Karen Atkins Presents “Somebody”

Lovers everywhere know that magical instant where they’re certain that they’re exactly where they’re meant to be. They’ve found their partner, everything seems exactly right, and the future opens up like a flower. If people have been there, it’s unlikely that they’ll ever forget it. But should they need a gentle reminder, there’s “Somebody,” the new single by the pop singer-songwriter Karen Atkins. In three glorious minutes, she’s captured the moment of realization in all its color, majesty, excitement, and promise.

That’s nothing new for Atkins, a songwriter who specializes in channeling effulgent emotional states. Her songs grapple with the extraordinary illumination available to ordinary people — through love, new experiences, and learning to see the world differently. Profound optimism radiates from her grooves: even when she’s singing about a problem, sunlight is always breaking through the clouds. In part, that’s because of her effortless sense of melody, her sweet, catchy, easygoing beats, and the intimacy and compositional skill exhibited in her candid songwriting. But it’s also attributable to the magnetic quality of her voice. Atkins is a talented everywoman with an approachable delivery and subtle self-confidence that comes through in every note she sings. Hers is the voice of the spiritual counselor, of the trusted friend, of the inspired motivator, of the secret crush.

Where does that quiet swagger come from? Atkins has the balance of the person who is properly centered and wide open to the universe, and that generosity is audible in the music she makes. From its first piano chords to its last ringing strum, “Somebody” is all brilliant positivity, exuberance, and wide-eyed wonder at sudden romantic happenstance. Atkins’s self-directed video for “Somebody” tells a similar story. The camera captures the star on a beach in Caribbean Mexico, watching the sunrise, descending the steps of a resort, making friends, and shining with excitement and hope. It’s a gorgeous day she’s showing viewers — one filled with promise and opportunities to be seized. Wherever she goes, she turns her roving lens on other people, and travelers, residents, and hospitality workers alike share in a joy that can’t be contained. Atkins approaches the camera like it’s an old friend she hasn’t seen in a while, and she can barely restrain her affection and enthusiasm. She smiles, her friends smile, strangers smile, and before long, the whole world feels like it’s smiling right back.

Follow Karen Atkins
https://www.karenatkinsmusic.com/
http://www.youtube.com/user/karenjatkins

@skopemag news – Friday – March 29, 2024 @ 7 am est

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Nikitaa Releases “Godless”

Vanderwolf Shares “Colston” Single + Visualizer via Galore | New LP ‘The Great Bewilderment’ Out Now

VANDERWOLF SHARES “COLSTON” SINGLE + VIDEO – THE GREAT BEWILDERMENT LP OUT NOW

Kaspa Makes A Micro Movie Sequel With New Video “New Beauty Same Chaos”

https://ffm.to/70z83pg

Maya J Releases Sassy New Track “Princess”

https://lnk.to/PRINCESS.MayaJ

HIPPOTRAKTOR: Belgian Progressive Post-Metal Quintet To Release Stasis LP Through Pelagic Records June 7th; “Silver Tongue” Video Now Playing + Preorders Available

Thrash Metal Act Comaniac Unleashes Intensity with “Desolation Manifest”

Vern Daysel’s Classic Album “Blood of a Wolf” Gets Revamped!

https://www.verndaysel.com/bloodofawolf

ECMA Songwriter of the Year Kellie Loder Shares Emotional Single “The Month of May”

https://ffm.to/kellieloder-themonthofmay

Canada’s DEATH CLUB Release Debut Album “Betrayal” and Music Video “Bring Me Home”

BBeéle y Kany García Presentan su Nuevo Sencillo “Me Arriesgo Contigo”

ÁLVARO DÍAZ FEAT. RAUW ALEJANDRO: “BYAK”

https://alvarodiaz.lnk.to/DOXHQHUR

1999 WRITE THE FUTURE RELEASE “PUMP IT UP ε=┌(^_^)┘” FEAT. RICH BRIAN AND TIACORINE

https://1999writethefuture.lnk.to/PUMPITUP

ELLE DARLINGTON WANTS “one more night” IN NEW SINGLE

https://elledarlington.lnk.to/onemorenight

ANYMA RELEASES HIGHLY ANTICIPATED ALBUM ‘GENESYS II’ VIA AFTERLIFE/INTERSCOPE RECORDS

https://anyma.lnk.to/genesys-II

KINGS OF LEON RELEASES NEW TRACK “SPLIT SCREEN” FROM UPCOMING ALBUM

Over 20 million streamed Artist: straddling line between cross genre banger

elijah woods shares new ep, ‘silver lining’

https://elijahwoods.lnk.to/silverlining

Hell:on Drops Official Music Video “When The Wild Wind And The Soul Of Fire Meet”

FEEDER share new single ‘Hey You’ | New double album ‘Black / Red’ out 5th April 2024 | UK instore performances begin next week

MEDIA RELEASE | St. Vincent today releases second advance track ‘Flea’

MEDIA RELEASE | Xavier Rudd unveils new EP ‘Freedom Sessions’

https://xavierrudd.lnk.to/freedomsessions

MEDIA RELEASE:: CLOE WILDER SHARES NEW SINGLE ‘AFTERGLOW’

MOFFA KEEPS IT REAL ON NEW SINGLE “RAITRÚ”

https://sonar.fanlink.tv/Raitru

New single + lyric video // genre bending lyrical odyssey

ZERB and The Chainsmokers Combine Forces for Must-Hear Collaboration “Addicted”

BLU DETIGER RELEASES DEBUT ALBUM “ALL I EVER WANT IS EVERYTHING”; TOUR STARTS APRIL 25!

https://bludetiger.lnk.to/AIEWIE

DESTINY MALIBU Releases “VAMOS”

“In an effort to bring our world a message of hope, reflection, and peace. “Vamos” was made to encourage us to put our boxing gloves down, our differences aside, and to heal through the power of music as we all dance together as one.” – Destiny Malibu

https://destinymalibu.com/home

“Vamos” from Destiny’s Pop Album “Sweet Persuasion”, is the follow-up music video to her previous release “Peace 2020”. Both music videos were filmed in a boxing ring in Malibu, California. While “Peace 2020” showcases two men fighting inside the ring, “Vamos” showcases men and women of all different ethnicities dancing together with the lyrics, “Don’t wanna fight no more, I’ll agree, to disagree just come and dance with me”.

