Great question — Morgan Wallen’s rise is a masterclass for upcoming musicians. Here are some key lessons from his success that new artists can apply:
The Gravel Projects Releases – Find What You Need
The ten song album is a blend of Blues, Rock, and Soul that spans from 70’s psychedelic to 90’s Rock sounds. “We certainly are influenced by the spirit of The Allman Brothers, Tedeschi Trucks Band and Santana, but there’s also real funk and soul backbone to everything on this album too that draws from bands like The Meters and Little Feat.” Says the band’s founder, Andrew Gravel.
The album was recorded at Power Station New England, a world-class studio modeled after the iconic Power Station/Avatar Studios in New York City. The sessions were led by Grammy-winning producers John Paterno (Gov’t Mule, Bonnie Raitt, Robben Ford) and Greg Ogan (Rihanna, Bruno Mars, Kelly Clarkson). The players on the album features Andrew’s brother, Jordan Gravel, on Hammond organ and keyboards, along with Dave Fox on drums, Eguie Castrillo on percussion, Jen Kearney on vocals and Jesse Williams on bass. “The majority of the album was performed live, with minimal overdubs, and the result is that the record really captures the essence of our live sound. In the end, I think we captured the live essence of the band, and that’s a special thing because I do think we are a live band at our core.” Gravel continues, “Find What You Need” is our 4th studio album but in some ways it feels like we’re just getting started.”
“Find What You Need” was written by Andrew Gravel and focuses on the topic of relationships, personal growth, and inner peace. “The album is a personal exploration of the complexities of growing and maintaining healthy relationships. The way they shape us, challenge us, and teach us about ourselves. All the songs are woven together with a common thread that captures the highs and lows through themes of love, trust, remorse and reconciliation.” Says Gravel.
“[The album] is a personal exploration of the complexities of growing and maintaining healthy relationships..” -Andrew Gravel
https://www.instagram.com/thegravelproject/
https://www.facebook.com/thegravelproject/
D’Lee Presents “Take a Good Time Too Far”
Texas-based country music sensation D’Lee makes waves once again with her latest single: “Take a Good Time Too Far.” With some hints of alt-rock blended in with her signature country-pop sweetness, this is a bright, impulsive track that’s meant to be enjoyed unapologetically.
The glittering guitars alongside D’Lee’s playful vocals sell the idea from the first bar: you immediately think of summertime, mindless joyrides, and perhaps a casual fling. The production plays right along with this concept, maintaining a level of polish while still allowing enough grit in the guitar tones and the mix to let the song breathe.
https://open.spotify.com/track/1EalYczKf5F0abAHyDRXTc?si=42aca7f28b9d4bd1
Vocally, D’Lee is the song’s anchor. She can hold a soft, storytelling phrase and then power up into the soaring chorus without missing a bit. This dynamic shapes the emotional landscape of the track: it’s not just about the thrill of the moment; it’s about being carried away by it until you take the good times a bit too far.
What’s really great about this single is that the lyrics are instantly relatable without being basic or derivative. The setup is perfect, as it hints at that state of turmoil you find yourself in, maybe after a tough breakup, or a particularly stressful few weeks at work:
“A wound that needs a healing, the kind you won’t regret,
I’m looking for a reason and I know that we just met.”
And of course, the solution is to dive into a reckless romance; late-night scenes and physical abandon that sketch a single, vivid episode of giving in. D’Lee sings of “Runnin’ red lights, makin’ out in your car/Losin’ myself, kickin’ off my heels,” using sensory and cinematic images that put you in the passenger seat.
This single continues the trajectory people have noticed from D’Lee: a rising, genre-bending artist polishing an identity that sits between country storytelling and alt/pop grit. The track leads up to her EP fifty-five, and if you’ve heard her earlier singles, this one feels like a natural evolution.
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“Take a Good Time Too Far” is an immediate earworm with a vocal performance that sells the emotional stakes. Add it to road-trip and late-night playlists; it’s one of those songs that sounds better the louder you play it.
A Different Kind of Intimacy: North By Some Miles’ Leap Into Dance-Pop With ‘What About Love (Remix)’
North By Some Miles has always thrived in liminal spaces; somewhere between the intimacy of confessional songwriting and the polish of modern pop craft. With the remix of “What About Love?”, the UK-based project trades candlelit introspection for a wider lens, pushing its sound toward the communal glow of the dancefloor.
Where the original leaned on piano textures and jazz-tinged flourishes, this reimagined version pulses with sleek synths and aerodynamic grooves. The track doesn’t reinvent the architecture of electronic pop, it nods openly to the euphoric swells of Kygo and the arena-ready sheen of Calvin Harris, but what keeps it from feeling anonymous is its emotional core. The refrain, a dialogue on love as a cure for banality, remains intact, only now it’s wrapped in production designed to crest and crash like a festival drop.
There’s a tension at play: the lyrics yearn for stillness and connection, while the instrumental insists on forward motion. That push and pull gives the remix its gravity. It feels less like a casual pivot into EDM and more like a test case for how North By Some Miles might reconcile their storytelling instincts with the demands of pop maximalism.
It’s easy to imagine “What About Love? (Remix)” spilling out of car stereos on late-night drives, or closing a DJ set as the sky blushes with dawn. It’s music aimed at shared experience, but it doesn’t lose the solitary voice at its center. In that way, it works as both a departure and an extension, proof that North By Some Miles can stretch toward the ecstatic without erasing the quiet truths that define their work.
Dust and Grace’s “Hallelujah”: A Hymn for the Weary and the Hopeful
There are songs you hear, and then there are songs that hear you. Dust and Grace’s new single, “Hallelujah,” belongs to the latter category. It doesn’t just wash over the airwaves—it seeps into your marrow like a prayer whispered on a back road, where the only light comes from the neon glow of a bar sign and the flickering faith of your own belief.
The first strum feels familiar, but not in a cliché way. It’s the familiarity of home, of hands folded at Sunday dinner, of gravel driveways and rusted trucks that still start on the coldest mornings. Written and produced by industry veteran Michael Stover, “Hallelujah” doesn’t overcomplicate. Instead, it leans into what Dust and Grace do best: telling the truth. Their voices, entwined with the ache of living and the joy of survival, remind us that faith isn’t about perfection—it’s about endurance.
