“There Is A Rock” by High Road’s
“There Is A Rock,” the latest single from High Road’s acclaimed album Straight From The Heart, proves why this all-female Nashville quartet continues to gain attention far beyond the Gospel community. Blending rootsy country instrumentation with heartfelt Southern Gospel harmonies, the song bridges tradition and innovation. Produced by Ben Isaacs and released through Daywind Records, the track is already making waves, arriving on the heels of their chart-topping success with “There’s A River.”
The writing team—Sarah Davison, Kristen Bearfield, and Kenna Turner West—have crafted a song that feels like a true country ballad of faith. The lyric imagery is evocative: “So when the storm clouds fill the sky / The troubled waters rise / I’m praying for the saving hand of God.” Listeners who have walked through hardships will find themselves reflected in these words. It’s relatable not only in a spiritual sense, but in the way it echoes country music’s long tradition of facing life’s struggles with honesty and hope.
Vocally, High Road shines brightest when their harmonies merge into a singular, almost familial sound. The chorus, “There is a Rock, a firm foundation / His name is Jesus, the way of Salvation,” feels built for both radio and live performance, carrying a hook that stays with the listener long after the final note. It’s easy to imagine audiences at the National Quartet Convention or a Grand Ole Opry showcase singing along, swept up in the song’s conviction.
https://www.youtube.com/watch?v=wX4fTqqRdAE
Instrumentally, the arrangement strikes a balance between classic and contemporary. Acoustic guitar and fiddle give the track a bluegrass sensibility, while the piano anchors the melody with warmth and clarity. Isaacs’ production avoids over-polishing, instead emphasizing authenticity. That decision pays off, keeping the song accessible to listeners across genres—from southern gospel fans to country and Americana audiences.
Beyond the music, “There Is A Rock” is bolstered by the credibility of High Road’s journey. Since forming in 2011 under the leadership of Sarah Davison, the group has earned a Grammy nomination, multiple Dove Award nods, and recognition as Singing News Band of the Year. Davison herself brings a wealth of experience, from touring with George Jones’ band to directing segments at the Dove Awards. Her favorite verse, Proverbs 3:5-6, resonates throughout the group’s career trajectory: trusting God’s direction even when the path is uncertain. That trust is reflected in the lyrics of this new single, lending weight to every word sung.
The official music video, filmed in Hendersonville, Tennessee, reinforces the song’s rural roots and spiritual grounding. Sweeping visuals of open fields and natural landscapes pair beautifully with the theme of a “firm foundation.” It’s a visual reminder that God’s presence can be found not only in churches and cathedrals, but also in the everyday beauty of creation.
“There Is A Rock” is more than a single—it’s a statement of identity for High Road. It’s about staking a claim in the crowded world of inspirational music, proving that authentic artistry still resonates. In a year when Straight From The Heart is nominated for Bluegrass/Country/Roots Album of the Year at the GMA Dove Awards, this release cements High Road’s position as one of the genre’s most versatile groups. For listeners seeking both musical excellence and spiritual encouragement, this track delivers on all counts.
Gwen Waggoner
@skopemag’s AI Revolution: The Future of Music News
@skopemag’s AI Revolution: The Future of Music News
In the fast-paced world of music journalism, staying ahead of breaking news, new releases, and emerging artists is both a challenge and a passion. For Skopemag—a long-standing digital music publication known for its blend of indie spirit and industry savvy—the mission to deliver timely, relevant, and wide-ranging music coverage has always been at the heart of its identity.
By 2025, with the music scene evolving faster than ever and social platforms driving most of the engagement, Skopemag decided it was time to evolve again—this time, with the help of artificial intelligence.
Birth of the AI Aggregate: “SkopeAI”
The idea sparked in late 2024, when founder Mike Friedman noticed a troubling trend: while Skopemag was producing quality content, it was missing the speed and scope of real-time coverage that social media demanded. Trending artist news, surprise album drops, tour announcements—by the time the editorial team could catch up, the conversation had already moved on.
