Baking Joy and Burning Cookies: DPB’s “The Wonders of Christmas” Finds the Sweet Spot of the Season
There’s a place where nostalgia, innocence, and soul collide, and on DPB’s new holiday single, “The Wonders of Christmas,” that place smells like gingerbread, glows with Christmas lights, and—if you listen closely—crackles with the same vintage charm that made doo-wop ballads immortal. This isn’t just another seasonal spin. It’s a cinnamon-dusted postcard from a simpler universe, where wonder isn’t manufactured but baked slowly, sweetly, in the warmth of a family kitchen.
The song opens with a scene so pure you can almost feel the cold on your cheeks: “Snow is falling, snow bells ringing, I’m filled with cheer, so much joy, I’m happy for this time of year.” These aren’t the words of a cynic. They’re the words of someone rediscovering childlike awe, the kind you thought you lost somewhere between adulthood and the last unpaid bill. DPB knows exactly what he’s doing—inviting you to lower your guard, tugging you back to that December when the world still felt enchanted.
And then comes the refrain that functions as both hook and philosophy: “It feels like wonders of Christmas time, in this heart of mine, so let’s bake some gingerbread cookies, something sweet.” That repeated invocation of “something sweet” becomes a mantra, a reminder that joy isn’t elusive. It’s simple. It’s intentional. Sometimes it even comes covered in icing.
https://www.youtube.com/watch?v=A-rfPO44UfU
Journey Eiland and Ouiwey Collins help wrap this sonic gift with ribbons of doo-wop harmonies and a touch of modern sparkle. But the magic lives in the details, those vignettes that flutter by like snowflakes: “People are laughing, people are caroling, so much love is in the air, so much giving, no one’s missing out this year.” For a moment, the world feels healed. The wounds quiet. The lights flicker gently instead of glaring.
The bridge reads like a Christmas card sent from a parallel universe where everything goes right: “Oh there’s cookies in the oven, gifts under the tree, such a joyful time for me. Snow angels in the snow, oh yeah I know, the blessings will follow me.” Blessings—not presents—become the currency. Faith sneaks in softly. Gratitude hangs like tinsel.
And just when the song risks floating away on its own idealism, DPB brings it back down to earth with one perfectly human moment: “Oh, I forgot my cookies in the oven.” It’s the wink, the smudge on the Hallmark painting, the reminder that even in seasons of wonder, we remain beautifully flawed.
I love artists who peel back the curtain to reveal truth wrapped in melody. DPB does exactly that here. “The Wonders of Christmas” isn’t just a holiday tune—it’s a gentle sermon on sweetness, simplicity, and the stubborn persistence of joy.
–Lonnie Nabors
Iuliano Unveils “The Place”: A Cinematic Return to Music Rooted in Personal Truth
The Place Snippets Streaming Link
Italian singer-songwriter and producer Iuliano returns with a bold new project, “The Place” — a deeply personal and cinematic exploration of identity, emotion, and sound. The eagerly awaited album is set for release in the first quarter of 2026, marking his most introspective and complete body of work to date.
Drawing from a lifetime immersed in music, formal training at Berklee College of Music, and a journey that spans Italy, Malaysia, and Thailand, Iuliano’s latest project reflects a rare combination of instinct, thought, and lived experience.
Hailing from the chaotic, magnetic city of Napoli, Iuliano grew up surrounded by music, which was an ever-present part of family life. Over the years, he’s moved beyond conventional definitions of “musician,” focusing instead on uncovering something essential—both in himself and in his art.
“I didn’t decide to follow music—it followed me,” says Iuliano. “Every step I’ve taken has been on my own terms. This project is about reconnecting with something deeper inside.”
Iuliano first captured international attention with his single “Who Knows”, which earned acclaim for its haunting and cinematic sound. His artistry was further recognized when he won the Independent Music Award in 2019, solidifying his place among the most promising independent artists of his generation.
Critics have praised his distinctive sound for its delicate balance of intimacy and experimentation:
“Who Knows blurs the line between indie-pop and alternative rock.” — Ink19
“Iuliano crafts something delicate yet cinematic, a haunting balance between intimacy and experimentation.” — Substream Magazine
“A rare ability to merge electronic minimalism with raw singer-songwriter sensibility.” — You Haven’t Heard This Music Yet
After a period spent producing music for others in Asia, personal upheavals—including the end of a long-term relationship and the isolation of COVID—rekindled his drive to create for himself. “The Place” represents that return, a project built within a studio that doubles as a community space for musicians who value presence, sound, and artistic integrity above trends and speed.
Fans of Jeff Buckley, Sufjan Stevens, and modern experimental indie pop will find in Iuliano’s new work a compelling mix of cinematic atmosphere, electronic minimalism, and introspective lyricism — a sound that feels both timeless and deeply human.
Follow Iuliano
Instagram: https://www.instagram.com/iulianomusicroot/
Facebook: https://www.facebook.com/iulianomusicroot/
Spotify: https://open.spotify.com/artist/
Youtube: http://bit.ly/iulianoYT
Apple Music: https://music.apple.com/us/artist/iuliano/1388538506
Jordan Seven Unleashes “7” – A Powerful, Emotive Rock Album Highlighted by Dream-Born Single “Zephyr Girl”
Orlando, FL – Indie rock artist Jordan Seven has released his electrifying new album 7, a raw, immersive, and deeply human body of work that blends classic rock DNA with modern alternative edge. Driven by vulnerability, grit, and Seven’s unmistakable vocal fire, 7 is a testament to rising above hardship with passion and purpose. The project puts special focus on the spellbinding track “Zephyr Girl.”
Written, performed, and produced almost entirely by Seven himself, 7 delivers a cohesive yet stylistically diverse experience. Each song stands on its own, but together they form a cinematic journey through resilience, longing, hope, and the relentless search for meaning. The emotional core arrives with “Zephyr Girl,” a song that was fittingly born out of a dream. Seven describes it as a track that “came to me in a dream, as my songs often do,” adding that he wanted to capture “the dreamlike sound I heard in my mind, something sultry, progressive, and universally relatable.” The song reflects the moment of finding someone who captivates and transforms you, even if you never realized what was missing.
