassel is a talented singer and lyricist who has a knack for telling a story through song. With Tom Zicarelli Group adding depth, Melissa Kassel is able to bring ‘Moments’ to life for a wide audience.
This new release explores many facets and musical structures with Melissa Kassel leading the way with her distinctive voice. Love, nature and everything else in between are touched on here making ‘Moments’ a must listen. The record features a talented cast of musicians and they are Melissa Kassel on vocals, Tom Zicarelli on piano, Bruce Gertz on bass, Gary Fieldman on drums and Phil Grenadier on trumpet. With 10 original compositions written by Melissa Kassel and Tom Zicarelli, true ‘Moments’ are made in real time.
The album kicks off with a sweet-sounding “Lullaby” that has a mellow vibe and wonderful melody. The calming feel and soothing notes will rush over you as soon as “Lullaby” is played. Get ready for some smooth “Dancing” next that sets the pace for a long stride of chords that move along effortlessly. Leave your worries at the door and let your mind go “Adrift” on the following song. We flow into “Sea Humanity” next that has an interesting direction and intriguing dynamics. “Sea Humanity” will get your ears buzzing and keep you on your toes from beginning to end! Track five, “Spring Forth Joy”, is bursting with bright flavor and one solid beat to boot! Embrace the “Glow of Your Love” that is one charming number that will make you feel good inside and out. Next, a sharp ‘n’ steady “Breath” takes over the airwaves with its mindful noise. “Twilight” is now upon us and how sweet it is as the mood is set and the tone is just right. It’s time to enjoy some hot coffee as a warm, “Morning Breeze” sails past your ears. The final “Moments” brings everything into perspective by the end and all is right in the world.
Melissa Kassel is so inventive with her lyrics and vocal approach while Tom Zicarelli Group plays like seasoned champs. Through fearless expression and artistic freedom, Melissa Kassel & Tom Zicarelli Group have created ‘Moments’ that will last a lifetime.
https://www.youtube.com/watch?v=GuTep_2jwlU
By Jimmy Rae
Merit Maker Presents ‘Better Days Ahead’
The golden days of punk rock are well behind us, but that won’t stop Merit Maker from trying to revive the genre to its former glory. Their latest release; “Better Days Ahead” blends alt-rock and pop-punk to craft an album that feels both fun and urgently energetic.
Merit Maker is a pet project of bassist and singer/songwriter Joe Stanton, a musician who has built his sound from the ground up. The great thing about Joe’s approach on his albums is that he doesn’t buy into that overproduced sheen you often see on modern records. Despite going really heavy on the electric guitars, the entire product feels refreshingly stripped down.
From the opening bars of “Set It Straight,” it’s clear that this record isn’t trying to reinvent punk rock, it’s trying to remind us why it mattered in the first place. In classic pop-punk style, he jumps right off the deep end at the start, transitioning into a softer melodic bridge, and ending with a heavy outro.
“The Stolen Hearts” leans heavily into a late-’90s sound reminiscent of Blink-182’s more brooding and reflective singles. The song’s signature 3-chord guitar riff is original while still feeling nostalgic, and you can’t help vibing to it as the track goes on.
“Around Again” is a full-on sprint inspired by Sum 41, with double-time drums and thick basslines giving it the feel of a mosh-pit staple. Yet even at their most aggressive, the tracks maintain a melodic clarity that’s often lost in contemporary punk.
I really liked the diversity of this album as tracks like “The Upsides of Downsides” take on a heavier, darker sound to contrast with the upbeat pop-punk entries. The guitar solos on this single, courtesy of Michael Layton, are especially powerful and demonstrate Merit Maker’s ability to effortlessly cross genres.