Climbing into the Top 40 on the CDX Nashville Positive Country Airplay Chart, “Hallelujah” has already found its way to an audience hungry for something real. Dust and Grace don’t polish the grit off their delivery. They sing as though they’ve walked through storms, lost more than they’ve kept, and still manage to lift their heads skyward and shout a word older than all of us: Hallelujah.
The video, already charting on CMC TV USA’s country video playlist, mirrors the song’s heart. No flashy tricks, no forced narratives—just the band performing with the quiet urgency of people who know music can heal. Watching it feels like being invited into their circle, shoulder to shoulder, voices rising together in something that feels closer to communion than entertainment.
What sets “Hallelujah” apart is its balance of the sacred and the everyday. It doesn’t live in stained-glass cathedrals. It lives in the back of pickup trucks, in the clatter of barstools, in the soft smile of someone who’s seen you at your worst and still believes in your better. It’s not about preaching—it’s about reaching. About connecting with the weary and reminding them that hope, however battered, is still a pulse worth following.
There’s a moment in the chorus when the harmony crests and the word “hallelujah” doesn’t sound like a lyric—it sounds like a release. Like every regret and disappointment, every late-night doubt, every whispered plea for strength is being carried out of you on the wings of that refrain. It’s the kind of catharsis that great songs deliver not with force, but with honesty.
In the cluttered noise of modern country, Dust and Grace manage to carve out something intimate and enduring. They don’t just sing a song—they extend a hand. And in a world that often feels fractured and uncertain, “Hallelujah” is a reminder that music can still be both a sanctuary and a spark.
Dust and Grace have given us a hymn for the broken and the hopeful, a song that doesn’t ask you to rise above your scars, but to wear them proudly as proof you made it through. That’s their gift. That’s their hallelujah. – Lonnie Nabors
Digney Fignus Paints a Gritty, Grooving Portrait of America on Black and Blue: The Brick Hill Sessions
Some records are time capsules. Others are battle cries. Digney Fignus’ Black and Blue: The Brick Hill Sessions is both—a weathered dispatch from the edge of a frayed American dream and a rollicking, rootsy soundtrack for holding it all together. Recorded over six years with producer Jon Evans (Tori Amos, Sarah McLachlan), this 10-track collection is an Americana gumbo of protest songs, honky-tonk swagger, and bruised optimism—sung by a punk survivor with dirt under his nails and poetry in his blood.
A Veteran Storyteller with His Finger on the Pulse
Fignus, best known for his early MTV Basement Tapes fame and a career straddling Boston punk and folk-rock Americana, has always been more than just a genre-hopper. He’s a storyteller, a satirist, and a social commentator. On Black and Blue, he trades in frustration and tenderness with equal skill, leaning into the unease of the modern world while still searching for connection, joy, and something to laugh about on the way down.
The title track, “Black and Blue,” is the album’s beating heart—a somber, melodic reflection on war, loss, and perseverance. With gospel-tinged backing vocals and lyrics like “I cry for all the people, all around the world”, it delivers its message not with fire but with a flickering candle in the dark. Fignus isn’t shouting from the rooftops—he’s whispering truths into your ear.
Songs for the End of the World—With a Chuckle
Don’t let the heavy themes fool you. This album can swing, shimmy, and boogie like a Saturday night at a Cape Cod roadhouse. Tracks like “Nowhere Boogie” and “She’s Good Lookin’” let loose with greasy slide guitars, B-3 organs, and good ol’ rock ‘n’ roll swagger. “Skinny Minnie” is a rockabilly romp with enough tongue-in-cheek sass to make Jerry Lee Lewis blush.
But it’s “The Emperor Wears No Clothes” that lands the knockout punch. Over mandolin riffs and galloping rhythm, Fignus dismantles political hypocrisy with surgical satire. It’s the kind of folk-funk anthem that could’ve lived on Dylan’s Love and Theft or a particularly sharp Randy Newman LP. “Everybody knows / The emperor wears no clothes” isn’t just a line—it’s a modern mantra.
https://open.spotify.com/artist/7N0k3ydjD13UwA0Ckq2Hbg
Roots-Rock That Listens as Much as It Speaks
Fignus is joined by a cast of stellar players—Evans on bass and guitars, Chris Leadbetter on everything from mandolin to lap steel, and a chorus of harmonies that elevate tracks like “Tell Me You Love Me” and “An Ordinary Day” into something near timeless. The production is warm but never over-polished. You hear the creak in the wood, the breath between lines. It’s music that breathes.
Final Verdict
At 71, Digney Fignus is not trying to keep up with anyone. He’s too busy telling the truth. Black and Blue is a record for the weary, the wise, and the still-willing-to-dance. It’s not slick. It’s not trendy. But it is necessary. In a time of noise, Fignus reminds us how good it feels to hear a real voice sing something that matters.
Essential Tracks: “Black and Blue,” “The Emperor Wears No Clothes,” “Nowhere Boogie,” “Tell Me You Love Me,” “The News”
Rating: ★★★★☆ (4/5)
Upcoming Musicians Can Learn From Morgan Wallen’s Success
1. Authenticity resonates.
Wallen built his career by staying true to his roots — Southern storytelling, country lifestyle, and a sound that blends country, rock, and hip-hop influences. Upcoming musicians can learn that people connect more when the music feels genuine, not forced.
2. Cross-genre appeal expands reach.
He didn’t stay locked in “traditional country.” Songs like Broadway Girls with Lil Durk show how collaborating outside your genre can bring in entirely new audiences. For new artists, experimenting with crossover opportunities can widen exposure.
3. Use setbacks as fuel.
Wallen faced serious controversies and industry pushback, but instead of disappearing, he came back with stronger music and record-breaking tours. New artists can take away that mistakes or rejections aren’t the end — resilience and growth matter more.
4. Touring is king.
His live shows are a massive driver of his fan loyalty and revenue. He spends a lot of time on the road, and it keeps fans invested. For up-and-comers, even smaller gigs are important — building that live connection early pays off.
5. Storytelling builds a loyal fanbase.
Wallen’s lyrics often feel personal and relatable (love, heartbreak, small-town life). That storytelling makes fans feel like they “know” him. New artists should think deeply about their narrative — both in songs and in how they present themselves online.