Floating background vocals and atmospheric textures give “Zephyr Girl” an intoxicating quality, contrasting with Seven’s gritty and emotionally charged vocal performance. While tracks like “Solid Ground” explore themes of struggle and redemption, “Zephyr Girl” offers a sense of clarity, relief, and emotional completion, a rare softness surrounded by strength.
With influences ranging from David Bowie to Pink Floyd, Led Zeppelin, and Cheap Trick, Seven infuses 7 with classic rock showmanship, introspective storytelling, and anthemic hooks. He plays every instrument himself with the exception of drums performed by longtime friend and acclaimed touring drummer Chris Moore, giving the album a deeply personal sonic identity. From the hard hitting guitars of “Solid Ground” to the high energy, convertible worthy rocker “Come Back, Jenny,” Seven brings both musical precision and emotional honesty to every track.
Jordan Seven’s artistic story stretches from suburban Long Island to California to settling in Orlando FL, shaped by early creative solitude, garage bands, theater stages, and a creative rebirth during the pandemic. His life has been marked by both painful loss and powerful resilience, and he channels those experiences into music that is hopeful, honest, and undeniably compelling. 7 stands as a testament to that spirit.
Now based in Orlando with his wife and twin boys, Seven is promoting 7 while simultaneously writing material for his next album, Mercury, slated for release in early 2026. For now, 7 remains the centerpiece of his artistic identity, with “Zephyr Girl” serving as its glowing emotional anchor.
ABOUT JORDAN SEVEN
Jordan Seven is an Orlando based indie rock artist known for his powerful vocals, timeless rock influences, and emotionally charged songwriting. His music merges alternative intensity with classic rock flair, offering listeners an experience that is nostalgic and unmistakably modern. Seven writes, produces, and performs almost all of his music himself, crafting songs that are personal and universally resonant.
Website | Facebook | Instagram | TikTok | Spotify | YouTube
Michal Gutman Unveils “War Boys” – Part of Bold New Singles Project 2025–2026
Michal Gutman Unveils “War Boys” – Part of Bold New Singles Project 2025–2026
Artist: Michal Gutman
Single: War Boys
Release Date: July 25 2026
Michal Gutman, the one-woman-band known for her intensely theatrical and sonically adventurous performances, announces the continuation of her 2025–2026 singles project with the release of “War Boys” the project’s second track.
A master of loops, polyrhythms, and unconventional harmonies, Gutman performs solo with bass guitar, loop station, two microphones, and a touch-pad synthesizer, creating a sound that drifts between cabaret theatrics, 80s club dance-floor energy, and dreamlike cinematic soundscapes. Each track in this singles project explores identity in times of catastrophe, the tension between personal and societal grief, and the pursuit of beauty within chaos.
“War Boys” follows her critically acclaimed 2024 solo album Never Coming Home and a decade of recording and touring with her band Whaling Snails, resulting in the albums ‘Songs For Yael’ (2015) and ‘The Wind Around Your Heart’ (2019).
Never Coming Home received high praise from critics:
“Not since Poe’s Haunted, have I heard an album straddle the line between fragile and confrontational so aptly… It’s as if she’s made this beautiful object and is now threatening to smash it to pieces. That’s the beautifully unhinged quality of Michal Gutman’s art, a musical glass cannon.” — Kendon Luscher, Bearded Gentlemen Music
“‘Never Coming Home’ is a darkly beautiful album; an album of twisted musical discovery… Musically stark and bewitching like an unused broken fairground ride. A bass guitar has never sounded so much like the faded remnants of an old lover’s final kiss. Quite simply stunning.” — Brian ‘Bordello’ O’Shea, Monolith Cocktail
Words and Music: Michal Gutman
Recorded and Mixed by: Yiftah Yeshurun at Salon Kalon Studios, Gan Shmuel
Personnel:
- Michal Gutman – Vocals, Bass, Korg Kaossilator
- Yiftah Yeshurun – Programming, Guitars
- Tuval Brown – Drums and Percussion
- Tamar Zinger – Backing Vocals
Follow Michal Gutman
Facebook: https://www.facebook.com/michal.e.gutman/
BandCamp: https://michalgutman.bandcamp.com/track/war-boys
Spotify: https://open.spotify.com/artist/3llGE6fxw3VBHaYEMEDLGJ
Youtube: https://www.youtube.com/@MichalGutmanMusic
Alex Lopez Releases “Retro Revival”
With Retro Revival, Alex Lopez and his powerhouse trio ALX deliver the kind of blues-rock album that doesn’t just nod to the past—it reclaims it, rewires it, and fires it back into the present with a renewed sense of purpose. Due February 6, 2026, the record arrives with strong early buzz calling it a likely “blues-rock album of the year,” and for once, the hype feels earned. Lopez, long regarded as a revitalizing force in the modern blues scene, has crafted an 11-track set that functions as both a tribute and a forward push, an homage to the architects of the genre and a statement about where blues-rock can still go.
FACEBOOK: https://www.facebook.com/alopezmusic4u
From the first crackling notes of opener “One More Time”, Retro Revival sets out its thesis clearly: emotion, storytelling, and guitar-driven firepower. Lopez’s Cleveland rock-and-roll roots are on full display in the track’s swagger, but so is his lifelong study of the British blues gods—Clapton and Page—whose influence infuses his phrasing without ever overshadowing his own voice.
“Your Lovin” brings a funk-tinged strut that recalls his genre-blending era on Yours Truly, Me…, proving that while ALX is currently working with a stripped-down three-piece format, they’re not interested in sonic minimalism. Lopez’s guitar fills the space with seasoned authority, bending and stretching the melody like a vocalist in its own right.
Traditionalists will gravitate toward “When I Sing the Blues,” a blues-rooted track built on the rich, emotive delivery that has earned Lopez comparisons to some of the genre’s most expressive singer-songwriters. This is where his mission—to inspire through emotive performance—comes through most clearly. It’s storytelling first, technique second, but the technique is undeniably formidable.