@skopemag news – thursday – March 28, 2024 @ 3 pm est

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NYC Singer-Songwriter Kathy Zimmer Shines Bright with ‘Top Shelf’: A Captivating Musical Journey

LEIGH-ANNE SHARES NEW TRACK ‘STEALIN’ LOVE’ OUT NOW

https://leigh-anne.lnk.to/stealinlove

HOBO JOHNSON RETURNS WITH TWO BRILLIANT BRAND NEW SINGLES “DADS BED” & “METAVERSE”// LISTEN HERE

Jet City Sports Club return with highly anticipated sophomore EP ‘Every Single Dream’

https://ffm.to/jcsc_everysingledream

Toronto DJ/Singer/Songwriter Flavia Abadía Trades Florals For Fun On “YNQF”

DMA’S and Ruel join forces for new single ‘What A Life’

https://rueldmas.lnk.to/WhatALife

Paige Bea Shares Arresting New Alt-Pop Single, ‘Floods’

https://dmy.ffm.to/floods

SOMOH releases Problem Child EP via Tiny Library Records

https://orcd.co/problemchild-ep

Tom Walker partners with CALM for powerful new single ‘Lifeline’…

THE LOVELY EGGS – Release “Memory Man” Single || + New Album ‘Eggsistentialism’ out 17 May

https://lnk.to/TheLovelyEggs_MemoryMan

Aves new album Transformations

Introducing: SANS FROID Announce Debut Album ‘Hello, Boil Brain’ Released Autumn 2024

VAMPIRE WEEKEND: LATEST SINGLE, “MARY BOONE,” OUT NOW

https://vampireweekend.lnk.to/MaryBoone

Zoya Zafar shares new single “Sweet Talk” + announces new LP

Kate Hudson Releases New Song, “Live Forever”

Eddy Lee Ryder premieres infectious single, announces release date for debut LP

https://ffm.to/kndvekb

FOOL THE MASSES release their new melancholic Metalcore single “Black Soul” exploring remorse and reckoning for past deeds

Dancehall Legend Yung Saber Shares No Photocopies Documentary

BRIT AWARD WINNING ARTIST TOM WALKER SHARES POWERFUL NEW SONG “LIFELINE”

ISAAK: new video “The Whale” streaming on Doomed & Stoned!

https://doomedandstoned.com/post/746193646282539008/isaak

Alt newcomer and astrologer Eva Rose weaves her cosmic catharsis into “The Good Guy”

https://www.youtube.com/watch?v=3bdolXwXvBk

Icarus Phoenix Share Video “Necessary Painful” via Psychedelic Baby Mag | Son EP Out Now

‘Necessary/Painful’ by Icarus Phoenix | New EP, ‘Son’

Nico Vega Boldly Announces Return With Rousing New Single “$5”

Roots band YARN releases the first single from their new album ‘Born, Blessed, Grateful & Alive’

VIDEO PREMIERE: Yarn Return With Vibrant Americana Grooves On “Heart So Hard”

Travis Scott and Cactus Jack Partner to Launch First Ever Collegiate-Inspired Apparel Collection on April 4

Today, Cactus Jack, the official brand of multi-platinum, diamond certified recording artist and style icon Travis Scott, has teamed up with digital sports platform Fanatics, leading sports retailer Lids and Mitchell & Ness to announce a groundbreaking, first-of-its-kind collegiate-inspired apparel collection.

https://shop.travisscott.com/

HOMECOMING: stream new video “Shores” now!

Homecoming Graces Us with Studio Session of Post Metal Epic “Shores”

ROTTING CHRIST Release Proudly Pagan New Single

Brett Matthews Releases “Tomorrow” Blending Melancholy and Hope

Out Now: Nessa P “Only Love” Video (Indie Electronic)

https://www.youtube.com/watch?v=rmHZQLBTT7A

ULTIO: Italian black metal project to release new album “Cor” in May

https://bruciarecords.bandcamp.com/album/cor

Peggy Gou’s Gudu Records launches Club Gudu series with Dukwa’s “Mental Fortitude” EP

https://orcd.co/clubgudu001

St Vincent releases new single ‘Flea’…

TÝR Releases “Dragons Never Die” Video/Single + Battle Ballads North American Tour Begins Tonight!

https://www.metalblade.com/tyr/

The Infamous HER New Video “Make You Mine”

What makes a rock song truly psychedelic? Is it the sizzle of the cymbals or the growl of the fuzz bass? Is it the sitar-like swirl of the six-string, the group harmonies, the bewitching melody, or the pervasive atmosphere of wonder and mystery? Or is it the spellbinding frontperson, whose outsized charisma and unearthly presence feels like a departure from conventional expectations? Any one of those things can impart some serious trippiness to a track. Get them all together in one groove, and “Make You Mine,” the new single from The Infamous HER is created. A delicious, mesmerizing, thoroughly rocking cut that calls back emphatically to the British Invasion while simultaneously sounding modern.

This is just the latest magic trick from a band with no shortage of inventiveness, attitude, glamour, and talent. In the past, The Infamous HER has evoked the glories of glam rock and the ruthless hooks of the new wave, the iconoclasm of punk, the roar of metal, and the irresistibility of contemporary pop. Whatever they’ve done, they’ve accomplished with style — and they’ve won themselves a reputation as one of the wildest and bravest bands in the New York City underground. Fans who’ve caught The Infamous HER in concert have been treated to a group that leads with tightness and compositional economy. Everything these musicians do is designed to serve the song. Every note and every beat counts.

But the true focus (and namesake) of The Infamous HER is singer and songwriter Monique Staffile, whose fearlessness, impertinence, passion and good humor gives this band its unforgettable personality. On “Make You Mine,” Monique is single-minded, intense, fiery, and self-assured — and just when listeners think they’ve got her pegged, she flips an entire verse in flawless French. Not for nothing is she calling her latest album Hula Hoop. She’s making music that’s classic, and sexy, fun, flirty, and hip-swiveling.