6. Leverage digital + traditional media.
He blew up through streaming platforms, but also kept his foot in the door of country radio — giving him both modern and traditional audiences. Up-and-comers should use Spotify, TikTok, and YouTube, while also networking with local stations, blogs, and outlets like SkopeMag.
7. Consistency matters.
Instead of disappearing between albums, he keeps feeding fans with singles, features, and content. New artists should aim to stay visible — a steady stream of quality content keeps momentum alive.
Morgan Wallen-Inspired Playbook for Upcoming Musicians
Step 1: Build Your Identity (Authenticity First)
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Define your story: Where you’re from, what shaped you, and what you stand for.
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Don’t copy trends blindly — fans connect with your voice and lifestyle.
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Example: Wallen leans into small-town life, heartbreak, and grit — it feels real.
Step 2: Craft a Signature Sound
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Mix influences to stand out (like Wallen blending country, rock, and hip-hop).
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Develop a sound that’s recognizable within a few seconds.
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Keep evolving — don’t box yourself in one style.
Step 3: Collaborate Smartly
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Partner with artists outside your genre to widen reach.
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Collaborations = exposure to new fanbases.
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Example: Wallen + Lil Durk (Broadway Girls) expanded him to hip-hop listeners.
Step 4: Stay Consistent with Releases
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Drop singles, covers, or features regularly — don’t vanish between albums.
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Use TikTok, Instagram Reels, and YouTube Shorts to tease new music.
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Keep fans fed with content, even if it’s acoustic versions or behind-the-scenes clips.
Step 5: Make Touring a Priority
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Play live as much as possible (even small bars or festivals).
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Treat every show like an audition for lifelong fans.
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Collect emails/socials at shows to build your own fan network.
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Long term: Big tours = loyalty + money.
Step 6: Learn from Setbacks
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Don’t let rejections, mistakes, or controversy end your career.
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Use challenges as motivation to bounce back stronger.
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Example: Wallen’s biggest album success came after his toughest setback.
Step 7: Balance Digital + Traditional
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Dominate streaming (Spotify playlists, TikTok virality, YouTube drops).
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Still work traditional channels (radio, local press, outlets like SkopeMag).
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Double exposure means double fans.
Step 8: Tell a Story Through Music
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Write songs people feel personally connected to.
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Share your life — heartbreak, dreams, struggles — through lyrics and social posts.
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Fans don’t just want songs; they want your story.
Step 9: Invest in Fan Connection
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Engage with fans online — comment back, repost fan covers, do Q&As.
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Create moments that make them feel part of your journey.
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A connected fanbase will stick with you for years.
Step 10: Scale Up When the Momentum Hits
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When your buzz grows, push into bigger markets (festivals, arenas, global streaming).
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Build a team: manager, booking agent, PR, social media support.
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Keep evolving while staying true to your roots.
Circus Mind Unleashes “Barstool Hero” – A Psychedelic Odyssey Through Grit, Guts, and Genre – Out NOW
New York, NY – Circus Mind is back with “Barstool Hero,” the wild and winding title track from their forthcoming album, set to release in late Fall. Known for their fearless fusion of funk, rock, reggae, and psychedelia, the band once again delivers a sonic surprise, this time with a cautionary tale wrapped in a reggae groove, retro-rock energy, and bursts of dub-driven weirdness.
Opening with a deceptively warm reggae rhythm, “Barstool Hero” soon dives into darker waters, charting the cryptic path of a not-so-heroic figure. The track lures listeners into its shadowy narrative, then flips the switch with a massive, anthemic chorus that echoes classic rock grandeur. From there, it soars into spacey dub textures and finishes with a blistering guitar solo, true to Circus Mind’s anything-goes approach under their ever-evolving Big Top.
“Barstool Hero” by Circus Mind will be out August 20th on all platforms.
Lead vocalist, keyboardist, and songwriter Mark Rechler describes the song’s creation as almost supernatural:
“I honestly think I was in a trance when I wrote this one,” says Rechler. “I was sort of there but not really. A friend had just passed away, and I guess there was something dark brewing inside me. When it was done, I didn’t even know what had happened or what it meant—but I knew it felt special.”
“Barstool Hero” captures the heart of what Circus Mind does best: blending genre, mood, and message into something larger than the sum of its parts. It’s mysterious, bold, and unforgettable—a fitting preview of what’s to come on the band’s upcoming record.
“Barstool Hero” is available now on all major streaming platforms.
Stay tuned for the full album release this Fall.
ABOUT CIRCUS MIND:
Circus Mind is a New York-based rock outfit and the brainchild of ringleader Mark Rechler. The band’s latest release “Bioluminate”, a delightful mashup of rock and Nola funk mixed with late-Beatles pop, received rave reviews from Relix, The Rocktologist and countless other entertainment news outlets. The band features
Mark Rechler on Keys and Vocals, Brian Duggan on Guitar, Michael Amendola on Sax, Mathew Fox on Bass, Steve Finkelstein on Percussion and Dan Roth on Drums. Circus Mind is able to daringly swing from jazzy grooves to reggae roots then shoot out of a cannon into rock without missing a beat.
“The boys deliver a modern take on influences such as Traffic, Steely Dan, Little
Feat and Bowie while often mixing in NoLa influences like Dr. John, The
Meters and The Neville Brothers. Modern Influences include Wilco, My Morning Jacket, & King Gizzard & the Lizard Wizard. Over the course of their career, Circus Mind has performed at Jazz Fest, Great South Bay Music Festival, The Fat Friday Annual Mardi Gras Ball, Brooklyn Bowl, & The Capitol Theatre.”
Follow Circus Mind:
Linktree | Website | Instagram | Facebook | Spotify
The Ex-Bombers Release “He’s a Bad, Bad Man”
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![The Ex-Bombers - "He's a Bad, Bad Man" - Official Music Video (w/ Jeremiah Plunkett [NWA])](https://web-extract.constantcontact.com/v1/thumbnail?url=https%3A%2F%2Fi.ytimg.com%2Fvi%2FLYFp4SSINEM%2Fhqdefault.jpg)
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Michael Lawson’s “It’s Love” Hits Straight at the Heart
If music is meant to move you, Michael Lawson’s new single “It’s Love” does exactly that. It’s a piano ballad layered with emotional depth, timeless melodies, and an authenticity that’s increasingly rare in today’s fast-paced music world. From start to finish, the track feels both classic and contemporary, built on Lawson’s knack for heartfelt songwriting and Jimbo Hart’s stunning production vision.