The heart of the album, though, lies in its wild card cuts. “What the World Needs Now” and “Angry” feel spiritually linked to the expansive narrative ambition of his 2022 concept triumph Nasty Crime. Lopez once again reflects on the world’s fractures: division, uncertainty, a society stretched thin. But instead of despair, he frames his observations with resolve. The blues is not just a genre—it’s commentary, catharsis, a call to stay awake…and even smile occasionally.
BUY ALBUM: https://alex-lopez-music-store.myshopify.com/
“Hey Little Sister” adds warmth and charm, while “Loving You Gave Me the Blues” dips into slow-burn heartbreak with the kind of precision only a veteran songwriter can deliver. “Name of Love” and “Black Hole” crank the rock energy up several notches, showcasing the muscular cohesion of the new ALX configuration. This three-piece format clearly brings out a rawer, more immediate side of Lopez’s playing.
The closer, “Keep on Living,” is an anthem with genuine uplift—an echo of Lopez’s long-standing blend of inspiration and electric blues grit. It’s the perfect note to end on, reflecting a career marked by evolution, resilience, and a relentless commitment to pushing the genre forward.
Retro Revival succeeds because it isn’t content to celebrate the past; it insists the blues still has something urgent to say. And with ALX behind the wheel, it does.
Gwen Waggoner
NEW ALBUM. Yellow Majesty releases debut album ‘APHANTAZIA’
With his debut album APHANTAZIA, Yellow Majesty – the musical moniker of Amir
Haj-Bolouri, artist, producer, and professor based in Gothenburg – expands his artistic universe into full scale. Comprising 14 tracks, the album presents a sonic landscape where philosophy, technology, and art converge, moving between the monumental and the intimate, the electronic and the human, the cerebral and the visceral.
APHANTAZIA is a journey through illusion, desire, and the search for meaning. The title refers to the condition of aphantasia – the inability to form mental images – yet within Yellow Majesty’s world it becomes a metaphor for the fractured relationship between modern humans and reality itself. Through music, lyrics, and sonic intensity, Haj-Bolouri explores questions of body, perception, presence, and loss — not as abstract ideas, but as lived experiences.
The album unfolds through contrasts: vulnerability versus violence, spirituality versus machinery, beauty versus distortion. Tracks such as APHANTASIA, FORGET ABOUT IT, YOU ARE AN IDIOT, and STALKER serve as portals into the same world — one where the human struggle for meaning collides with the technological mirror.
All music is written, performed, and produced by Amir Haj-Bolouri, who stands alone behind every aspect of Yellow Majesty’s creative vision. The album was co-produced and mixed by Aaron Rubin (Blink 182) and mastered by Maor Appelbaum (Faith No More, Sepultura, Yes). Ilan Rubin (Foo Fighters, Nine Inch Nails) appears on the title track, and the striking artwork for singles are created by Inari Sirola, whose surreal visual language mirrors the album’s emotional and conceptual core. The album cover, however, is created by the New York based artist Dima Djurchin. Finally, the album is accompanied with a handful of music videos, one of them directed and animated by Inari, and three others directed and produced by Nicklas Lärka and his colleagues.
Yellow Majesty is more than an artist name – it is an artistic persona embodying Haj-Bolouri’s ongoing exploration of meaning, technology, and transformation. As a researcher and professor of informatics, he has long investigated how technology shapes human experience; through music, these inquiries take on another form — physical, poetic, and electrically alive.
APHANTAZIA is not merely an album, but an existential composition for our time — a work where sound becomes a way to reconnect with what we risk losing: presence, emotion, and the human pulse within the digital noise.
FOLLOW YELLOW MAJESTY
Gareth Haze Bursts Presents Introspective Rock with Teeth in New EP ‘Stranger in a Strange Land’
South African-born, London-based Gareth Haze crashes onto the scene with his debut EP ‘Stranger in a Strange Land’, and honestly, it’s a bloody thrill ride. Fronted by the stunning single ‘Stars’, Haze fuses introspective folk vibes with the raw electricity of rock, pop, and blues, creating a sound that’s as emotionally charged as it is sonically expansive.
‘Stars’ hits like a cosmic gut-punch. Rough-edged vocals ride over shimmering guitars and airy synths, balancing eerie melancholy with sparks of hope. You can hear shades of The Smashing Pumpkins’ grit, Jimmy Eat World’s anthemic drive, and Radiohead’s atmospheric tension, yet Haze somehow makes it all feel uniquely his own. It’s cinematic, it’s haunting, and it lingers long after the last note fades.
The EP dives deep into themes of mortality, impermanence, and introspection, but never at the expense of heart. There’s a DIY, unpolished energy to Haze’s performances, passionate, raw, and alive, that makes you believe every word he sings. As he puts it, “It’s more important to leave a loving legacy for those close to you.” That personal touch shines through on every track, making this debut feel intimate and immediate.
Whether it’s just him and an acoustic guitar or a full-band wall of sound, Gareth Haze proves that he’s a restless, ambitious talent unafraid to wear his heart on his sleeve. Stranger in a Strange Land is a statement: emotion trumps perfection, and rock’s soul is alive and well.
Verdict? A haunting, heartfelt debut that’s brimming with potential. Keep your eyes (and ears) on Gareth Haze, he’s one to watch.
Sleeper Signal Enters 2026 with Impact, Intensity and More Music on the Way!
Sleeper Signal continues to shape its identity within Nashville’s post-grunge and hard rock scene, and their 2025 output confirms that the band is operating with growing confidence and focus. Across several new singles, each paired with an official video, the group reveals a clear creative direction and the beginnings of a larger chapter that will culminate in their fourteen-song album slated for summer 2026.
“Gone Together,” introduces a tone of reflection paired with the intensity that defines their sound. The video offers a visual landscape that aligns with the band’s emotional undercurrent and reinforces why listeners are responding to their authenticity. “Say No More” follows with a force that reflects the band’s post-grunge roots, and the video underscores their ability to match narrative atmosphere with musical intention. “Leave You Alone” adds another dimension to their 2025 catalog and revealing the band’s continued growth as storytellers.