Monique is, naturally, the focus of David Dutton’s surreal clip for “Make You Mine.” But since The Infamous HER believes strongly in the path of excess, Dutton isn’t satisfied giving the viewer one image of the singer. Instead, he fills his footage with Moniques — often many at a time, interacting with each other, declaiming to the viewer, illuminating every frame like a struck match lights up the darkness. She and her bandmates are present at a house party that looks like it’s loads of fun, even if it’s impossible to place the date and time of the gathering. The fashions, the furnishings, and even the faded tone of the footage all suggest we’re in the 1980s, but the spinning camera and the pure energy of Monique belongs to no era in particular. It’s everywhere and every-when at once: wherever rock true believers are, that’s where fans will find The Infamous HER.

Follow The Infamous HER
https://theinfamousher.rocks/
https://www.facebook.com/OfficialHER
https://www.instagram.com/theinfamousher/
https://www.tiktok.com/@theinfamousher

New release from Derwin Daniels “Brighter Than This”

Derwin Daniels embraces a funky jazz sound in the joyful “Brighter Than This.” A powerful, muscular take on the classic saxophone-led sound helps to give the piece a strong sense of purpose. His ability to play the sax feels liberating. There is a lyrical quality to the way he approaches the sound. Without needing to say a single word, he paints a compelling picture. Rhythms have this driving groove that feels gorgeous. Bass and drums work together into one synched-up aspect. Volume is a given, which needs to be felt and heard to fully appreciate.

The song starts flawlessly, with no buildup, just going right into the middle of things. Bass takes a prominent lead in the piece, and when the drums kick up, the song has a muscular essence. Upon the saxophone entering the fray, everything starts to take shape. Melodies emerge from the saxophone, and the themes he explores feel gracious. A stately grace takes shape; his approach is a lovely update on the old-school style. Within the piece, he takes on a contemporary kick to the style. A buildup begins, and the piece has a graciousness that feels real. They let the theme gradually evolve on the cycle until it becomes undeniably infectious. The hooks run through the whole journey, and the song reaches a fantastic conclusion that takes from the past while pointing towards the saxophone’s future, which has been resurgent of late.

“Brighter Than This” has a powerful rush of color, with Derwin Daniels going for a physicality.

https://derwindaniels.com/

John Tibbits Reflects on His Life & Message in New Single Legacy

Singer-songwriter John Tibbits reflects on his past on his single ‘Legacy’, released 02/03/24.

The acoustic track draws immense power from its acoustic guitar throughline, restrained electric guitar, rousing builds, and Tibbits’ voice that projects a weight far beyond the musician’s years.

Only in his mid-20s, John reflects on his life so far and how he will be remembered in the moments after his passing. As nostalgic as it is future facing, Legacy expresses the singer’s yearning to be remembered for his music, and the hope that it resonates with someone. With its emotive charge,’ Legacy’ is sure to strike a nerve with anyone who has considered what their imprint on this world will be. 

Sonically, ‘Legacy’ diverts from many of the characteristics that have come to define its acoustic singer-songwriter genre. Preferring to stay away from the standards, John Tibbits composes with alternative guitar tunings which, paired with a Brummie twang to his singing, make an engrossing and unique sound.

Legacy’ will be available across all platforms 

Instagram: https://instagram.com/johntibbitsmusic/

Spotify: https://open.spotify.com/artist/6sLtzxQyq75IcfNTdKsKrd?si=dAV-u-MmQr25TVT4uz4gfA

Soundcloud: https://soundcloud.com/user-968788460?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Youtube: https://www.youtube.com/channel/UCtWbltdFhXm64uJGaTQiGAA

Lynne Taylor Donovan New Album ‘MOVIN’ ON’

Canadian country singer, Lynne Taylor Donovan, has just released a new album titled Movin’ On. And no, this 10-song set does not contain that old Hank Snow country hit of the same name. It does include a set of strong country tracks, though.

Some of these songs lean closer to pop-country. Not so with “The Strong One,” though. There’s some fine acoustic piano running through it that may remind you of the countrypolitan heyday of the ‘70s. Donavan sings it sadly, just the way she should do it. There is also a nice fiddle part running through it. It’s a real hurting song. “Sugar Lake” is even more downhome, as Donovan sings this one with a catch in her voice. It’s driven by some more fiddle playing and twangy electric guitar. Wherever it is, Sugar Lake sure sounds like a party place.

https://lynnetaylordonovan.com/movin-on

Donovan’s vocal changes quite a bit for “Am I Dreaming,” where it takes on, well, a dreamy sort of vibe. She’s said Faith Hill is one of her influences, and one can hear a distinctly Hill-esque vocal tone with this song. It even sounds like the sort of song Hill might record.

Better acoustic piano still, though, arrives with “I Don’t Wanna Mention Any Names.” Although Donovan sings it with some country in her voice, the song also has a strong bluesy streak running through it. It has all the markings of a late-night torch song performance. It’s a bit of a cynical take on relationships, where names of lovers are known, yet not disclosed. Much quieter, by far, is “Sooner or Later.” This one, too, has a bit of blues within it. However, it’s more of a hurting, sad song, rather than revealing the cynicism expressed via “I Don’t Wanna Mention Any Names.” It also has some heartfelt fiddle playing counterpoint to Donovan’s vocal. “The Letter” is also a quiet one, only this time it’s driven by some jangling guitar. Donovan is at her most vulnerable on the song’s vocal. She sings with a vibrato, which is different from how she sings on most the other tracks. The ‘letter’ in question is not one written with pen on paper, by the way. Instead, she’s singing about a hypothetical letter; one only written in her mind. Nevertheless, she wishes this lover could read what’s in her head. It highlights one of the greatest regrets in relationships, which are all the things left unspoken. When we break up with somebody, it’s natural to play Monday morning quarterback and long to say the things we should have said but did not.

The album closes with a familiar song, “Tennessee Whiskey.” This is the song that broke Chris Stapleton out big time. It’s sung from the perspective of a person with a drinking problem. The good news is that this other lover is as good (if not better than) alcohol. Strong drink can take control of a person, it’s true, but it’s so much healthier (most of the time) to be taken over by someone that loves us. Donovan does a fine job singing it.

With all its different country flavors, you won’t want to be movin’ on from this album all that quickly. Instead, you’ll want to just stick around.