Thematically, Better Days Ahead stays close to the heart. It’s not a concept album, but there’s a loose emotional arc running through it: frustration, self-doubt, hope, perseverance. Stanton’s vocals are unvarnished, his tone somewhere between urgency and weariness, perfectly suited to the themes of burnout, recovery, and the search for personal momentum.
https://meritmaker.bandcamp.com
https://merit-maker.com/
In the end, Better Days Ahead is punk rock without the posturing. It’s an album for people who fell in love with punk because it was real, not polished: just music that meant something. And for those listeners, better days are already here.
Max Norton Presents ‘Chains’
Max Norton may not be the next Dave Grohl, but his journey sure feels the same. After more than a decade drumming at gigs ranging from Glastonbury to The Late Show with David Letterman, he now steps into the spotlight as a solo artist with his latest single, “Chains.”
Released earlier this year, Chains is a powerful indie rock anthem brimming with emotional clarity, and a yearning for liberation. What’s truly admirable here is that Max does not back down from being authentic and vulnerable, letting waves of catharsis wash over anyone that’s ever felt tied down by life.
Norton’s journey to this moment is integral to the song’s impact. Hailing from Tampa and shaped by his time spent as a supporting musician in Nashville and London, Norton has now broken free from his chains and relocated to The Shoals to pursue his solo career.
His background as a multi-instrumentalist gives Max a unique advantage, and every element in Chains is imbued with an unmistakable personal signature.
“Could you, could you, could you, could you, feel the same?
Could you, could you, could you, could you, be the change?
Do you, do you, do you, do you, see the rain?
Would you, would you, would you, break these chains”
They may look cliche when you read it, but with Max’s delivery, these repetitive phrases turn Chains into an instant earworm, and it’s almost impossible to stop nodding your head along to the beat.
This track balances conflicting themes masterfully, opening with soft acoustic strumming and hushed vocals, only to crescendo into a full-bodied indie rock chorus. Towards the end, Max ramps up the intensity, almost signaling a sense of desperation as the electric guitars and distortion pedals take over.
Chains is more than just another single; it’s a powerful statement of Max’s decision to step out from behind the drum kit and into the spotlight. We have no idea if it was the right path for Max himself, but if this track is any indication, it certainly was the best one for us the audience.
https://www.maxnortonmusic.com/
Brett Altman Presents “Pretty Long Island Girls
Following up on his emotionally stirring 2024 album “My Way Out,” Brett Altman returns with his latest single, “Pretty Long Island Girls.” This buoyant single explores the tension of regional pride and forbidden attraction with a story of a Jersey boy who couldn’t resist the charms of a Long Island girl.
https://samply.app/player/kWlkzSpAmcIKBZsjHUtc
Pretty Long Island Girls also marks the first release from Brett’s upcoming album This Is Me, due in Spring 2026. This new body of work promises to showcase his dual strengths: emotionally candid storytelling and a pop sensibility sharpened by experience.
With lines like “Nobody compares from coast to coast/Not even in Paris, Spain and Rome,” Brett’s lyrics are so delightfully flirtatious that they’d win over any girl. This track is witty, nostalgic, and just the right amount of ridiculous: a love story caught between zip codes and accents.
Musically, Pretty Long Island Girls is a breezy, summer-ready pop anthem infused with Latin-tinged guitar flourishes, funk-inspired rhythms, and a polished modern beat. The arrangement feels really light, but it’s full of character and perfectly suited for rooftop parties, weekend drives to the beach, or a tipsy singalong at a summer BBQ.
But while this song may seem all fun and games, there’s still an intensity in Brett’s voice toward the end of the track that draws you in with emotional depth. There’s a kind of warmth to his delivery that feels deeply personal.
Throughout the track, Brett’s vocals are clean and expressive with the audio engineering being applied tastefully while avoiding being overproduced. Always grounded in the narrative, he invites listeners not just to hear the story but to see themselves in it; to laugh a little, maybe roll their eyes, and ultimately hit repeat.