Inspired by this challenge, Skopemag partnered with a group of indie AI developers and music technologists to create SkopeAI—a proprietary AI aggregate designed to collect, filter, and post music news in real time.
How It Works
SkopeAI uses a hybrid model combining natural language processing (NLP) and machine learning algorithms tailored for the music industry. Here’s what makes it unique:
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Real-Time Crawling: It constantly monitors thousands of sources—record labels, artist socials, blogs, press releases, and even music forums.
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Contextual Filtering: It doesn’t just repost headlines. SkopeAI assesses newsworthiness, checks for duplicate stories, verifies sources, and tailors headlines for clarity and tone.
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Multi-Platform Distribution: Once curated, news is instantly published to both Skopemag.com and Skopemag’s official X (formerly Twitter) account, ensuring followers get breaking news wherever they are.
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Human-AI Collaboration: SkopeAI flags especially important or nuanced stories for human editors to dive deeper into, ensuring quality longform features don’t get lost in the speed of the feed.
Impact and Reception
Within weeks of launch, engagement metrics skyrocketed. Fans loved the 24/7 music news ticker on Skopemag’s X feed, and industry insiders appreciated the accuracy and breadth of coverage. Independent artists saw more visibility, thanks to SkopeAI’s ability to pick up underground buzz before it hit mainstream outlets.
What once took a team of writers hours could now happen in minutes—with AI handling the speed, and human journalists focusing on in-depth storytelling, interviews, and opinion pieces.
“It’s like having a newsroom that never sleeps, but still cares about the music,” Friedman said in an interview. “SkopeAI isn’t replacing writers—it’s amplifying what we can do.”
The Future
With phase two of SkopeAI in development, Skopemag plans to expand into multilingual coverage, regional scene tracking, and even personalized news feeds for users.
In an age of algorithmic overload, Skopemag is showing that AI doesn’t have to flatten culture—it can help amplify its richness, if guided by people who love music.
As the lines between tech and art continue to blur, Skopemag’s experiment stands as a model of what’s possible: a publication rooted in authenticity, now powered by intelligence—both human and artificial.
Follow the music. Follow the future. Follow @Skopemag on X.
And stay tuned on skopemag.com—where music meets innovation.
Breaking Free: Grace de Gier’s New Single “Done” Delivers an Anthem of Liberation
Breaking Free: Grace de Gier’s New Single “Done” Delivers an Anthem of Liberation
Artist: Grace De Gier
Single: Done
Release Date: October 11th 2025
With soaring guitars, haunting vocals, and a cinematic soundscape, Grace de Gier, singer-songwriter, and Edgar Grimaldos, multi-instrumentalist — who played all instruments in the studio in Paris — have created “Done,” a fierce anthem of liberation and empowerment.
The Colombian-born, Netherlands-based artist returns with a powerful alternative rock single inspired by breaking free from toxic relationships. The track blends pop-rock energy with raw emotional storytelling, delivering a universal message of strength and self-reclamation.
Mastered by 7-time Grammy-winning engineer Adam Ayan, “Done” has received glowing praise. The renowned engineer shared very positive comments about the track and even recorded a short video highlighting its emotional depth and production quality.
“Done is an anthem for anyone who’s been trapped and finally decides to say ‘No more.’ It’s about liberation, healing, and taking control of your life,” says Grace.
Grace de Gier has built an impressive career as an independent artist, earning recognition from major outlets including Rolling Stone (Spanish edition), MTV Rock Edition, El Tiempo, and El Espectador in Colombia. She is the recipient of the Music Monster Award (Mexico) and the Golden Mara International Latin American Award, and is a proud member of the Grammy Academy.
Her previous single, “Your Name,” reached #1 on the Amsterdam Independent Artists Chart (ReverbNation), demonstrating her growing influence among independent rock artists across Europe.