-Dan MacIntosh

Can a musician be intimate with a fan

The question of whether a musician should be intimate with a fan is complex and depends on various factors, including personal boundaries, professional ethics, and the dynamics of the relationship. Here are some considerations:

  • Power Dynamics: Musicians often have a degree of influence and power over their fans due to their public persona and talent. Intimate relationships between individuals with significant power differentials can be problematic, as they may involve coercion or exploitation.
  • Consent: Any intimate relationship should be based on mutual consent and respect. If both parties freely consent to the relationship without any undue influence or coercion, it may be considered acceptable. However, it’s essential to ensure that the fan is not engaging in the relationship solely due to the musician’s fame or status.
  • Professionalism: Maintaining professionalism is crucial, especially for public figures like musicians. Engaging in intimate relationships with fans could potentially compromise the musician’s reputation and credibility, particularly if the relationship becomes public and raises questions about favoritism or exploitation.
  • Privacy: Musicians, like everyone else, are entitled to privacy in their personal lives. However, intimate relationships with fans may attract public attention and scrutiny, potentially invading their privacy and causing personal or professional complications.
  • Legal and Ethical Considerations: In some cases, intimate relationships between musicians and fans may raise legal or ethical concerns, particularly if one party is underage or if there is a significant power imbalance.

Ultimately, the decision to pursue an intimate relationship with a fan is a personal one that should be made with careful consideration of these factors. It’s essential for both parties to communicate openly, prioritize consent and respect, and be mindful of the potential consequences of their actions.

@skopemag news – wednesday – March 27, 2024 @ 11 pm est

@skopemag news – wednesday – March 27, 2024 @ 11 pm est

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Micah McLaurin Releases New Pop Single “Don’t Give Up On Love”

https://vyd.co/Dontgiveuponlove

OUT NOW: Kito & Chrome Sparks Unite For New Collaborative Project IS U IS U With Debut Single ‘All I Need’ via Mad Decent

https://maddecent.ffm.to/allineed

SONS OF ALPHA CENTAURI: No Echo Streams Fourth LP From Post-Hardcore Act Featuring Far And Will Haven Members; Album To Be Released Friday Via Exile On Mainstream Records

https://www.noecho.net/features/sons-of-alpha-centauri-band

Ahead of Sunburned Hand of The Man’s new album, listen to “Ishkabibble Magoo” – Nimbus is out April 12th on Three Lobed Recordings

https://threelobed.bandcamp.com/album/nimbus

Bodysync & Dazy Share Collaborative New Single “Back Of My Mind,” Watch The Video

Frances Forever Releases New Single “Baby Bangs (feat. dacelynn)” via Mom+Pop

https://francesforever.co/babybangs

Aquaserge Announce New Album & Share First Single

Venesti Presenta su Nuevo Sencillo Promocional “Es Normal”

Exiled Hope Releases Lyric Video For “The Silence Is Deafening”

Following Ireland Music Week & Guinness That’s A Wrap Performances, Holly Munro Releases New Single ‘Dead Ends’

Billy Morrison, Ozzy Osbourne & Steve Stevens Drop “CRACK COCAINE”

https://ffm.to/crackcocaine

SALTPIG: watch “Satan’s War” video on Invisible Oranges!

Saltpig Are In League With the Devil on “Satan’s War” (Video Premiere)

Mario Lalli & The Rubber Snake Charmers stream debut album in full!

Mario Lalli and The Rubber Snakes Take You On A Journey with “Folklore From The Other Desert Cities”

Taxidermists Release New ‘KO EP’ & “Shipwrecked” Video via PAPER Feature (“A Raw Slice of Life”), Playing NYC’s Baby’s All Right with They Are Gutting a Body of Water Tomorrow

https://www.papermag.com/taxidermists-interview#rebelltitem3

Alex Henry Foster ft. Momoka Announces New LP, Shares New Single via Brooklyn Vegan | ‘Kimiyo’ Due April 26 via Hopeful Tragedy Records

26 New Songs Out Today

Devarrow Returns With New Single + Video For “Kickin’”

https://ffm.to/devarrow_kickin

Global Superstar Meghan Trainor Releases Music Video For “Been Like This”

“SKIES TORN ASUNDER” – The New Single/Video from US Black Metal’s MYTHRAEUM’s Forthcoming Full-Length

ALLEGAEON Releases New Video/Single, “Iridescent;” North American Tour Supporting Decapitated Begins Next Month

https://www.metalblade.com/allegaeon/

CAMILA CABELLO LANZA SU NUEVO SENCILLO ‘I LUV IT’ FT. PLAYBOI CARTI

Hoy, la exitosa cantautora nominada cuatro veces al GRAMMY®, y multi platino Camila Cabello, ha lanzado su muy esperado sencillo ‘I Luv It’ una colaboración con el rapero Playboi Carti, escuchalo aquí. El nuevo sencillo fue escrito por Camila y creado junto al productor ejecutivo El Guincho (Rosalia, J Balvin, Billie Eilish) y el coproductor Jasper Harris (Baby Keem, Jack Harlow, Roddy Rich).

https://camilacabello.lnk.to/ILUVIT

HEAVY TEMPLE drop new single ‘House of Warship’

South African Vocal Group The Joy Announce Details Of Their Self-Titled Debut Album

Welcome To PARADOX RIFT and Be “Ensnared” To The “Grave-Snuggler” Off Forthcoming Album Out May 2024

Devarrow comes back Kickin

Despite a five-year break from releasing music, Devarrow has been diligently honing his craft and producing songs for his forthcoming releases. He launches his comeback with ‘Kickin’ – a quintessential indie folk track defined by its gentle strumming and comforting harmonies. However, Devarrow surprises listeners by delving into non-traditional lyrical themes, subverting expectations along the way.

WATCH: Spunsugar Complete Trilogy of DIY Music Videos With ‘A Flicker In My Lights’

MILWAUKEE SOUL PHENOM FELIX AMES FORECASTS FEELS WITH NEW SINGLE “MR. WEATHERMAN”

OLD IRON: Two-Track Single From Seattle Dirge Trio Out Now On Satanik Royalty Records

https://oldiron.bandcamp.com/album/fractal-storm

Colemine Records drops funky new single from new organ trio Parlor Greens!