In an era oversaturated with love songs that take themselves too seriously, “Pretty Long Island Girls” is a welcome breath of fresh air. It’s clever, romantic, and perhaps most importantly, fun without ever feeling disposable. Like a good summer fling, it doesn’t need to be forever to be unforgettable.
https://www.instagram.com/brettaltmanmusic/
Santa Barbara Records Presents ‘CaliAmericana, Vol. 3 (A Compilation Inspired by the Legacy of David Crosby)’
Following the overwhelmingly positive reception of the first two instalments in their CaliAmericana series, Santa Barbara Records continues its heartfelt tribute to California’s rich musical roots with “CaliAmericana, Vol. 3”.
This thoughtfully curated compilation honors the legacy of David Crosby, and once again brings together a selection of Central Coast artists. Each musician contributes an original song along with a Crosby cover. I really love this concept as it promotes modern creativity alongside paying tribute to the greats, perfectly balancing modernity and heritage.
Opening the collection, brothers Chris and John Beland deliver a faithful rendition of “Eight Miles High,” perfectly capturing the toned-down beauty of the verses. However, their version upgrades that killer guitar solo, getting a crisper and more powerful sound in part thanks to the wonders of modern recording technology.
Kathleen Sieck’s ethereal voice stands out on “The Universe Knows You’re Mine” and her cover of “Lee Shores” as she leans into the simplicity that is the essence of folk rock. Lee Shores in particular is as mesmerizing as the original, and pulls you into a rare, meditative space that invites the listener to sit still and listen close.
1. Eight Miles High (Chris Beland and John Beland)
2. Oh, Nightingale (Shawn Thies)
3. Dangerous Night (Jonathan Firey)
4. Lee Shores (Kathleen Sieck)
5. Velvety Jesus (Glen Phillips)
6. Way Beyond the Blue (Chris Beland and John Beland)
7. Dirty David (Jonathan Firey)
8. The Universe Knows You’re Mine (Kathleen Sieck)
9. Guinnevere (Shawn Thies)
10. Music is Love (Glen Phillips)
Glen Phillips’ standout performance was his original “Velvety Jesus,” a dynamic and colorful track that still retains that classic Americana sound. His cover of “Music Is Love” perfectly captures the optimism and spirit of Crosby’s more accessible side, and is a perfect album ender with its warm production that recalls the AM radio era.
Jonathan Firey brings a different sound to the project as his original “Dirty David” brings a dark and haunting edge to the collections. The vocal harmonies and string accompaniment are the perfect touches to add flavor to the album.
And finally, vocalist Shawn Thies provides two of the album’s most emotional moments with “Oh, Nightingale” and her gorgeous cover of “Guinnevere.” The richness of her voice just draws you into the tracks and with its faithfully minimalist instrumentation, I’d argue that Guinnevere is actually better than the original.
CaliAmericana, Vol. 3 is more than a tribute album. It’s a living, breathing artifact of California’s folk-rock lineage; a record that understands where it comes from and where it wants to go. Whether you’re a Crosby fan or simply in search of good music, this album offers a rare combination of depth, soul, and sincerity.
ONLINE:
https://santabarbararecords.com/
https://www.instagram.com/santabarbararecords
https://www.youtube.com/channel/UCHIHr39pjpGOSsNjMd-79Lg
https://www.facebook.com/santabarbararecords
Ray Fox Presents ‘Will You Ever Know It’
The up-and-coming rap sensation Ray Fox is back with his latest single, “Will You Ever Know It.” The Pennsylvania-based artist’s latest release is a reflective and emotionally charged piece that captures the inner life of an aspiring artist wrestling with dreams, doubt, and an unshakable drive to succeed.
If nothing else, this song has plenty of heart, and Ray’s quiet grit is embedded into every line. This track should strike a chord deep within anyone that’s ever struggled to make it in life, with its poignant references to long nights and uncertain beginnings.