The influence of The Beatles, Bob Dylan, and Tom Petty is undeniable, yet “It’s Love” never feels derivative. Instead, Lawson channels those legendary vibes into something personal and modern. The track unfolds slowly, beginning with understated elegance before blooming into a memorable chorus that feels tailor-made for quiet reflection.
Lyrically, Lawson explores the beauty and mystery of love without cliché. His voice carries the weight of someone who’s lived enough life to truly understand its fragility and strength. Combined with the lush instrumentation and dynamic build, the song creates an emotional release that resonates long after the final note. Recorded at FAME Studios, where musical history runs deep, “It’s Love” carries the spirit of soulful songwriting while pushing Lawson into his most inspired era yet. This isn’t just a single, it’s a reminder that timeless songs still exist.
Audio: https://open.spotify.com/track/0YizdAvqua5EMTCkEUwFRo
Video: https://www.youtube.com/watch?v=Mx55A8G08T0
Spotlight: Anna Indiana — The World’s (Claimed) First AI Singer-Songwriter
Imagine a pop star whose every element—from the chord progressions and melody to the lyrics, vocals, and even her visage—is generated entirely by AI. Meet Anna Indiana, who burst onto the scene as the world’s first all-AI singer-songwriter. Her debut music video and persona were created using a suite of AI tools, including ChatGPT-4 for lyrics, Musicfy for voice “cloning,” Synthesizer V for singing, and Python libraries for the musical composition. Everything, her creators claimed, was produced without human intervention.
Public Reaction
Reactions were swift and sharp. While some were intrigued, many critics found her output lacking in creativity, describing the debut song as “deeply mediocre.” The uncanny perfection of her image—poreless skin, pitch-perfect vocals, smooth head turns—felt unsettling to many.
The AI Music Landscape: A Broader Look
1. AI-Borns with Million-Stream Followings
Velvet Sundown: An entirely AI-generated band that surpassed one million Spotify streams. The reveal of their non-human origin sparked widespread debate and calls for transparency from streaming platforms.
Virtual Idol Naevis: Created by SM Entertainment, Naevis debuted as part of K-pop lore and released her own tracks independently in 2024 and 2025 using generative AI voices and visuals. Audience reception was mixed—impressed yet unsettled.
2. Pioneering AI Collaborations & Tools
Holly Herndon & Spawn: In her album PROTO, experimental artist Holly Herndon trained an AI voice named Spawn on her own vocals, creating collaborative, evolving compositions—and later developed Holly+, a system allowing fans to co-create with her voice.
AIVA: Founded in 2016, AIVA is an AI composer recognized by music rights societies. It began with classical compositions and evolved to generate music across genres like rock, jazz, and cinematic styles.
Yona by Auxuman: Yona is an AI-driven virtual artist crafted with personality and interaction in mind—more than a tool, a digital “artist.”
Dadabots: Known for their AI-generated death metal livestreams, they push boundaries by creating algorithmic punk and metal that embrace noise and distortion as textures of creativity.
3. Ethical Questions & Industry Concerns
AI Saturating Music Platforms: AI music now represents an estimated 20% of new releases on platforms like Spotify and Deezer—roughly 20,000 tracks daily. This surge raises alarm over unregulated content and music impersonation.
Need for Transparency: Calls from industry insiders advocate for mandatory labeling of AI-produced music, to prevent misleading listeners and protect human creators.
Personal Reflections from Musicians: Artist Jason Fessel recounts how his AI-assisted song conveyed deep emotional resonance—but still sparked discomfort given its machine origins. He warns AI might overshadow the human artistry it was meant to augment.
Genre Erosion: In Japan, the city pop genre—once revived through nostalgia—is being diluted by soulless AI imitations. It highlights how AI-generated content can dilute cultural artistry.
Satirical AI Trends: On TikTok, AI-generated country music erotica—both absurd and catchy—is gaining viral traction, further blurring the line between parody and artistic expression.
Conclusion: Anna Indiana in Context
Anna Indiana represents an early—but imperfect—attempt at a fully AI-crafted musical identity. While she sparked conversation, her creative limitations underscore the challenges in capturing emotional depth and authentic expression in AI-generated art.
Yet, other AI artists and tools like Holly Herndon’s Spawn, AIVA, and Dadabots demonstrate how AI can exist as a collaborator, instrument, or creative partner—rather than a stand-alone artist. The rise of virtual idols and high-output AI tracks pushes us to consider the importance of transparency, fair compensation, and the preservation of human artistry in an increasingly automated world.
Camille K Revives the B-Side with Dual Single Release: “Braver” & “Facade” Out August 8/19
Camille K Revives the B-Side with Dual Single Release: “Braver” & “Facade” Out August 8/19
Philadelphia, PA – Rising pop artist Camille K is shaking up the traditional single drop by reviving the nostalgic B-side release, unveiling two brand-new tracks at once: “Braver” and “Facade.” Produced by Dirty Harry Zelnick, Lectriq, and M11SON, the songs showcase two strikingly different sides of Camille K’s artistry, tender vulnerability and fearless strength.
“Braver” is heartfelt and vulnerable, the sonic embodiment of having a crush in its rawest form. It’s that moment when your phone lights up with a text from someone special, but your courage fades just when you need it most. With warm, dreamy production and flirty bedroom-pop energy, Camille K captures the universal struggle of overthinking and wondering what could have been. This track belongs on every romantic, daydreamy pop playlist.
On the flip side, “Facade” is rhythmic, bold, and fierce; a high-voltage anthem about breaking free from deception and toxic love. Driven by a powerful synth bass, captivating vocals, and dance-ready production, the song is both an emotional release and a confident comeback. Perfect for dance, empowering, or upbeat heartbroken playlists, “Facade” proves Camille K isn’t afraid to turn heartbreak into power.
With this dual drop, Camille K blends nostalgia with modern pop sensibilities, delivering a refreshing take on how music can tell two stories at once, soft and strong, vulnerable and victorious. “Braver” & “Facade” will be available on all streaming platforms on August 19th.