PATRA Queen of the Pack Releases Music Video for “Tender Touch”

Waverly Drive Announce New EP, Share Single “After The Show” via SPILL | ‘Push My Luck’ EP Out May 10th

SPILL MUSIC PREMIERE: WAVERLY DRIVE – “AFTER THE SHOW”

Sandbox Festival reveals Paul Kalkbrenner, Dixon, DJ Tennis, TSHA, Jan Blomqvist, Chloé Caillet, DJ Holographic + more for 10th anniversary edition

Egypt and the region’s premiere boutique festival experience, Sandbox Festival, celebrates a decade of unforgettable music on the beautiful Red Sea Riviera in El Gouna from May 16-18th, 2024. This special edition of the music and travel getaway will once again assert itself as a leader in the region with a discerning mix of long-proven performers, legendary pioneers and scene-defining local and emerging artists.

https://sandboxfestival.com/

Q&A: We speak to dance-pop sensation NADIA about new single ‘Buzz’, upcoming music and her love for Troye Sivan

Q&A: We speak to dance-pop sensation NADIA about new single ‘Buzz’, upcoming music and her love for Troye Sivan

  • ‘Buzz’ explores the feeling of never being alone in the city. Could you elaborate on how this concept inspired the songwriting process?

 Buzz is such a meaningful song to me and I’m so thankful for all the support it’s been getting since its release! I drew from experiences of walking around cities at night, soaking in the  atmosphere. I’ve always felt the ‘buzz’ and noise of the crowds in a big city can feel comforting and help you feel less alone. 

  • Are there any specific cities or places that inspired the lyrics of ‘Buzz’, or is it more of a general reflection on urban life? 

My experiences of being in New York, London, even my hometown, Belfast and more

  • How does ‘Buzz’ differ sonically from your previous releases, and what influenced this evolution in sound?  

As the song is supposedly set in a city at night, the track needed to be darker and have a dream-like quality to evoke that kind of atmosphere.

  • Can you share any insights into the production process of ‘Buzz’ and how you worked to bring its themes to life musically?

 The lyrics usually come first with a basic chord progression. It’s at this point you make decisions as to the sonic direction the song should take to best compliment the vocals. In this song it was predominately strings that seemed to set the right feel. Although it’s a modern song in construction and execution, other elements such as the little vocal counter melodies throughout and the alto sax towards the end of the song definitely evoke the sense of a past era.

  • You’re a fan of Troye Sivan and Agnes. Can we expect any elements of their style to influence your future releases? 

I definitely love the styles of both Troye Sivan and Agnes and they inspire me a lot. However, my producer and I try to create our own unique sound that infuses both modern pop/dance music and retro 70/80s influences.

  • You mentioned before about planning some music videos, if you could create any video for ‘Buzz’, what would it be? 

I would love to film a music video for Buzz in New York, walking around the city at night and interacting with the public. That would be the dream video! 

  • With ‘Buzz’ being released in February, do you feel it captures a certain vibe or mood that aligns with the season?

 It’s definitely more of a darker song but with glimpses of hope and optimism, so I guess you could say those themes could be compared to the changing seasons of winter to spring.

  • Are there any specific goals you hope to achieve with your music in 2024?

I’m working on quite a few different tracks right now so I’ll be finishing them off soon which is exciting. My music video for ‘Push the Button’ will be out very soon and I’m also preparing for my first show in London, supporting the brilliant artist ‘D3lta’. 

Listen to ‘Buzz’ now: https://open.spotify.com/track/2q4nWTdanSUNuWmVPehv0b?si=f7ade7c1065a4b1a 

Follow NADIA: Instagram | YouTube | Spotify | Facebook

Cheflodezzy feat. Marcy Chin Presents “Rough Sex”

The story of Cheflodeezy is a testament to the strength of taking life by the reins and having the will and determination to change one’s life for the better. Born in Jamaica, Cheflodeezy moved to the Miami area at the age of 9. Despite finding his passion for music in high school, he found himself homeless and with multiple arrests following his graduation. By the time he was 21, he took charge of his own fate and enrolled in a culinary school, that being what and where he owes his stage name. He would visit the recording studio in between catering gigs before ultimately signing with the Miami record label Artekal. Taking influences from Miami rap and Jamaican dancehall, Cheflodeezy has exploded in popularity, with his lasted single “Ecstacy” garnering over 300,000 streams on Spotify. As of the moment, he is currently working on a one-of-a-kind project for his audience; a dual album debut, one album for each of the aforementioned genres of his heritage.

https://www.youtube.com/watch?v=3vYUW9YxZR

Cheflodeezy’s newest track “Rough Sex” is a stark change in style from his previous music, featuring seductive and erotic beats, as well as lyrics that colorfully portray the song’s subject matter. The song’s beats were initially given to Cheflodeezy by 23-year-old Grammy-Nominated music producer Benjii Yang during the pandemic. After experimenting with the material and recording “Rough Sex” by himself, he and the team at Artekal reached out to fellow Jamaican dancehall artist and international sensation Marcy Chin to collaborate on the remix of the original track. Together, they perform with incredible chemistry, and convey to the audience their deepest and darkest desires, with no restraint on how vividly they paint the picture with their lyrics.

Director Steven Barnard perfectly captures the essence of the track in its accompanying visuals. Shot in a remote location in the Californian desert, the music video for “Rough Sex” follows Cheflodeezy and Marcy Chin to a seemingly abandoned gas station, where they stop to presumably let their innermost fantasies play out. The visuals interchange between the duo singing outdoors and becoming intimate inside the gas station store. Even though the song may appear to be celebrating this style of love-making, the music video makes it clear that there is a level of shame between the artists for acting on their primal desires, such as prominently displaying a neon cross on the wall while they perform inside. It raises the question of how far we should let ourselves go to satisfy our sexual itches.

Follow Cheflodeezy
https://cheflodeezy.com/
https://www.facebook.com/cheflodeezy
https://www.twitter.com/cheflodeezy
https://www.instagram.com/cheflodeezy
https://www.tiktok.com/@cheflodeezy

@skopemag news – wednesday – march 27, 2024 @ 12 pm est

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Rise From Ashes Drops New Single/Video ‘Horizon’

Shoegaze masters NEWMOON release third album ‘Temporary Light’!