Clocking in at just over 1 minute and 15 seconds, Will You Ever Know It is definitely one of the shorter songs out there, but Ray more than makes up for it with the track’s emotional depth. The opening lines hark back to his struggles working multiple part time jobs to pay the bills, and the raw turmoil and angst really shine through.
There’s also a vulnerability in Ray’s delivery that works in the song’s favor. He doesn’t aim for flashy wordplay or vocal acrobatics; it carries weight precisely because it sounds real. Each bar feels lived in. You hear the tension between the artist who’s meticulously prepared for every studio session and the young man teetering between breakthrough and burnout.
The beat flows with a steady rhythm, and there’s little instrumentation aside from percussion, leaving room for the lyrics to take center stage. There’s a lo-fi polish here, and the minimalism behind Will You Ever Know It has its own unique charm.
It’s easy to imagine the track taking shape late at night, surrounded by notebook scribbles and half-full coffee cups. But through all the talk of being pushed down by the world, the track ends on a determined and positive note “I’ll live and I’ll learn, I’m waiting for my turn.”
https://www.instagram.com/rayfox33_/
Will You Ever Know It is a quiet anthem for the determined; a snapshot of a musician at the intersection of reflection and ambition. And if this is the tone Fox is setting for his upcoming projects, one thing is certain: whether the world knows it yet or not, he’s onto something.
– https://www.tiktok.com/@rayfox33_
Marilyn Kleinberg Releases ‘Let Your Heart Lead The Way’
Marilyn Kleinberg has been a staple in NYC for many years playing at many of the established clubs. Marilyn has put together some of her favorite jazz standards on this new release titled ‘Let Your Heart Lead The Way’. Her deep love of music and special connection to jazz can be heard throughout the entire album as Marilyn puts her signature stamp on each and every song.
The record features Marilyn Kleinberg on vocals, Will Galison on harmonica, John Di Martino on piano, Noriko Ueda on bass and Victor Lewis on drums. Marilyn and this fine quartet have put together timeless pieces that listeners will adore. One will hear excellent musicianship and pure vocals throughout the 11-song set, so just sit back and ‘Let Your Heart Lead The Way’.
As soon as you hit play, Marilyn is inviting you to enjoy one classy number that is musically enticing on “Invitation”. An enriching sound will captivate your senses on the following composition “Alfie” as a sophisticated and alluring tone surrounds you. An emotional and sensual vibe hits you like a ton of bricks on “I Didn’t Know About You”. Prepare for a slow ‘n’ steady tempo that sets the tone and draws you in on “Then I’ll Be Tired of You”. Track five, “I Just Found Out About Love”, offers up a cheery & upbeat melody that is kind to the ears. Next, hold on tight because “Never Let Me Go” will keep you engaged from beginning to end. Crystal clear clarity is coming into play on the following number titled “Visions” as Marilyn Kleinberg delivers a commanding performance. Track eight, “Say It”, will ignite your musical palette with its comforting sound and warm melody. A smart ‘n’ savvy approach is detected on “If I Only Had A Brain” making the listener think twice about that faithful scarecrow from “The Wizard of Oz”. There is certainly more than meets the eye and ear on “If I Only Had A Brain” as Marilyn adds more depth to this classic tune. Soothing chords and a memorable performance are provided on “You Won’t Forget Me”. Marilyn has got style and grace and she proves it on the closing song “I Didn’t Know What Time It Was”.
Marilyn Kleinberg has a distinct voice that is polished and she sings from the heart on the new album. This veteran jazz singer from NY is hitting all the right notes and not holding back on the new release. With the help of a talented cast of instrumentalists, Marilyn Kleinberg gives a stellar performance that truly speaks volumes on ‘Let Your Heart Lead The Way’.
https://www.willgalison.net/copy-of-for-all-we-know
https://www.youtube.com/watch?v=F2Uv0_k902w
By Jimmy Rae
Meg Whalen Presents “The Break”
New Jersey-based singer-songwriter Meg Whalen returns with “The Break,” a soul-stirring single that cracks open the quiet devastation of heartbreak. Where some songs weep and others wail, The Break lingers in the stillness, in the pause between words, and in the weight of what remains unsaid.