Nashville has always been a home for hybrid styles, and Sleeper Signal stands out by leaning into rock with sincerity rather than imitation. Their commitment to crafting songs that resonate is evident in all three of these gems and in the care shown in each accompanying video. If these early impressions are any indication, Sleeper Signal is positioning itself for a strong breakthrough year in 2026.
Michel François Re‑Releases We Are One Family — A Global Anthem of Unity in English, French, and Spanish
International artist Michel François proudly announces the re‑release of his inspiring anthem We Are One Family, now available as a trilingual EP featuring English, French, and Spanish versions. Accompanying the release is a new thirty‑second commercial that captures the song’s timeless message of unity, hope, and human connection.
In a world that often feels divided, We Are One Family reminds listeners that the spirit of togetherness transcends borders and generations. More than a song, it is a movement that bridges cultures and hearts, inviting people everywhere to celebrate what unites rather than separates them. Reminiscent of the iconic charity anthems We Are the World and Do They Know It’s Christmas?, Michel François’s We Are One Family carries forward the same spirit of compassion and collective hope that defined those timeless classics. Yet, it speaks directly to today’s world, one marked by both global challenges and a renewed longing for connection. The song’s message is universal: despite our differences, we share one humanity, one heart, and one home.
https://open.spotify.com/album/09kb5hzLU2ESHL7o3lmdoz?si=OCwdRYHCRM-5ycP1Y_Ky_Q
This campaign positions the track as both a universal anthem of unity and a holiday song of hope, echoing the emotional resonance of those legendary collaborations while offering a fresh, contemporary voice for a new generation. The accompanying commercial brings this message to life through cinematic visuals and heartfelt storytelling, reinforcing the belief that music remains one of humanity’s strongest bonds. As a holiday release, We Are One Family captures the essence of the season—warmth, generosity, and belonging. It celebrates the shared humanity that defines the holidays, reminding audiences that family extends beyond bloodlines to include friends, neighbours, and communities across the globe.
Michel François’s trilingual approach ensures that the song’s message reaches audiences worldwide, reflecting the universal language of music and the enduring power of compassion.
About Michel François
Michel François is an international singer‑songwriter known for his uplifting, cross‑cultural music that blends heartfelt lyrics with global rhythms. His work celebrates unity, love, and the shared human experience, inspiring audiences around the world.
Mountain Climer Announces New Single “Every Other Weekend,” Out December 5th
Colorado – December 5, 2025 — Indie rock singer-songwriter Mountain Climer, the solo project of Colorado-based artist Jeremy Climer, announces the release of his stirring new single “Every Other Weekend,” available on all streaming platforms Friday, December 5th. Preview Here!
Written in 2010 and held close for more than a decade, “Every Other Weekend” is one of Mountain Climer’s most intimate and emotionally layered songs to date. Inspired by a close friend’s near-separation and shaped by Jeremy’s own experience growing up as a child of divorce, the track explores the fragile edges of long-term love, complacency, and the fight to keep a family together.
“This song hung around for a reason,” Jeremy reflects. “My friend was going through a separation at the time. They ultimately worked it out, but as someone who lived through divorce as a kid, I told him to exhaust every possibility for the sake of his twin daughters. Their story was common. They kind of accidentally fell into a very good thing and then got complacent and almost lost it all.”
Produced and engineered by legendary producer Paul Mahern (John Mellencamp, Iggy Pop, Lily & Madeleine), “Every Other Weekend” showcases Mountain Climer’s signature blend of indie rock, alternative rock, and power pop. Mahern’s hands-on vocal work became pivotal to the song’s final emotional impact.
The single also features standout performances from Mountain Climer’s trusted collaborators, including Devon Ashley on drums and percussion, Shannon Hayden on guitar, and Heidi Gluck. Gluck’s harmonies and response vocals, recorded independently in her home studio, add depth and resonance to the song.
“It’s a crime Heidi isn’t a household name,” Jeremy adds. “Her harmonies lifted this song into something bigger.”
ABOUT MOUNTAIN CLIMER:
Mountain Climer is the solo project of Jeremy Climer. He is a singer-songwriter and multi-instrumentalist whose music blends decades of exploration across punk rock, indie, and Americana. A native of Columbus, Indiana, Jeremy has lived and created across Los Angeles, Chicago, Louisville, and Colorado. His work combines raw emotional storytelling with a refined approach to production, shaped through collaborations with notable figures such as Bill Stevenson, Paul Roessler, and producer Paul Mahern. His full-length album Before You Turn Out the Lights (May 2025) stands as his most ambitious and sonically expansive work to date.
CREDITS:
Written by Jeremy Climer
Produced and Engineered by Paul Mahern at Primary Sound Studios and Mahern Audio
Jeremy Climer – Vocals, Guitar, and B3
Devon Ashley – Drums and Percussion
Heidi Gluck – Bass, Piano, and Vocals
Shannon Hayden – Guitar
STREAM AND FOLLOW MOUNTAIN CLIMER:
Instagram | Bandcamp | Spotify
Giulio Greco Finds Solace and Strength in Debut Single ‘I’ll Be Your Home’
Milan-born, internationally seasoned artist Giulio Greco makes a striking entry into the music world with his debut single, “I’ll Be Your Home”. A multifaceted creator whose career spans theatre, film, and television, Greco channels his global experiences into a poignant and intimate exploration of love, vulnerability, and emotional renewal.
Raised with Italian, Belgian, and German roots, Greco’s artistic journey began early, appearing in television commercials as a child and later hosting over eighty nights of live music and theatre at Forte Village. His professional path has taken him across Paris, Los Angeles, New York, and Tbilisi, shaping a sound that is both cosmopolitan and deeply human.
Produced by Francesco Arpino, “I’ll Be Your Home” embraces stripped-back pop with a tender, melancholic edge. Greco’s vocal delivery carries a raw emotionality, reminiscent of early Shawn Mendes and Justin Bieber, as he transforms moments of fracture and silence into a heartfelt promise of refuge. The song’s lyricism reflects on the power of being someone’s safe harbour in times of uncertainty, turning vulnerability into strength.