MEDIA RELEASE | DIIV share new single + visualiser for ‘Everyone Out’

https://found.ee/DIIVEveryoneOut

Classic Rock Legends Honeymoon Suite Keep Their Promises On New Studio Release “Alive”

Finnish Rockers GENTLE SAVAGE Unleash Brand New Single + Lyric Video ‘Fuel My Fire’

JACK VALERO – Announces UK Dates with Lottery Winners, Mick Head + More || + Reveals New Single

https://jackvalero.os.fan/presave-asycd

Fuzzy Psych Punker DEZ DARE Shares New “Josephine Says Explode” Music Video!

ANNIE-DOG releases second single ‘Double Cherry’ | out today (March 27th) via DANCE TO THE RADIO

Synth-laden track from Bilingual Pop Artist Martí – “See You Again (Volverte a Ver)”

SHYGIRL RELEASES FABRIC EXCLUSIVE TRACK ‘MAKING THE BEAST’

https://fabric.lnk.to/shygirl

OUT TODAY: Millie Turner shares mystical music video for ‘Starfish’ // Listen here

Today, London alt-pop artist Millie Turner shares a self-directed official music video for her stunning recent single ‘Starfish’. Showcasing the otherworldly alt-pop stylings that have seen Millie pick up support from areas such as NME, The FADER and more, ‘Starfish’ is the latest deep dive into the arresting artistic universe of Millie Turner. The project is available now on your streaming service of choice via APOLLO Distribution.

https://apollodistro.lnk.to/millieturner

BORED AT MY GRANDMAS HOUSE releases new single ahead of June debut album

BLUSHER are supercharged on new single “Accelerator” via Atlantic Records

L.A. NU-GRUNGE BAND ANALOG PARTY RELEASE NEW SINGLE “CAN I WITH YOU?”

BAD WITH PHONES Returns with new single ‘Don’t Talk To Me’

Bad With Phones, the enigmatic artist who spans genres with his shroomified blend of weirdo pop, rap, spoken word, R&B and indie-electro, makes a return following a two year hiatus to release ‘Don’t Talk To Me’, which comes out today (25th March) on Don’t Sleep.

CHRIS PATRICK SHARES NEW SINGLE “TAKE TIME FOR MYSELF”

https://too.fm/ttfm

Godsmack Release Sophomore Album, ‘Awake,’ On Double LP Remastered Vinyl For First Time Ever

https://godsmack.lnk.to/AwakeVinyl

Saint Social’s Underdog Alt-Rock Anthem: “Swagger”

https://distrokid.com/hyperfollow/saintsocial/swagger-3

breathe. Share New Track “Where You At These Days”

https://gyro.to/WhereYouAtTheseDays

Ekko Astral announce debut album with bracing new single

Tuelo announces second LP ‘Regarding My Heart’ + shares title track out now

SUDANESE-BROOKLYNITE SINKANE’S TRIBUTE TO AFRICA “COME TOGETHER” OUT TODAY

Sybs New Single ‘Canned Laughter’ out now via Libertino

https://orcd.co/cannedlaughter

Dream Machine Asks “What Do You Believe” In New Single + Video Today

J. Bernardt (of Balthazar) Shares “Mayday Call” / New Album Out May 17 via Play It Again Sam

https://jbernardt.ffm.to/mayday-call.OPR

Kneecap Share “Fine Art” / Debut Album Out June 14 via Heavenly Recordings

ICYMI: Gav King details being the inspiration for Simon Pegg’s most iconic movie character in ‘Profiled’ taken from debut solo album ‘Skeletons’

youbet’s Shares Official Video For “Nurture”

Foreign Hands announce debut album, What’s Left Unsaid, out June 21st on SharpTone Records

THXSOMCH RETURNS WITH NEW SINGLE AND VIDEO “THAT B*TCH DON’T EVEN KNO MY NAME…”

About You Releases Powerful Indie-Rock Single “Farewell to Ghosts” Featuring Elliott Skinner

https://ffm.to/farewelltoghosts

Anastasia Coope shares new single off forthcoming debut album via Jagjaguwar

ORTHODOX Releases Incendiary New Single “The Other Side Of The Nail”

https://orthodox.lnk.to/TheOtherSideOfTheNail-SinglePR

Jazz at the Ballroom Presents ‘Flying High’ Release Date May 3, 2024

Jazz at the Ballroom reimagines the classics gracefully with “Flying High.” The songs sway back and forth. The interplay among the band adds to the communal quality the songs possess. Vocals feel gracious. She has a stately presence with the tenderness of her lyrics feeling joyous. Layers are woven together, creating a vast tapestry. Colors feature an inherent brightness. Melodies have a lovely, lilting quality that feels life-affirming. By bringing together the many different elements into a cohesive whole, the songs have a classic, timeless essence.

Brush strokes open the album on the sly “On the Sunny Side of the Street.” A brisk pace on “Secret Love” gives the track a playful attitude. “Don’t Know Enough About You” unspools flirtatiously. Piano anchors the intimacy of “I Only Have Eyes for You.” The jumping, galloping strides of “All of Me” show off the exceptional rhythm section, as the bass feels downright elastic in certain moments. “Lullaby of the Leaves” has a noir-like presence. Stripping things to the essentials is the minimal stance of “What A Difference A Day Made.” Delicate work weaves through the longing of “The One I Love Belongs to Somebody Else.” Going for a sweet, honeyed quality is the infectious “Social Call.” Percussion gives “The Man I Love” an extra little kick. A reflective attitude closes the album out with “Exactly Like You.”