With strong roots in Colombia and deep connections across Europe and the U.S., Grace continues to bridge cultures through her distinctive sound.
The single is distributed through Creativity Group and The Orchard (Sony) and will be available on all major digital platforms.
About Grace de Gier
Grace de Gier is a Colombian-born singer-songwriter based in the Netherlands, blending Latin roots with international rock influences. Her music reflects authenticity, resilience, and the healing power of sound. Having overcome personal challenges, she continues to create songs that inspire and connect audiences across continents.
Follow Grace de Gier
Instagram: https://www.instagram.com/
Spotify: https://open.spotify.com/intl-
Youtube: https://www.youtube.com/@
Facebook: https://web.facebook.com/
Aaron Bucks Drops Two new Singles
“Where I’m Home” is one of two back-to-back single Aaron Bucks releases from the forthcoming The Life Sessions LP, and they’re both very laid back, falling under the terms: Flip Flop and Beach Country, neither of which I am familiar with until delving into Bucks and finding what groove he’s in, and it’s an enormously satisfying blend of Country and Yacht Rock. The plot thickens with the background of the Canadian born – Nashville, TN residing artist previously achieving Billboard status, as well as being the founder of The Toby Project. “Where I’m Home” gets all the attention here it deserves.
INSTAGRAM: https://www.instagram.com/bucksmusicofficial/?hl=en
The music of Aaron Bucks can best be described as Country relatable, but with an Island influence, and that is the best way to put “Where I’m Home” with a hyphenated genre, perhaps Island-Country would be appropriate, and while it’s not a genre or subgenre per say, it’s just not a hard thing to imagine calling it when you listen to this singer/songwriter. “Where I’m Home” is about getting back from the road to the place you work to everything you do it for, hoping it’s understood and appreciated by all that’s needed, and not just a fantasy the separation can make it seem like.
“Where I’m Home” has all the ingredients of a soft rock or smooth jazz radio hit, even though it’s Country, as some Country music of the last thirty years fits just as well on easy listening jazz and rock stations, and the music of Bucks has been featured on SiriusXM’s No Shoes Radio, so if the shoe fits it should be good for spins on such stations away from the FM dial. And at the end of the day, you either like Country or you don’t, and the same goes for any sub-categories attached to it.
But “Where I’m Home” and Aaron Bucks himself are another story, unless there’s a lot of other artists blending beach vibes with Country like this, and if so, Bucks would have to be a top-level consideration for it. I just haven’t heard anything quite like it, myself, so naturally I was intrigued to find out more about him and started with the previously released single from the same forthcoming album. As it turns out, this blend is written all over his music style and the songs live their own life because of it, to the credit of Bucks in every department.
https://open.spotify.com/album/7b72Vq6pK7vWQEzQ5Qrx8w
If you look up “Where I’m Home” by Aaron Bucks, you see the cover art has a Jeep parked on the beach with an enclosed campfire, and it describes everything you need to know about what’s behind the cover, as it perfectly complements the release, and the lyrics do the rest of the business on this relaxing but catchy acoustic tune. And at this point it’s safe to consider Aaron Bucks an acoustic singer/songwriter, with that Country meets Island vibe, so if you’re expecting the music to meet a different standard, it’s all in the same vein as “Where I’m Home,” and it’s all very good stuff.
Gwen Waggoner
KC Johns knows of what she speaks!
KC Johns knows of what she speaks. When she releases a song, like the hot new country single Best Seat in the House, the kind of wistful nostalgia, temperance, and strength comes from Johns’ roots as a Mississippian. That kind of unapologetic, raw authenticity is a critical part of why she is emerging as one of the most exciting new acts in popular music, specifically country, in a time when the power is being given back to the hands of musicians.