Camille K has been captivating audiences with her unique blend of classic and modern influences. Raised on a diverse musical foundation, her mother’s love for soul, R&B, and classic love songs and her father’s passion for classic rock, she has developed a sound that fuses timeless melodies with contemporary pop production. Her dynamic artistry and compelling storytelling have set her apart as a standout talent in today’s music landscape.
A seasoned performer since the age of 11, Camille has shared the stage with legendary artists such as Gina Schock (The Go-Go’s), Jeff “Skunk” Baxter (Steely Dan/Doobie Brothers), and Barry Goudreau (Boston). She has also opened for major acts including Flo Rida, Ja Rule, C&C Music Factory, Lit, Chris Kirkpatrick of *NSYNC, O-Town, LFO, and Jon Anderson (Yes).
Camille gained national recognition as a featured contestant on NBC’s America’s Got Talent in 2022, where her original song “Still in Love” earned high praise from the judges that day. Simon Cowell described her performance as “beautiful,” Heidi Klum called her “absolutely amazing” and “the whole package,” and Sofia Vergara praised her “spectacular” voice.
Beyond the stage, Camille has also made a mark in the film industry, with her music featured in Finding Christmas and 7th Secret. Her previous maxi-single, “Daydreamer,” reached #2 on the iTunes Top Dance Albums chart, further cementing her status as a rising star. She is currently working with Grammy Award-winning production team Sakred Wolves, consisting of Dirty Harry Zelnick, Lectriq, and M11SON, to craft new music that continues to push creative boundaries.
As Camille continues to tour throughout Philadelphia and New Jersey, “Braver” and “Facade” mark another milestone in her journey, showcasing her signature blend of raw emotion, powerful vocals, and polished pop production. Camille K is also an endorsed artist of Anatomy of Sound picks and Minarik Guitars.
For more on Camille K, follow her on social media:
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Which One is the Best Music Promotion Platforms? SubmitHub, One Submit, Playlist Push, and SoundCampaign
So, you’ve got your track polished, mastered, and ready to roll, but here’s the deal, just dropping it on Spotify or SoundCloud ain’t gonna cut it. The music industry today is like a giant jungle, and if you wanna stand out, you need some serious firepower in your promotion game. That’s where music promotion platforms come in, giving you direct access to curators, playlists, blogs, TikTok influencers, and sometimes even labels, especially record labels looking for new talent. But here’s the thing: not all promo services are built the same. Some are fire, others can feel like you just threw cash into the void.
In this breakdown, I’m diving into four heavy hitters in the online music promotion world: SubmitHub, One Submit, Playlist Push, and SoundCampaign. We’ll talk about what’s hot, what’s not, and I’ll drop final ratings for each so you know where your promo dollars are best spent. It’s important to look at the promises these platforms make and whether they actually deliver, since your trust and investment depend on services fulfilling what they claim.
Introduction to Music Promotion
Let’s be real: making great music is only half the battle. Music promotion mastery has become essential for artists who want their tracks to find listeners in today’s streaming-first environment. Online music promotion services serve as the essential tool for independent artists and major labels who want to overcome industry competition. Music promotion services enable artists to distribute their music across streaming platforms while attracting new listeners who become loyal fans. The correct services make all the difference for musicians at any level because they determine whether your music will disappear in obscurity or achieve global playlist success. The bottom line?
If you want to grow your audience and make your mark, you can’t ignore the power of online music promotion platforms.
Overview of Music Promotion Services
So, what exactly do music promotion services do? These platforms function as universal entry points which provide artists with access to playlist consideration and editorial playlists and multi-platform exposure. The music promotion platforms Playlist Push and One Submit exist to connect independent artists with Spotify playlist curators and YouTube tastemakers and TikTok influencers. Artists can use these platforms to promote their music across different Spotify playlists and other platforms, which can dramatically increases their chances of playlist placement.
Understanding Playlist Curators
The success of every killer playlist depends on a curator who holds the power to determine which songs will succeed or fail. The streaming world relies on playlist curators to select which songs will join their playlists while others remain unselected. Playlist curators are like the gate keeps, they determine which songs will be heard by listeners and which artists are worth listening to. Your song needs the right curators to notice it if you want to stand out because they play a crucial role in your promotion strategy.
Role of Playlist Curators in Music Promotion
Music promotion depends heavily on playlist curators who work behind the scenes to promote music. Playlist curators dedicate their time to search for fresh music while reviewing submissions to discover tracks which match their style and appeal to their listeners. Your music gains exposure to new listeners through playlist additions because these fans would not have discovered your music otherwise. A popular Spotify playlist feature results in rapid stream growth alongside increased followers and expanding fanbase development. Music curators share feedback about your music which provides you with valuable insights to enhance your sound quality before your next release. Through their work playlist curators connect artists with listeners to create new musical directions in the industry.
SubmitHub Review: The OG of Online Submissions
SubmitHub has been around for a while and, honestly, it’s one of the first names that comes up when you say playlist submission. The platform was established by Jason Grishkoff to provide indie artists with a platform to get their music heard without having to beg friends on Facebook or send 500 cold emails. SubmitHub allows artists to directly submit their tracks to playlist curators, blogs and influencers, making the process of submitting music more efficient. Artists need to go through a list of curators and decide which one is suitable for their music.
Pros of SubmitHub
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Transparency game is strong. You buy credits, submit to curators, and if they don’t even listen, you get your credit back. No shady stuff.
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Affordable entry point. You can literally start with just a couple of bucks and test the waters. Premium credits get you quicker responses.
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Fast feedback. Usually, within 48 hours you’ll know if your track made the cut, and you receive curators feedback that can help you improve your music promotion. Artists also get a review of their track from curators, providing valuable insights.
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Decent variety of curators. Blogs, Spotify playlists, YouTube channels, even influencers. A little bit of everything.
Cons of SubmitHub
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Acceptance rates can be brutal. We’re talking around 10-20%. Don’t be shocked if you get a lot of rejections.
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Not all curators deliver real value. Some playlists are tiny, inactive, or not legit, so even if you land a placement, you may see only a handful of streams. Always check which playlists added your track as a key metric to evaluate campaign success.
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It can feel like a lottery. Sometimes you’ll strike gold, but more often than not it’s trial and error.
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It takes time to create a campaign. Artists need to research each curator and it could be time consuming.