“Flying High” is an absolute blast, as Jazz at the Ballroom offers a gallant energy that rolls through with sheer glee.

https://jatb.bandcamp.com
https://www.jazzattheballroom.com/flying-high

Russ Spiegel Presents ‘Caribbean Blue’

Chilled-out jazzy licks adorn Russ Spiegel’s spry, mid-century-leaning sounds of “Caribbean Blue.” Bossa Nova, Hard Bop, and everything in between they go for this gorgeous setting. The grooves are immaculate. Lyrical instrumentation adds to the lush, serene environment of the work. Never rushing themselves, the songs have this superb, languid pacing. Atmosphere matters as it is a fundamental element of the entire album. Every song builds off the last; the album is best when taken in as a cohesive whole. They bring so many unique layers together while retaining an airiness that aims for a tropical spirit.

https://open.spotify.com/album/1rwj71BmsCHSQtY2cENnzc

Nimble “The Underdown Groove” features exceptional saxophone work that introduces the track and serves as its beating heart. The rest of the band comes through with a distinctive swinging sensation. Harmonica gives “E. 22nd St.” a downtrodden, lower East Side vibe, with the switch-off to the organ a bonus. “Caribbean Blue” features a hazy heat, as tempos are slowed down to the pace of molasses. A colorful jazz guitar enters the fray with the spirited celebration of “Island Song.” Percussion has a tactile, distinctive tone, and “Slippery Slope” embraces the stylish. Antonio Carlos Jobim’s influence can be felt strongly with the Portuguese-sung splendor of “Inquietude.” On “Retribution Blues,” they take a reflective stance. On the brisk side of things is the cinematic flair of “The Streets Of Milan.” Lush chords radiate throughout “Smooth Move,” allowing for a classic, timeless sentiment. Tying everything together is the finish of “Coda Final.”

http://www.russguitar.com/

Russ Spiegel sculpts a serene, welcoming atmosphere on the elegantly executed “Caribbean Blue.”

GUMMY DJ Releases “WAITING FOR LOVE”

Everyone’s favorite Gummy Bear, Gummibär returns under his new alias, Gummy DJ to deliver the emotional new dance track, “Waiting for Love”.

Produced and performed by the creative minds behind the iconic Gummy Bear character known around the world, Gummy DJ delivers a high energy electro/future house track with hard hitting synths and grooves. The single is accompanied by a fun music video directed by Christian André Schneider (Tonekind) and filmed by Schmidt Videografie.

Gummibär’s music has always been rooted in classic dance and electronic, with his iconic hit, “The Gummy Bear Song” charting on the iTunes Dance Charts for 13 consecutive years, peaking at #1. With the new project, Gummy DJ looks to blend that classic “gummy” sound with a more mature production stylings, connecting with both Gummibär fans and all fans of dance music.

The new single follows-up Gummy DJ’s singles, “Bring Back the Bounce” and “Pizza in Ibiza” which have a combined 4 Million YouTube views in just a few months. The DJ also provided a remix to Die Gockelz’s debut single “Turbo Turbo”, appearing in the video.

Gummibär became an overnight international star in 2007 with his viral hit “The Gummy Bear Song” which has since been released in over 50 different languages globally. He’s the #1 independent music artist and #49 artist overall on YouTube and his music videos and TV series have amassed a staggering 30 Billion Views across all Gummy platforms, watched by over 8 million people every day.

Since delivering a live DJ set for Gummy Bear Album Day (November 13th) Gummy DJ continues to expand his sounds. Look for more collab tracks and mixes this year.

https://www.thegummybear.com/

Wabi Sabi Presents New Album ‘The Love Insane’

Wabi Sabi is an inventive collection of musicians. Its album, The Love Insane, brings together eleven memorable rock/pop songs.

The album’s title track is a slow-tempo-d song that sounds like a love song from the early days of rock and roll. It prominently features steel guitar, but it’s not a country tune. Instead, this instrumentation stands in where a backing orchestra might usually be found. Love and insanity are terms that go together well in pop songs. One need only think back to Patsy Cline singing “Crazy.” When the numbers don’t add up and nothing seems to make sense in a relationship, one can begin to believe sanity is leaving us on a fast train. The singer expresses fighting for love on it, even though the fight seems like a losing battle. Love can sometimes be like that, like it or not.

There’s plenty of musical variety contained on these near-dozen songs. One that stands out is called “I Am Ok.” It includes a full band arrangement, including a horn section. It moves in places to a reggae groove. It has a romantic/spiritual vibe running through its lyrics. The singer was ‘just okay” until he met someone. Was this a lover? Could this have been God? Either/or of these possibilities fit. Reggae grooves appear again during “New Life.” However this one incorporates more of a jazzy lead vocal. Its electric guitar solo, accompanied by horns, gives it a Steely Dan feel, as well. One of the offshoots of reggae is ska (or is it the other way around?) Anyhow, “Sick Tuna” alternates between ska rhythms and reggae ones.

Drums kick off “The Fall,” for a full twenty seconds before a violin section comes in, like violins on a mariachi tune. This is no mariachi song, though, as it includes an angry lyric – presumably about a sinking, falling relationship. It also includes synth lines running through it. Oddly enough, drums – in the form of a drum roll – introduce “Please Rescue Me,” which is driven by a heartfelt lead vocal.

Official Website: http://www.wabisabiband.com
Facebook: https://www.facebook.com/wabisabifunk
Twitter: @WabiSabiBand
Instagram:@wabi_sabi_band

If you’re looking for an electric guitar-powered song, you’ll need to wait until song ten, “Spacetime,” which begins with a crunchy electric guitar opening riff that is soon joined by horns. The album closes with “The Weirdo Blues,” a woozy, disorienting song built upon acoustic piano. It may be called a blues song, but it doesn’t exactly follow a blues music chord pattern. Instead, it sounds a bit like circus music where this poor soul is trapped in a troupe of wacky performers. When the line, “My Judas smile betrays me,” the track takes on a Biblical angle.

With its variety of instruments, The Love Insane gives the ear plenty to focus on. It’s constantly changing from song to song and will keep you on your toes. Love is crazy, it’s true, and crazy sonic variety is probably the best way to approach such craziness. This is strong album, with a bevy of musical moments to remember. Songs are so good, in fact, you may come away with a new favorite every time you listen to it.

-Dan MacIntosh

‘Trips for Piano’ Album By Martin Graff

An elegant, sophisticated sensibility radiates throughout the colorful chords of Martin Graff’s “Trips for Piano.” The emotional outpouring he demonstrates feels riveting. Impressionistic at certain moments, the defiant nature of the compositions feels akin to the grandeur of Chopin’s output, with the melodic shifts adding to this undeniable beauty. He keeps an impressive range going from near-silence to gorgeous clusters of notes. Rhythms have a pastoral bliss, for these structures possess a living, breathing quality. Decay is an inherent part of the sound, as Martin has no issue letting the space around the notes have plenty of time to explore a topography. Thus, all the ups and downs of the mood make the album work best when taken together as an entirely cohesive whole.