“‘I’ll Be Your Home’ was born out of moments of fracture, those times when life’s challenges leave their mark and silence speaks louder than words. Yet it’s through those cracks that tenderness arises: the ability to offer refuge, to become a home for someone, and to rediscover love in its purest form.”
As the first glimpse into his upcoming album, ‘Believe – Coming Out from the Shadows’, the single sets the tone for a collection centered on resilience, renewal, and the transformative power of emotional honesty. “I’ll Be Your Home” is an invitation to find connection, compassion, and a sense of belonging through music.
Qymira Enters A Cinematic Chapter With Striking ‘Shadow Transit’ Main Theme ‘Shade Of My Shadow’
With the new single ‘Shade of My Shadow,’ Qymira steps confidently into a new artistic frontier – one where her worlds of pop stardom, orchestral composition, and now acting coalesce into a single, striking statement. Released ahead of the upcoming action-noir Shadow Transit (Pedring Lopez), the track serves as both the film’s official theme and a mirror into the protagonist Celeste, played by the rising star in her very first leading role.
Musically, ‘Shade of My Shadow’ is an arresting fusion of sweeping orchestral arrangements and emotional introspection. The piece moves fluidly between cinematic crescendos and moments of fragile stillness, heightening not only Qymira’s vocal command but to her ability to channel narrative through composition.
Arrangement from The Qymira Symphony Orchestra adds a magical touch, elevating the track into something that feels both intimate and mythic – a sparkling echo of the character’s search for truth within her own fractured memories.
As anticipation builds following the film’s premiere at QCinema International Film Festival and official trailer release, ‘Shade of My Shadow’ offers a compelling first glimpse into the mysterious universe of ‘Shadow Transit.’ Haunting, ambitious, and meticulously crafted, the theme stands on its own as a transportive musical experience while setting the stage for Qymira’s most daring creative chapter yet.
Amber Gomez Single ‘I’m Not Black and Blue’ from the album ‘For Those Who Couldn’t Keep Me’
Amber Gomez has long been active in the indie/pop scene as lead singer of the pop group Venus In Bluejeans who had a hit with their 2006 cover of The Beatles’ “Across The Universe”. In 2025, Amber makes a comeback in her solo career with her latest single, “I’m not Black and Blue”.
This single appears on her upcoming album, “For Those Who Couldn’t Keep Me,” guided by longtime collaborators Les Fradkin and Loretta Pieper, who come on board as producers/composers.
https://ambergomez.bandcamp.com/track/im-not-black-and-blue
I’m Not Black and Blue follows contemporary pop sensibilities, but also reflects a mature artist still refining her voice and sound. The instrumentation, arrangement, and overall sonic texture feel fresh and innovative, but there’s that touch of early 2000s pop-rock lingering in the background.
This is partly due to the heavy synth backing on the track that’s layered with a bit of distortion on the vocals. Gomez’s performance is also reminiscent of Lady Gaga’s early work, as she delivers powerful moments in the chorus with conviction and clarity while also showing great control on the more subtle phrasing.
While the production is clearly electropop at its core and engineers the track without hiding that identity, there is a faint undercurrent of folk-pop energy that softens the synthetic brightness. It gives the song some emotional grounding that highlights the introspective, melancholic songwriting.
The lyrical identity of “I’m Not Black and Blue” is clear and simple with lines like “I can’t hand you the world or everything in it” forming an irresistible hook for the chorus.
However, there is little metaphor or imagery in the verses, which is perhaps a sign that the song intends to stay in the lane of a pop hit and nothing more.
“I’m Not Black and Blue” isn’t a perfect song, but it’s a commendable one that showcases Amber Gomez’s vocal strengths and pop instincts. It’s a satisfying listen that offers a polished, hook-driven pop experience. This single is a solid foundation for Amber’s upcoming album, and we can’t wait to see how she evolves from here.
Site / Socials –
https://www.facebook.com/profile.php?id=61584447590527#
https://www.amazon.com/music/player/artists/B004SUTKOU/amber-gomez
https://www.reverbnation.com/ambergomez
Liz Luceris Reflects on Spiritual Resilience and the Music Born From It
Liz Luceris Reflects on Spiritual Resilience and the Music Born From It
November, 2025 — Liz Luceris is a cinematic composer and singer-songwriter whose work is deeply shaped by her spiritual life and the quiet resilience that faith has offered her. Trained in classical composition and film scoring at Berklee College of Music, AIR Studios, and Budapest Scoring, she has built a career defined not by spectacle, but by a steady, contemplative devotion to beauty, vulnerability, and truth. Her releases, including “In Vain,” “Blessing for a Broken Shelter,” and the EP Hommage à Byron, stand as touchstones in a much larger and more personal story.
Luceris describes her faith not as a brand or aesthetic, but as an interior anchor that carried her through years of chronic illness, mental health struggles, and long stretches of isolation. She does not frame these experiences as tragedy. Instead, she likens them to St. Paul’s thorn, a burden that shaped her, refined her, and ultimately created the conditions for something deeper and more meaningful to emerge. “Music became the vessel gifted to me where I could offer beauty and strength through a broken life,” she explains. “Especially through this broken life.”
This perspective shapes every part of her work. “Blessing for a Broken Shelter,” for instance, was composed as a quiet prayer for mercy and protection. It was written not from triumph, but from surrender, and from the belief that strength and brokenness can coexist. “Not because I have overcome everything,” she says, “but because God lets strength and brokenness live side by side in me, and through me.” The song’s sparse arrangement mirrors this invitation into humility and gentleness, creating a sonic refuge for listeners who carry their own forms of suffering.
“In Vain,” with its restrained orchestral landscape, and the literary-inspired Hommage à Byron EP further reveal her commitment to making music that is both emotionally honest and spiritually rooted. These works are less about self-expression and more about service, written in the hope that they might accompany someone else through their own quiet valleys. Luceris views these pieces not as personal statements but as offerings, shaped by the belief that art can console, strengthen, and restore. Her music is built to hold space for those who feel unseen or forgotten.