Final Rating for SubmitHub: 6/10
It’s affordable, transparent, and great for the independent artist testing the waters, but results vary wildly depending on who you hit up. SubmitHub can also be a useful tool as part of a broader artist development strategy, helping artists refine their approach and grow their audience.
One Submit Review: The All-In-One Powerhouse
One Submit is like that new kid in school who shows up with fresh sneakers, a slick style, and suddenly everyone’s paying attention. It’s a newer platform compared to SubmitHub, but it’s built with a wider vision. As a music promotion service, One Submit spreads your music across multiple curators from different platforms, such as Spotify playlist promotion, YouTube music channels, blogs, TikTok influencers, music magazines, online radio stations and more. The platform allows you to target specific genres, ensuring your music reaches the right curators and audiences for optimal results.
Pros of One Submit
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Multi-platform reach. You’re not just stuck with Spotify playlists. One Submit also offers Spotify promotion services, and you can hit up YouTube channels, blogs, TikTok influencers, and even radio stations.
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Quality control. They’re picky with curators, meaning they actually check if a playlist is real, active, and not some bot farm.
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Every submission gets reviewed. No ghosting here. If curators don’t respond within 10 days, you get your money back.
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Anti-fraud detection. They monitor for fake streams, which helps protect your rep and Spotify stats. Maintaining a legitimate account is crucial, as suspicious activity can lead to account issues or bans. If you find non organic playlists, they will refund your submission, no questions asked.
Cons of One Submit
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Pricing is a bit higher. You’ll need to pay a little more compared to SubmitHub, as One Submit operates on a paid campaign model.
Final Rating for One Submit: 8.5/10
Honestly, this one’s my favorite for serious artists who want cross-platform exposure for their new music. It costs a bit more, but if you’re ready to invest and have a dedicated marketing budget, you’ll get more bang for your buck. Plus, One Submit is a great option to consider for ongoing promotion and planning for your future releases.
Playlist Push Review: The Premium Player
If SubmitHub is like the budget airline of music promotion and One Submit is like a stylish boutique service, Playlist Push is more like first-class seats on an expensive airline. It’s polished, it’s targeted, and it comes with a premium price tag. Playlist Push focuses on getting your music onto curated playlists, which are carefully selected and maintained by a playlist curator to ensure your tracks reach engaged listeners.
Pros of Playlist Push
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Strong vetting process. They check curators carefully, so you’re less likely to end up on shady playlists.
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Easy setup. Their system lets you target by genre, vibe, and similar artists, and you can listen to an example of each genre or track to help guide your selection. Playlist Push also adds a personal touch by connecting artists with curators through more personalized outreach.
Cons of Playlist Push
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Expensive. Campaigns usually start at $150 and can easily run into several hundred bucks. TikTok campaigns can cost even more.
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Campaign results focus on streams generated. The main metric for evaluating success is the number of streams generated from playlist placements, which may not always reflect true listener engagement if placements are not high quality.
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Better for artists with some traction. If you’re brand new and broke, this might not be worth the spend.
Final Rating for Playlist Push: 7/10
It’s high quality, but also high cost. Best for musicians who already have a foundation and are ready to scale. Playlist Push excels at promoting artists’ music, making it ideal for those seeking to increase their visibility and reach new audiences.
SoundCampaign: The Quiet Underdog
SoundCampaign is not as loud on the scene as the other platforms, but it’s slowly making a name for itself. It focuses heavily on playlist placement, with a strong Spotify angle, helping you promote your music and support your new releases.
Pros of SoundCampaign
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Genre-focused. They match your music with curators who actually dig your style.
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Active playlists. They promise placements on playlists that have genuine activity, not ghost towns.
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Simple interface. Easy to use, no confusing steps.
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Tips for artists: To get the most out of SoundCampaign, promote your music on blogs, target playlist curators who fit your genre, and follow up with curators for feedback.
Cons of SoundCampaign
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Limited reach. Unlike One Submit, you don’t get access to YouTube channels, TikTok influencers, or blogs.
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Mixed reviews. Some artists say they got value, others say results were just “meh.” However, many appreciate the feedback from curators as a valuable part of the process.
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Less proven. Not as many testimonials or success stories compared to the bigger names.
Final Rating for SoundCampaign: 7/10
It’s a decent option if you’re strictly focused on Spotify, with the potential to increase your stream count, but it doesn’t offer much else in terms of multi-channel promotion.
SoundCampaign is particularly suited for independent artists who want to focus on making music while leaving promotion and stream growth to a dedicated service.
Comparison and Other Services
With so many music promotion services out there, it can be tough to know where to start to submit tracks. Each service has its own strengths, features, and approach to helping artists promote their music. Whether you’re looking for a service that specializes in playlist placements, offers multi-platform promotion, or provides hands-on support, it’s important to weigh your options and choose the right fit for your goals. The right promotion service can help you reach new listeners, grow your audience, and take your music career to the next level.
Comparing Music Promotion Platforms
When it comes to choosing between music promotion platforms like Playlist Push and One Submit, it’s all about finding the right match for your needs. Playlist Push uses smart algorithms to connect your songs with the perfect playlists and curators, making sure your music lands in front of active listeners who are likely to become real fans. On the other hand, One Submit gives you the flexibility to submit your music to multiple platforms—Spotify, YouTube, TikTok, and more—maximizing your chances of getting playlist adds and genuine engagement. Both services are designed to help artists promote their music, but they take different routes to get you there. The key is to look for a platform that not only gets your tracks on playlists, but also helps you build a loyal fanbase and generate real streams. At the end of the day, the best promotion service is the one that delivers results, supports your growth, and helps you connect with new fans across the music world.
LYNNE TAYLOR DONOVAN IN CONVERSATION WITH STUART CAMERON
Critically acclaimed country music artist Lynne Taylor Donovan sat down with award-winning British TV and radio host Stuart Cameron for a much anticipated one-on-one interview.
Lynne talks about her life in music to date and opens up, for the first time, about her battles with cancer.
The hour-long in-depth interview, features 9 songs and is a must for Lynne Taylor Donovan fans everywhere.
Stuart Cameron calls it “sometimes funny, sometimes serious”
Early press reaction describes it as:
“inspirational and revealing” and “sensational”.
The full interview was heard on hundreds of stations around the world including, All Country Radio and Hotdisc Radio in the United Kingdom and CMR Nashville.