Gently opening the album and setting the tenor for what follows is the gradual shifts of “Prism.” “Into…” has this thoughtful presence. He starts with the delicate, fragile high notes as the rest of the work seems to stage this dialogue with the lower register, all of which have a stately grandiosity. The patterns of “Sativa” go for an approachable sweetness. Elements of contemplation enter the equation on the journey of “Meditative.” On “Laura,” things feel like a conversation, especially in the latter half of the piece. A sense of the dramatic rise of “After.” Nods to Debussy’s work appear in the tender tones of “Flowers Open.” Ending things on a high note is the reflective finale, “Sonare.”

https://www.tripsforpiano.com/

Martin Graff is an exceptional player on the powerful “Trips for Piano.”

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THADEUS GONZALEZ ANNOUNCES FOURTH ALBUM – STREET FIGHTS ARE STARTING TO HURT – RELEASING APRIL 12

Industrial Rock band GOMAD! & MONSTER drop new “Stillborn” music video & single, EP album ‘Sickness’ out April 26, 2024

New music alert! Trenches from young hip-hop rising star BigMay202

Caroline Polachek-esque electronic production from WINIFRED

Presley Tennant Sets Fire to the Gaslighters in New Song “Somebody Like You”

https://ffm.to/sly

Electric Forest Adds Seven Lions, G Jones, Sara Landry, Hiatus Kaiyote, Boogie T, ODD MOB & OMNOM present HYPERBEAM, Emo Nite + More to 2024 Lineup

https://www.electricforest.com/

MUTILATION BARBECUE: Decibel Magazine Streams Amalgamations Of Gore Debut LP From Cleveland Brutal Death Metal Quartet; Album Out This Friday On Maggot Stomp

Full Album Stream: Mutilation Barbecue – “Amalgamations of Gore”

Sandbox Festival reveals Paul Kalkbrenner, Dixon, DJ Tennis, TSHA, Jan Blomqvist, Chloé Caillet, DJ Holographic + more for 10th anniversary edition

Egypt and the region’s premiere boutique festival experience, Sandbox Festival, celebrates a decade of unforgettable music on the beautiful Red Sea Riviera in El Gouna from May 16-18th, 2024. This special edition of the music and travel getaway will once again assert itself as a leader in the region with a discerning mix of long-proven performers, legendary pioneers and scene-defining local and emerging artists.

https://sandboxfestival.com/

Blu, Sa-Roc and 60 East – Soul Fly | New Single Submission

BossMan Dlow and GloRilla Partner Up For “Finesse (Remix)”; Dlow Announces Nationwide Tour

THE DREAD CREW OF ODDWOOD: Southern California Heavy Mahogany Faction To Launch The Battle Ballads North American Tour With Týr Thursday; Fifth LP, Rust & Glory, Out Now

https://thedreadcrewofoddwood.com/blogs/news/rust-glory-track-by-track-breakdown

Sleepytime Gorilla Museum Share “Salamander in Two Worlds” Video | On US Tour Now | ‘of the Last Human Being’ LP Out Now via AVANT NIGHT/Joyful Noise

https://chorus.fm/features/sleepytime-gorilla-museum-salamander-in-two-worlds-video-premiere/

Raave Tapes drop introspective pop-anthem ‘I Just Wanna Be Alone’, announce their self-titled debut album set for release on the 24th of May.

https://gyro.to/IJustWannaBeAlone

Mike Teezy feat. Jekalyn Carr Presents “Hands on Me”

Originally from West Virginia, Mike Teezy now resides in North Carolina. Raised in a church-going family, his father eventually became a pastor. He led the family to Winston Salem, where Mike continues to reside and serve in the church community.

Inspired by artists like Michael Jackson, Mike Teezy began his musical journey by remixing popular songs on YouTube. His faith journey, catalyzed by a friend’s tragic death, led him to rededicate his life to Christ. He envisioned using his talent to spread the message of faith and hope through music. Mike Teezy’s latest album, The Greenhouse Project, reflects his deep-rooted faith and determination. The album revolves around reaping rewards through diligence and trust in God and debuted at #12 on the iTunes Christian/Gospel charts.

Through trials and tribulations, such as being told twice by doctors that he would never walk again after two separate serious car accidents, Teezy propelled forward in his walk and stayed on track with his goal. Teezy’s music aims to infiltrate the secular music scene with a positive message, combating negative influences with gospel-inspired lyrics. His performances, often featuring dance elements reminiscent of his idols, have garnered attention and allowed him to share his faith on various platforms.

The “Hands On Me” music video features powerful imagery reflecting Teezy’s struggles and triumphs. Directed by Will Thomas, the video incorporates scenes of prayer and resilience, symbolizing the artist’s unwavering faith amidst adversity. “Hands On Me” conveys a message of triumph over adversity, emphasizing Teezy’s belief in God’s ability to overcome challenges. Through captivating visuals and storytelling, the video encourages viewers to trust divine intervention and faith’s power. Jekalyn Carr noticed him at first through his fame on Instagram and was a fan of his song “Reminisce” on his album. They worked on the song together, and her powerful vocals added another critical element to the track.

Viewers of the “Hands On Me” music video have been deeply moved by its message of perseverance and spiritual resilience. Testimonies from those featured in the video attest to its transformative power, highlighting Teezy’s ability to inspire and uplift through his artistry.

Throughout Teezy’s career, he has garnered positive feedback from both fans and critics alike, with many praising its authenticity and emotional depth. Teezy’s portrayal of his journey resonates with audiences seeking music that transcends mere entertainment, offering a source of hope and encouragement.

Follow Mike Teezy
https://www.miketeezymusic.com
https://www.youtube.com/@MikeTeezyy
https://www.facebook.com/officialmiketeezyy
https://x.com/iammiketeezy?s=21
https://www.instagram.com/officialmiketeezy//
https://www.tiktok.com/@officialmiketeezy?_t=8knO28oDJ2V&_r=1