Across genres including cinematic pop, orchestral indie, neo classical, and art pop, Luceris blends formal training with contemplative depth. Her influences extend beyond music into theology, psychoanalysis, literature, and spiritual tradition. This interdisciplinary approach creates a sound that feels both intimate and expansive. Every composition reflects her desire to honor the sacred within the ordinary, the transcendent within the wounded, and the grace she finds in the everyday act of making music.
Her projects, though varied, share a consistent inner thread. They affirm that beauty can emerge from difficulty, that creation can arise from uncertainty, and that faith can shape artistry in ways that are subtle, sincere, and deeply human. This is the story Liz Luceris continues to tell through her work. Her music is not a chronicle of suffering or survival. It is a testament to the quiet endurance of the spirit and an offering of comfort to anyone walking their own hidden road.
Liz Luceris Online:
Laura Cheadle + The Girls Bring “All The Peace For Christmas”
How about a fresh, new Christmas song to help get you in the holiday spirit? If you answered yes, then Laura Cheadle + The Girls have got you covered with the new single titled “All The Peace For Christmas”. With a positive theme and festive mood, “All The Peace For Christmas” has a very cool and friendly vibe. It’s all about love and kindness especially during this Christmas season, so be sure to add “All The Peace For Christmas” to your playlist. Laura Cheadle + The Girls are playin’ & singin’ in a winter wonderland and not afraid to show their holiday spirit. ENJOY!
Jimmy Rae: I’m very excited to talk about your new single “All The Peace For Christmas” and how did the idea come about for this song?
Laura Cheadle: I had an idea for about a month about writing a Christmas song about everyone being free this Christmas. I really wanted to have a song that promoted peace, no matter who you are, who you love or where you’re from. I sat down one morning and said to Michelle (who is in Laura Cheadle + The Girls) and said ‘Play some jazzy chords’. From there, the melody and lyrics poured out of us. We knew it was something special because it was written within an hour.
Jimmy Rae: This new single has a very chill vibe and friendly demeanor that fans will love! How did it feel when you were recording this track originally and did it come out exactly how you had planned it?
Laura Cheadle: We had it ready to go and recorded it in one session. We knew exactly what we wanted and it all flowed so beautifully! I wanted it to be a fun acoustic vibe that everyone could easily bop around to. You can hear me playing bongos and tambourine on it, which was so fun! Michelle plays guitar and bass and even harmonized with me on background vocals! I sang the lead vocal very quickly because it just flowed!
Jimmy Rae: There is a very positive message in the title alone and wonder what “All The Peace For Christmas” means to you and The Girls personally?
Laura Cheadle: “All The Peace For Christmas” is about having the freedom we all deserve, no matter who you are, or who you love, to live at peace during this holiday season.
Jimmy Rae: The Christmas season is a wonderful time of year and my favorite time of year to be honest, just due to the spirit of it all. What makes the Christmas season extra special for you and The Girls?
Laura Cheadle: I am truly in the spirit this year! We have a full Holiday tour this year promoting the song all over television and music venues!
I really am making it my goal to promote peace, with all that is happening in the world right now.
Jimmy Rae: I LOVED the music video for “All The Peace For Christmas”! (https://www.youtube.com/watch?v=sr3QEgDBXuY&t=112s)
It was very entertaining and had a festive feel complete with cool snow effect ! Where did the idea come about to make a video and where was the video shot?
Laura Cheadle: This also happened seamlessly! Our social media girl Hope Hahn filmed and directed the video. Michelle came up with the idea to film in front of City Hall Philadelphia and it happened to be the perfect day for it. We then went to several other locations in Philadelphia including Cherry Street Pier! I think everyone is loving the scenery and background of Philadelphia! Philadelphia represents freedom so it’s the perfect backdrop for this song.
Jimmy Rae: With us celebrating Thanksgiving recently, what are some of your favorite traditions and favorite foods?
Laura Cheadle: I am vegan so I make my special Vegan Tofu Turkey, vegan Mac and cheese, vegan green bean casserole!
Jimmy Rae: Staying with Thanksgiving, love to know your Top 10 or Top 5 List of Things You’re Most Thankful For?
Laura Cheadle: I truly am thankful to be advocating for women and the LGBTQ+ community with my all-girl band ‘Laura Cheadle + The Girls. I truly am on a mission with joyful music. I love being a musician and using my platform as a voice for those who need it. This past summer, we toured all over the country and internationally performing at LGBTQ+ Pride events.
Jimmy Rae: How has the response been thus far for your song “All The Peace For Christmas”?
Laura Cheadle: It really has been amazing! People are responding to this song because I know deep down, we all just want peace in this world. I can’t wait for this Holiday tour to begin soon!
Jimmy Rae: Can you tell the Skope readers about any upcoming performances or appearances for Laura Cheadle + The Girls?
Laura Cheadle: Absolutely! You can check out our entire tour coming up: LauraCheadle.com/tour
Here are our holiday tour dates!
Jimmy Rae: With the holiday season upon us, what are your plans on the whole and what are your personal goals?
Laura Cheadle: I will be a busy Christmas elf this season performing all over national television and at venues in the Tri State area. Look out for us on TV!
Jimmy Rae: I’m sure the Skope Universe would love to know what are some of your favorite Christmas songs AND Christmas movies?
Laura Cheadle: My favorite Christmas song is definitely “The Christmas song” because it gives me that cozy feeling! My favorite Christmas movie lately has been Jim Carrey’s
“The Grinch Who Stole Christmas” because it’s so fun to watch.
Jimmy Rae: Looking ahead to 2026, what’s on tap for Laura Cheadle The Girls and what do you hope to achieve as a band?
Laura Cheadle: I will have major announcements coming up music career-wise as something huge is coming so stay posted on all of my socials! We are touring all through the holidays, have a brand new music coming out in March for our song “Lola Has A Girlfriend” and already booking for 2026! Check out the dates and more at Lauracheadle.com.