Learn more about the remarkable woman behind the music now on Toutube.
You don’t want to miss this.
https://lynnetaylordonovan.com/
Pam Ross Turns Life’s Beautiful Mess into a Laid-Back Anthem with “Crazy Ride”
Sometimes life doesn’t hand you a neatly wrapped box with a bow. Sometimes it hurls a dripping paper bag of flaming circumstance right at your front porch, and the only thing you can do is laugh before it burns the place down. Pam Ross gets this. In Crazy Ride, she’s not peddling false sunshine or Hallmark-card wisdom; she’s shoving you into the passenger seat of her muddy pickup and flooring it straight through the potholes of domestic life.
This is a love song, sure, but not the airbrushed kind. There’s no moonlit pier or champagne flute. Instead, you get alarm clocks blaring, hair like Medusa, dogs puking in the backseat, and a truck stuck in the sticks. And the magic? It’s all beautiful. Because when you strip the glitter off romance, what’s left is two people showing up for each other in the middle of the mess, rain in their faces, laughing like lunatics.
Ross delivers it with that laid-back, breezy groove that makes you feel like you’re leaning against a porch rail, watching the storm roll in. There’s a rhythmic sway to it, like a hammock in the summer wind — the bass steady and warm, the drums keeping just enough grit under the fingernails. Her voice isn’t trying to seduce you; it’s trying to let you in on the joke. She sings like she’s talking to you across the kitchen table, half a smile in the corner of her mouth, daring you not to grin back.
And those lyrics — they’ve got that unvarnished, “this is my life” quality you can’t fake. When she says, “You make a Monday feel like a Friday night,” it’s not because the line rhymes; it’s because you can picture her wife grinning in the doorway, bedhead and all, and suddenly the coffee tastes better and the day feels lighter.
The bridge is the song’s quiet thesis statement: there’s always a fire to put out, but that’s what life’s about. It’s not new wisdom — poets and drunk uncles have been saying it for centuries — but here it’s stripped of all pretension. Ross isn’t delivering philosophy; she’s just telling you what she’s learned, and it lands like a Polaroid from your own life.
Musically, Crazy Ride doesn’t lean on bombast or big dramatic payoffs. It cruises. It trusts the listener to sink into the pocket and stay there. The instrumentation is clean but lived-in, the way your favorite jeans fit after a hundred washes. Every note feels like it knows where it’s going but isn’t in any rush to get there.
The best part? This song doesn’t resolve life’s chaos; it celebrates it. Ross is basically standing on the hood of her stalled-out truck, hair whipping in the wind, yelling, “Isn’t this great?” And by the end, you’re yelling it too.
Crazy Ride is exactly what the title promises — not a rollercoaster of whiplash drama, but the winding, uneven, deeply human road we all travel. And Pam Ross is the friend riding shotgun, passing you a thermos of coffee, telling you to enjoy the view.
Recording Artist D’Lee Unleashes Euphoric New Single “Take a Good Time Too Far”
OUT ON ALL STREAMING PLATFORMS ON AUGUST 15TH
Following back-to-back hits “Everything is Fine,” “Evel Knievel,” and “A Gentleman,” rising country artist, D’Lee, drops freeing fourth single off her upcoming EP “fifty-five”
FORT WORTH, TEXAS– Rising recording artist, singer, and songwriter D’Lee is back with her latest single, “Take a Good Time Too Far,” set for release on August 15 across all major streaming platforms. Marking a bold new chapter in her genre-blending sound, D’Lee surprises us, yet again, by taking us down a new pathway with this hypnotic fusion of country-pop smoothness and alt-rock soul single, capturing the thrill of reckless abandon and the beauty of living fully in the now.
Recorded in Nashville, the creative process behind “Take a Good Time Too Far” unfolded effortlessly—D’Lee describes the process of making this single as “pure magic.” “Everything just clicked—the vibe, the production, the vocals,” she explains. “It came together so naturally, like the song had been waiting for me. I wrote it in a moment when I was craving escape, something reckless and real—and that’s exactly what this song is.” The result is a sonically rich and emotionally charged track that reflects both her storytelling roots and her genre-bending artistry.
“Take a Good Time Too Far” showcases a signature mix of country-pop sensibility with a raw, emotional edge, rooted in alternative rock. The track captures the rush of a new connection—impulsive, electric, and impossible to forget. With lyrics like “Runnin’ red lights, makin’ out in your car / Losin’ myself, kickin’ off my heels,” D’Lee paints the vivid picture of a spontaneous connection—where passion overrides caution, and time stands still. The single is about surrendering to a feeling, no matter how fleeting.
“‘Take A Good Time Too Far’ is about living in the moment without thinking about where you’ve been or where you’re going,” says D’Lee. “It’s that rush of meeting someone and letting go of everything—your fears, your plans, your past—and chasing something real, without worry of what it means. I wanted it to feel like freedom.”
“Take A Good Time Too Far” continues D’Lee’s ascent as one of the most compelling new voices, stretching the boundaries of pop, rock, and country. This single blends shimmering guitar work, laid-back grooves, and raw vocals that simmer as the emotion builds. With an unmistakable vocal presence and her signature of emotionally charged songwriting, it’s a song for those who know what it means to live fast, love hard, and chase something unforgettable. It’s a track that resonates with listeners who know the joy—and the risk—of getting lost in something (or someone) just because it feels right.
As D’Lee continues to carve her own path in today’s music landscape, this release further cements her reputation as an artist unafraid to explore vulnerability, desire, and the wild joy of being fully present. Her music reminds us that ‘fortune favors the brave,’ asking us if we are daring enough to dream, to imagine, to love fearlessly; empowering us to take the reins in our own lives and challenging us to create our own magic in life.
ABOUT D’LEE: D’Lee is a rising force in the country music world, known for her powerful voice, fearless songwriting, and genre-blending style. With an authentic southern soul, and a pop-country edge, she’s crafting music that’s bold, relatable, and impossible to ignore. Her 2nd EP “fifty-five” is set to release at the beginning of 2026, following buzzworthy singles, “Everything Is Fine,” “Evel Knievel,” “A Gentleman,” and now “Take A Good Time Too Far.” Stay tuned for more music to be released each month!