Meg wrote this song during the winter, alone with a guitar and her thoughts. That isolation echoes through every note, but there’s no resentment or anger in Meg’s vocals; this song feels more like a confession or a detached observation that analyses what she has been through.
But who am I to cry,
Nothing you’ve denied,
We hold our truth, two sides to every lie
With the opening lyrics, Meg isn’t putting up a performance, she’s opening up to us. Her tone feels broken, exhausted, and deeply human. But like any good heartbreak anthem, the subtle verses build up into a swelling chorus. The guitars kick in, and Meg’s powerful vocals are put on full display.
The final half of The Break almost seems to take us through all the stages of heartbreak as the melancholy verse leads into the powerful chorus and transitions into an upbeat final verse that goes;
Heart beats over the sound of
Silence creeping around us
Nothing good left to say
In the span of just four minutes, Meg takes us on a journey from sorrowful reflection to the hopeful realization that it wasn’t meant to last anyway.
The production on this track is just as careful as the writing, with keys, guitars and vocals complimenting each other without being overwhelming. Faint acoustic guitar textures blend beautifully with the percussion, seemingly echoing from a memory rather than a studio. Every choice supports the song’s emotional atmosphere without overstating it.
With The Break, Meg Whalen is not asking for pity or praise. She’s offering company to those who’ve sat in the ruins of love, not knowing what to say, only feeling what’s been lost. If this is what she can pull off on just her sixth single, we can’t wait to see what Meg’s career has in store for us in the coming years.
Clara Rae Presents ‘Distract Me Baby’
Louisiana-born singer‑songwriter Clara Rae shot to fame earlier this year with her stunning performance on Season 23 of American Idol. Now, she steps into the limelight once again with her latest single “Distract Me Baby”.
Clara is known for utilizing classic sounds in her music, and this track is no different, with her warm country vocals combining seamlessly with a blues-heavy accompaniment that has a touch of a jazzy swing.
We know Clara for being a top-tier vocalist, but I think this song demonstrates that she is a smart and underrated lyricist as well. In the opening lines of Distract Me Baby, Clara explores romance as a form of escapism from the turmoil of the real world.
Cause whether I’m
Running and gunning and
Churning and burning and
Fighting to earn a living
The first verse is a beautiful piece of writing with its catchy alliteration and fast rhythm, getting the listener into the groove and capturing your attention from the get go.
It’s killing my soul and
It’s robbing my peace of mind
Oh, distract me baby
Slow down my life
On one hand, lying down in the arms of someone you love to distract yourself from life’s rat race is a comforting concept. But there’s a subtle undertone of using love to avoid confronting personal baggage hidden underneath the soft rhythm and hazy vocals.
From the opening guitar lick, spacious blues phrases cascade into brass breezes, and the arrangement envelops the listener in a warm, open soundstage. The saxophone and organ are tasteful additions to the instrumentation, and beautifully compliment the vocals.
While the song nods to the refined blues and sophisticated jazz of the ’50s and ’60s, Distract Me Baby is not retro to the point where it feels derivative. Clara’s originality still shines through, demonstrating the maturity she’s developed through years of touring and performing.
When you have such a lot going on, the production can often be challenging, but the melodic brass, organ swells, and uplifting vocals feel meticulously done without ever feeling overwrought. It’s polished, but still conveys Clara’s deeply soulful artistic vision.
With a debut album in the works and a string of high‑profile opening slots under her belt, Clara Rae is poised to carve a lasting niche in the music industry. If Distract Me Baby is any indication, her journey promises timeless substance and soulful innovation.