Jimmy Rae: I always end my interviews on a positive note and so with that, what are some simple things we can do on a regular basis to bring a just little joy to a person’s life? How do we make the world smile more, one day at a time?
Laura Cheadle: Please just treat people with absolute kindness. The world needs more of that!
By Jimmy Rae
@skopemag – Janet Devlin Album Review
Expanding on last year’s Emotional Rodeo, this 22-track deluxe release isn’t padded out with throwaways or novelty ex Janet Devlin has never been an artist to sit comfortably inside one box, and with ‘Not My First Emotional Rodeo (Deluxe)’ she blurs the lines between country, Americana, pop, and rock, stomping straight through them in worn leather boots and proving she belongs on every side of the fence.
tras. Instead, it feels like the second half of a story that was simply too big for one album. There’s grit, melody in abundance, and emotional weight that actually lands.
‘Candy’ rides on upbeat momentum and glossy hooks, but there’s a knowing edge beneath its sugar coating. ‘If He Wanted To He Would’ slows the pace, leaning into restraint and quiet frustration. On the opposite end of the spectrum, ‘Psycho Ex’ is sharp, playful and unapologetically dramatic, proof that Devlin can still have fun with the chaos without dulling its bite.
Across the full tracklist, her voice stands out the most. It’s instantly recognisable, smoky without being heavy, fragile without ever sounding weak. There’s a rawness to the way she sings that anchors even the most radio-friendly moments. Tracks like ‘Best in You’ and ‘Hooked’ pull everything back to basics, letting melody and emotion lead rather than production tricks.
Unlike many deluxe releases that feel like contractual obligations, ‘Not My First Emotional Rodeo’ feels necessary. These songs complete the emotional arc Devlin started on the original album. With heartbreak, defiance, nostalgia, humour and a restless search for meaning running through the entire collection.
https://open.spotify.com/album/5Sq35GVxpr2cxYp6jFJJB1?si=oifIp9ZaTOmx342wno2XDQ
Samuel Evanson Rings in the Holidays with Sparkling New Single ‘Christmas Bells’
Welsh singer-songwriter Samuel Evanson closes out 2025 with his festive single, ‘Christmas Bells’, a sparkling fusion of 1980s-inspired synth-pop and modern indie-pop sensibilities. Following the critical acclaim of his debut album ‘We Are Meant To Break The Rules’ and award-winning singles like ‘He Gave Me Nothing’, Evanson delivers a track that captures the magic, uncertainty, and warmth of the holiday season.
Evanson’s knack for storytelling shines through in ‘Christmas Bells’, transforming a familiar holiday theme into something deeply personal and relatable. The track balances introspective lyricism with buoyant pop production, creating a sound that is both reflective and celebratory. With its infectious hooks and emotional resonance, the single positions Evanson not just as a rising star in the indie-pop scene, but as an artist capable of redefining seasonal music for a new generation.
Built on glistening synths, driving drums, and his emotive vocals, ‘Christmas Bells’ nods to the timeless charm of WHAM! while embracing the playful edge of contemporary pop. Personal and heartfelt, the song reflects the early stages of a new relationship, balancing nostalgia with forward-thinking pop craft. Evanson’s latest release is a standout addition to the holiday music landscape, showcasing his ability to blend emotional depth with irresistible melodies.
Argyro’s “Lifeline”: A Pop Gospel for the Fractured and the Fried
Some songs don’t ask permission before they kick down whatever emotional drywall you’ve slapped up to get through the week. Argyro’s “Lifeline” is one of those—less a single than a flare shot from the deck of a ship we’re all pretending isn’t sinking. And if you think that sounds dramatic, wait till you hear the track itself, because Scott Argiro (yes, the Glitterati guy, yes, the Amazon Prime Christmas-movie heartthrob, yes, the drummer-turned-cinematic-pop-savior) isn’t dealing in half-measures here. He wants unity, compassion, connection—big words, big ideals—and he’s weaponized every instrument in his studio to drag you toward them.
“Within, without, above, below, between…” he murmurs at the top, like he’s trying to map the coordinates of the human condition on a fogged bathroom mirror. Then the song opens—really opens—into that widescreen pulse he’s been perfecting since Glitterati, that sleek pop sheen fused to a drummer’s intuition. Everything is precise but never sterile. Argyro handles the drums, bass, keys, guitars, vocals—hell, if there were a kitchen sink lying around he’d probably mic it and make it shimmer.
https://open.spotify.com/album/2Ab3Ac05081ZoodS5RO5PR?si=cca3cfc359bd437d
What hits hardest is the knife-edge earnestness. Most artists dodge sincerity because it’s easier to hide behind irony or nihilism, but Argyro charges straight into the heart of the matter like he’s got something to prove. Maybe he does. Maybe we all do. “Everyone’s tongue / is shaped like a knife,” he notes, and suddenly the glossy pop veneer cracks just enough to show the raw nerve underneath. If that line doesn’t land with you, congratulations on whatever quiet utopia you’re living in.
But then he pivots—because this is a guy who refuses to leave you in the dark. “We are lightning in a bottle / We are stardust in the sand.” Corny? Maybe. True? Absolutely. It’s the sort of lyric that would’ve gotten him mocked in certain scenes ten years ago, but right now sounds like the exact kind of cosmic pep talk the world needs before it collapses into another comment-section civil war.
And when he belts “Throw me a lifeline tonight”—that’s the gut punch. Not a plea. Not even desperation. More like a rallying cry for anyone who’s bone-tired from pretending everything’s fine. It’s the hook you’ll still be muttering to yourself in the frozen dinner aisle three days later, whether you want to or not.
“Lifeline” isn’t just Argyro’s strongest 2025 showing—it might be his manifesto. A shimmering, pulsating reminder that even in the endless noise, someone somewhere is still leaving the light on.
And honestly? That’s enough to grab the rope.