Jacob Kulick (Producer): “Recording D’Lee’s sophomore album has been a rewarding experience. As her producer, based in Nashville, I am constantly inspired by artists who bring heart and authenticity to the studio, and D’Lee does just that! She has a deep passion for songwriting, and an unwavering drive to evolve musically. While her debut EP album leaned heavily into her southern country roots, this new record expands into fresh sonic territory, exploring different genres while still holding onto the soul of her origins. It’s been a joy to bring her vision to life!”
CONNECT WITH D’LEE:
INSTAGRAM: @dlee.official
FACEBOOK: HTTPS://WWW.FACEBOOK.COM/
SPOTIFY: https://open.spotify.com/
APPLE MUSIC: https://music.apple.com/us/
EPK: HTTPS://WWW.DLEE4@BANDZOOGLE.
Orlando Kallen Releases “greece n’ paris”
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Fireside Confessions and Romantic Fantasy Define Tyler Dumont’s ‘The Letter’
After a five-year break from the spotlight, Tyler Dumont makes a striking return with ‘The Letter’, a sleek yet emotionally charged single that reaffirms her place in modern R&B. Drawing on her Caribbean heritage and influences from Sade, Lauryn Hill, and Michael Jackson, Dumont delivers a vocal performance that’s both intimate and commanding. Her voice glides over a slow-burning arrangement of silky keys, atmospheric synths, and restrained percussion, evoking the golden warmth of ’90s R&B while embracing the polish of contemporary production.
The song’s accompanying video perfectly mirrors its mood, placing Dumont in a series of understated yet cinematic scenes, journaling by the fireplace before drifting into dreamlike visions of romantic longing. It’s a visual extension of the track’s core themes: vulnerability, empowerment, and the intoxicating pull of deep desire. The result is a release that feels timeless yet of-the-moment, steeped in nostalgia without ever sounding dated.
With ‘The Letter’, Dumont sets a new artistic tone. The track’s blend of sultry vocal work, meticulous production, and evocative storytelling positions her firmly within R&B’s next wave, while also proving that her hiatus has only sharpened her creative voice.
Rock with a Pinch of Country and a Splash of Whiskey
Single Brass Faction is excited to announce the Album ‘Lands and Grooves’ has been released June 23rd, 2023; and available on all platforms. Lands and Grooves is a singer songwriter performance that embodies the description “Rock with a Pinch of Country and a Splash of Whiskey”. Gil was born and raised in the Texas desert; surrounded by talented musicians at an early age. An early memory was being woken up by golfers jamming in the livingroom at 4am at the age of 6. He was asked to sit on the amps and make sure that bottle service was not interrupted. Fast forward many years later and Single Brass Faction was born.
Audio / Video Link:
https://www.youtube.com/@singlebrassfaction1850
Social:
https://www.tiktok.com/@singlebrassfaction
Watch Janet Devlin’s Liberating Journey Through Space In Cinematic Video For ‘Houston’
Sometimes, being alone can be the happiest feeling. No one bothering you, no busy city noise – just the earth’s natural beauty, your own thoughts and time to reflect. That’s exactly where Janet Devlin’s new music video for ‘Houston’ invites us – an abandoned beach with no sunbathers, ice cream vans or surfboards – just salt air, sand and the ocean breeze, and a picturesque empty house just for her.
‘Houston’ is a message to those who love their own space, assuring them it’s okay to head out on that solo trip, hide in the peaceful countryside, or simply have a few self-care days at home. For Janet, it’s the bliss of rural settings that truly puts her at ease – a time just for her to escape an abundance of problems.
As she puts it best herself: ‘“This song is for the people who enjoy their own space. Especially in this world where we’re connected 24/7. It’s a party song for those of us at our own solo parties. Yes, we may be a little bonkers – but who isn’t? We’re not lost, unless we’re trying to be. It’s not loneliness if we’re liberated. I promise you, we’re doing just fine”.
From sparkling space outfits that resemble an alien landing from her rocket ship to the roots of her country heart, with bold references to Western deserts, this video is the perfect visual accompaniment for a country-rock anthem of self-acceptance. Paired with gravelly vocals, sharp lyrics and one iconic chorus – ‘Houston / I got so many problems’ – it’s a sci-fi-western cinematic joy you didn’t even know you needed.
Janet shook up the country scene last year with ‘Emotional Rodeo,’ poised with brutal honesty, personal depth, and a fiery take on Nashville grit. From topping the iTunes Country Chart to performing at the iconic C2C Festival, she’s made a wild impression on the genre – and is doing it all in her electrifying style.
Catch her next at The Long Road Festival (22-23 August) and The British Country Music Festival, Blackpool on the 29th August.
Parker McKenna Posey Returns To The Spotlight With Upcoming Album “Just a Girl” And New Girl Power Single “LA Boogie”
LOS ANGELES, CA — Beloved former child actress Parker McKenna Posey P/k/a Parker in the music realm is stepping boldly into the music scene with her highly anticipated debut album, Just a Girl. The project marks a new chapter in her creative journey—one that blends her Hollywood roots with a fresh, unapologetic sound.
Her latest single, “LA Boogie”, is a vibrant, West Coast-inspired anthem that takes Parker back to her hometown of Los Angeles. Equal parts nostalgic and empowering, the track captures the city’s signature energy while delivering a strong message of self-worth, independence and girl power.
“‘LA Boogie’ is all about loving yourself enough to walk away from what doesn’t serve you,” Parker says. “It’s a reminder to stop wasting time on losers and keep moving forward like the queen you are.”
Known for her breakout childhood role that made her a fan favorite, Parker has spent years evolving as an artist. Her upcoming album, Just a Girl showcases her growth—pairing catchy hooks and slick production with authentic storytelling about love, resilience, and finding your voice.
With “LA Boogie” as her latest release, Parker’s music era promises infectious confidence and a fearless attitude—part hip hop, part RnB, part Alternative, making it a perfect soundtrack for girls everywhere who are ready to level up.
Just a Girl is set to release later this year, with “LA Boogie” available on all major streaming platforms.
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About Parker McKenna Posey
Parker McKenna Posey first captured hearts as a child actress, earning a place in pop culture with her charismatic screen presence. Now, she’s making her mark in music, blending her LA upbringing with bold lyrics and genre-bending sounds. Just a Girl marks her official debut as a recording artist, promising a fresh perspective from a familiar face.