ONLINE:
https://www.clararaemusic.com/
https://www.facebook.com/ItsClaraRaeOfficial/
https://www.instagram.com/itsclararae
https://www.youtube.com/@itsclararaemusic
https://www.tiktok.com/@itsclararae
James Robert Webb Releases New Album
Let me start with a confession: I am not a country music fan. I don’t own boots. I’ve never shouted “yeehaw” unironically. My idea of twang involves indie folk bands with banjos and suspiciously clean flannel shirts. So when I queued up James Robert Webb’s Weekend Outlaw, I expected some decent songwriting, a few predictable chord progressions, and lyrics about trucks, whiskey, and heartbreak.
I got all of that. But I also got a hell of a good time.
Webb’s fourth album is something like a love letter to the people who work hard all week and refuse to let life pass them by. It’s big-hearted, rowdy, and a little messy in all the right ways — like a Friday night out with your best friends and a bar tab you definitely shouldn’t have opened. What surprised me most wasn’t the themes (which are pretty country 101), but the energy. This thing moves.
The opener, “Weekend Outlaw,” sets the tone perfectly. There’s a galloping rhythm, crunchy guitars, and lyrics that lean into the fantasy of breaking loose like Jesse James. It’s kind of absurd, kind of awesome, and undeniably catchy. Right away, I got why people love this stuff — it’s music designed for release, for letting go, for stomping your foot a little too hard on a hardwood floor.
https://www.youtube.com/watch?v=-DANrLj-yRo
Track two, “Gentlemen Start Your Weekends,” takes that same idea and blows it wide open. It’s all Friday night adrenaline, complete with a surprisingly natural guest verse from Nashville rapper Classic Williams. It’s the kind of crossover that shouldn’t work but does, mostly because Webb sounds like he’s having the time of his life. And frankly, I started to have some fun too.
What kept me engaged were the moments when the album pulled back. “Ride or Die” is more polished, almost pop-adjacent, with a chorus that wouldn’t be out of place in a Shania Twain setlist. “Lovesick Drifting Cowboy” is pure outlaw drama — all leather jackets, open roads, and emotional wreckage. I rolled my eyes at the title, then found myself mumbling the chorus two hours later.
But Weekend Outlaw isn’t just denim and dust. There’s actual tenderness here, too. “Buenos Noches Nagadoches” is low-lit and dreamlike, with lyrics that go down smoother than the whiskey it probably took to write them. “She’s Not You” is straight-up devastating. It tells the story of someone loved completely by one person while still haunted by someone else. It might be the best song on the album — and yes, I rewound it twice.
Will I become a full-time country convert? Probably not. But Weekend Outlaw showed me a version of the genre that isn’t just about clichés — it’s about freedom, joy, sadness, and living your life loud, even if only on the weekends.
Gwen Waggoner
The Dark Energy Arcade Present ‘The Dark Energy Arcade’ Album
Mitch Michelle and Rob Shinno kicked off their music careers in Detroit during the early 80s. The Dark Energy Arcade was a project envisioned all those years ago, but life got in the way and it was only in 2025 that the duo’s dream became a reality.
The Dark Energy Arcade is a self-titled 12-track debut album that fuses ‘80s pop-rock and disco music with modern EDM elements. This dazzling record takes listeners on a journey through heartbreak, memory, and neon-drenched dancefloors; all wrapped in a soundscape of shimmering synths and retro magic.
The album kicks off with “Love Torn,” an energetic track filled with soaring synths, electrifying guitar riffs, and a dreamy synth. The chaotic soundscape perfectly fits the theme of heartbreak to create a track that’s equal parts emotional gut-punch and electro banger. With its energy and mystique, Love Torn perfectly lays the groundwork for the rest of the album.
Further down the line, “Brand New Day” switches up the vibe by launching into an optimistic and sunny anthem. It’s almost as if the Beach Boys decided to experiment with New Wave and Synth-Pop. You get that feeling that this concept shouldn’t work, but Mitch and Rob pull it off convincingly and with style.