–Leslie Banks
New Music Out By ttwig
With a unique sound, ‘Hang Ten Colors to Catch the Sun’ is a gorgeous sonic journey from start to finish. A cohesive family of songs that call to all five senses (maybe six or seven if you give yourself an uninterrupted 40min listening experience with great headphones).
‘I Wanna Be A Dog’ is the second single from ttwig’s newly released sophomore album, ‘Hang Ten Colors to Catch the Sun’! The title was inspired by a poster spotted in a Venice surf bar bathroom in 2019, and when a creative surge hit during lockdown in 2020, it became the perfect name for the collection of songs that emerged alongside his debut album ‘Mindless Meadow’. California’s influence runs throughout: from a reflective solo drive down the Pacific Coast Highway in a 2016 Subaru named Betty, to a life-changing Big Sur sunset captured on 35mm film that became the album cover. Every piece of artwork for the record was shot on 35mm and later color-edited to reflect the kaleidoscopic hues ttwig hears in the music.
“It has been an absolute joy finding my voice as ttwig, and I am so thrilled to let this body of work out into the wild. I truly hope it resonates with you in some way, shape, form or color.”
While ttwig is the psych/indie outlet, the artist also continues to release music under JUICEB☮X, a project that has earned recognition on Spotify playlists including AlternaRap and Modern Psychedelia. Beyond solo work, they are one-half of Figmore, whose debut album was named one of the Top R&B Albums of 2021 by NPR and received airplay on KEXP, KCRW, Ebro in the Morning, Soulection Radio, and more.
‘I Wanna Be A Dog’ is a kaleidoscopic fusion of nostalgia, humor, and raw emotional longing. Blending psychedelic rock, indie, alternative rock, and bedroom pop, ttwig creates music that feels at once brand new and strangely familiar: music you’ve never heard, but still remember.
Anchored by an irresistibly infectious bassline, ‘I Wanna Be A Dog’ is a hazy swirl of psychedelic textures, playful but heartfelt lyrics, and an atmosphere that channels Toro y Moi, Tame Impala, Crumb, Men I Trust, and Hether. Written during lockdown in Los Angeles, the song poured out like an out-of-body experience:
“I came up with the bassline, and before I knew it, the other instruments pieced themselves together. I watched from a bird’s-eye view as I moved from bass to drums to guitar, sprinkling trippy details. Then came the lyrics: inspired by the beauty of a dog’s existence—living in the moment, totally loved, and never questioning their instincts.”
With tongue-in-cheek wit delivered in a semi-British accent, the track captures the carefree emotional purity of wanting to live life as a dog. The music video extends this surreal vision, reimagining ttwig as a chunky PS1/N64 character, navigating portals built from 35mm photos that double as the record’s artwork and immersive world.
With ‘I Wanna Be A Dog’, ttwig solidifies their identity as a psychedelic shapeshifter, an artist transforming the familiar into something surreal, heartfelt, and wholly unique.
‘Hang Ten Colors to Catch the Sun’ & ‘I Wanna Be A Dog’ are out now on all major streaming services!
‘Hang Ten Colors to Catch the Sun’ – BANDCAMP
‘I Wanna Be A Dog’ Music Video
“In the City”: Cathleen Ireland Finds Soul, Light, and Limitless Groove in a Skyline of Possibility
On In The City, Pittsburgh singer, songwriter, and producer Cathleen Ireland situates herself at the crossroads of aspiration and affirmation. Her songs aren’t about escape—they’re about belonging, about rediscovering joy in familiar places and finding light in the ordinary pulse of urban nights. With this album, Ireland bridges R&B sophistication, pop precision, and a distinctly personal lyricism that turns everyday moments into affirmations of vitality and connection.
The title track, “In The City,” opens the record with a rush of color and rhythm. A crisp, syncopated groove underlines her declaration—“I wanna taste that city life, let’s go to the city tonight.” It’s less a party anthem than a call to reawaken the senses. The lyrics evoke Pittsburgh’s geography—tunnels, rivers, inclines—but their spirit reaches beyond any one skyline. Ireland isn’t just describing a place; she’s describing a state of mind: the reanimation of soul through movement, music, and proximity.
That search for emotional renewal threads through the entire record. “Strategic” slides effortlessly into slow-burn R&B, balancing intimacy and restraint. The track’s refrain—“No need to be strategic, you got me body and soul”—subverts the contemporary tendency toward guarded love songs. Instead, Ireland opts for vulnerability, for directness. It’s music about dropping the performance and simply being, even as it arrives wrapped in sleek, modern production.
Her sound palette reflects an artist unafraid of dualities. On “Coastin’,” breezy guitars and buoyant percussion evoke sunlight and self-contentment, while her lyrics express gratitude so sincere it borders on prayer. “I’m thankful, grateful, I’m so blessed to be here,” she sings, the melody floating with the ease of someone who’s finally stopped looking for permission to feel joy. There’s a tactile warmth to her production—bass that hums like heartbeat, vocals that stay close to the ear, and arrangements that shimmer rather than shout.
https://www.youtube.com/watch?v=lrNGAm0keA8
Then there’s “Breathe,” arguably the album’s emotional centerpiece. Over an assertive beat and luminous keys, Ireland delivers a mantra for perseverance: “You got this, girl.” In lesser hands, such a lyric might sound trite; in hers, it lands as hard-won truth. She sings from experience, giving voice to the modern multitasking woman who juggles careers, caregiving, and creativity while searching for a moment to exhale. The song transforms daily exhaustion into empowerment, bridging pop accessibility with genuine catharsis.
By the time “Proud of Me” closes the record, the arc is clear. Ireland has built an album not just of songs, but of stages—a journey from craving to confidence, from hunger to fulfillment. “I just wanna make you proud of me,” she sings, but there’s no desperation in her delivery. Instead, there’s quiet triumph. The approval she seeks may start outwardly, but it circles back inward.
In The City is an album of grace and grit—rooted in the rhythms of lived experience, elevated by melody, and sustained by conviction. Cathleen Ireland doesn’t reinvent pop; she humanizes it. And in doing so, she reminds us that sometimes the most radical sound in music isn’t rebellion—it’s sincerity.
–John Parker