Midway through the album, things get more serious with “Lies.” This one’s darker and more grounded, with heavier guitars, a dirtier drum groove, and a vibe befitting a smoky nightclub late past midnight. The catchy dance beat hides an incredibly raw track where the emotion creeps up on you without notice.
As track after track unfolds, you wonder where The Dark Energy Arcade has been hiding all this time. And the thing is, they haven’t. Individually, Mitch and Rob are icons of American Indie music, and their expertise shines through in the impeccable production of this album.
The song that really stuck with me was “Separation,” with its haunting opening and offbeat percussive synths. There’s something beautiful about its distorted chords and gentle delivery. The theme of class consciousness hits hard in a way that only the best synth-pop songs do. It’s a slow burn that lingers long after it ends.
And finally, we arrive at the closer: “Secret.” This track feels more retro and leans heavily into the 80s vibe of the album. After a rollercoaster of experiments, Secret settles you into something more familiar; an easy tune to wind down to.
Each song on this album adds a new shade to the emotional spectrum, but what really impressed me was how cohesive it all felt. You can tell this was a project crafted with love and intention. Mitch and Rob may have parted ways for a few decades, but this album proves their creative chemistry never left.
ONLINE:
https://thedarkenergyarcade.bandcamp.com
https://www.facebook.com/thedarkenergyarcade
https://www.youtube.com/@TheDarkEnergyArcade
Kris Adams & Peter Perfido Release ‘Away’
This new release titled ‘Away’ is one for the ages! Jazz singer Kris Adams and drummer Peter Perfido join forces to pay tribute to the late guitarist/composer Michael O’Neil. The album features nine of O’Neil’s original compositions along with four other songs. There are also two compositions written by Paul Motian on ‘Away’. This record will capture your imagination and entice you with its magnetic tone.
The musicians on this album include Kris Adams on vocals, Peter Perfido on drums, Bob Degen on piano and André Buser on bass. Together, this talented quartet has created pure magic that will simply blow you ‘Away’! Kris Adams also produced the album and ‘Away’ was released on Jazzbird Records on May 1, 2025.
Right from the beginning, just press “Play” and witness musical elegance and delicate vocals hitting your ears. “Play” seems to float like a feather with its pleasant melody that will put your mind & body at ease. Next, prepare for one captivating voice and soothing sound on “Here”. Kris Adams and Peter Perfido are “Here” to stay! An enchanting melody hooks you in and puts a spell on you on the following track “Die Sehnsucht”. Pristine instrumentation along with excellent musical direction & orchestration can be heard on “Asia”. Get ready for a steady, calm flow that will sweep you away on “FM”. Next, a sweet, soul-stirring “Anthem” will satisfy your senses. An intriguing beat is detected on “I Remember Albert” that will move you and keep you on your toes. Track eight, “No Ordinary Girl”, speaks volumes musically & vocally from start to finish. I have to say that the next song is a true “Blessing” to listeners everywhere and is just beautifully done. Kris Adams, Peter Perfido and the rest of the quartet give a smooth and wonderful performance on “Etude”. It’s time to sail “Away” gracefully as Kris navigates these musical waters with such poise. Track 12, “Free One”, offers up a subdued feel that will have you in deep in thought thanks in part to its haunting melody. A warm “Summer Vacation” is ending this set and it’s inviting and comforting to say the least. You deserve to enjoy “Summer Vacation”, so just jump in because the water’s fine and nice & cool.
Kris Adams, Peter Perfido and the rest of the band should be very proud of their work on this latest project. ‘Away’ is a terrific tribute album and an excellent jazz record that will keep you engaged throughout. There are no dull moments from the first note to the last, Kris Adams and Peter Perfido deliver thoughtful music with ‘Away’.
https://krisadams.hearnow.com/
https://peterperfido.jimdofree.com/
https://www.youtube.com/watch?v=9hkTrimGfrE
By Jimmy Rae