While for just that reason popular music is getting a welcome, quality-centric upgrade, country in particular is proving to be a creative sandbox from which all sorts of new interpretations are emerging. Johns seems aware of the competition and ingeniously doesn’t try to go too out there with her interpretations or sound. She has a somewhat traditional composition to each of the tracks, but in the process imbues each song with searingly powerful, emotional and evocative lyrics. The result feels less like catchy hooks and more like stories, with beginnings middles and ends, the signature of a true singer-songwriter in peak form.
Part of that likely is because for Johns, these are indeed stories – personal stories – that she shares with courage and conviction for a wide audience. I’ve said it before, and I’ll say it again, you don’t have to be a country fan to be a KC Johns fan. You just need to enjoy authenticity and a good song, and when you’re in the presence of an artist like that transcending genre bias, they’re in it for the long haul.
https://open.spotify.com/track/6yLIAbi2fHaLdQKxsOUn3U
“It’s definitely been a long, winding road,” the Nashville transplant told local publication Nashville Voyager. “The reason I use the word winding is because I didn’t come straight to Nashville first, I was on cruise ships as a rockbound vocalist for 5-6 years and performing at Dollywood Theme Parks, then eventually moving to Nashville in 2017. One of the struggles I went through was finding who I was as an artist. When I met Billy Smiley, is when I finally knew exactly the type of music I wanted to release. But this business is tough. Not only am I the artist, but there’s a ton of work that goes into it, I’m the booking agent, the marketing guy, and everything in between. But I do have to point out my team – creating a great team this past year is when everything finally started coming together. I’m extremely grateful for the winding road.”
This is reflected beautifully in the lyrics for Best Seat in the House, where Johns pays poignant tribute to her grandfather. In the lyric video released concurrently with the song, there’s a video of both Johns and her grandfather jamming on guitars. This kind of affable and personal nature to each of the tracks could be cloying, but because Johns imbues all that with such craft it simply feels natural. “I grew up listening to Country & Rock n Roll. I wanted to combine the two to make my own sound,” she said. “…I’m super proud of how people have responded to my music. I have incredibly great supporters…I’m proud of my team the most. It takes a village to make things happen and I couldn’t do any of this without them. I believe what sets me apart the most is there aren’t many women out there doing the Country/Rock n Roll thing besides Miranda Lambert. My hope for 2022 (onward) is to continue to rock out and bring smiles to people’s faces with my music!”
Gwen Waggoner
Sabina Beyli Unveils Bold New Track ‘Bad Habits’ This October
Rising singer-songwriter Sabina Beyli will release her new single ‘Bad Habits’ on October 24, 2025. At just 22, she’s already making waves in alternative pop-rock with songwriting that cuts straight to the heart and melodies that stick long after the first listen. Her music pairs blunt, personal lyrics with big, memorable choruses aimed at listeners who respond to unfiltered storytelling. “Sometimes we fall back into the very things we swore we’d outgrow. It’s messy, it’s human, and it’s honest,” Sabina shares.
Produced by Mike Midura (Ok Goodnight, Rilena) and co-written with longtime collaborator Kate J. Brink (Charlie Weld, Bella Demita), ‘Bad Habits’ grew from a restless, moody instrumental that mirrors the chaos of Sabina’s inner world. The track layers raw guitar textures with expansive hooks, drawing on the brooding force of Evanescence, the directness of Maggie Lindemann, and the atmospheric heft of Deftones — all filtered through Sabina’s own perspective. The result is a frank, intense confession delivered with alt-pop-rock power.
True to her writing, ‘Bad Habits’ explores relapsing into destructive patterns, the pressure of perfectionism, and the hollow spaces that follow big mistakes. The song strikes a balance between visceral intensity and moments of fragile clarity, making it both cathartic and deeply relatable.
Outlets including Parade Magazine, Melodic Magazine, Refinery29, and CelebMix have featured her music. With two more singles scheduled for release in early 2026, Sabina is poised to continue expanding her sound and audience.
‘Bad Habits’ will be available on all streaming platforms on October 24, 2025.
Follow Sabina | Spotify | Instagram | Facebook | TikTok | YouTube
Launch Yourself ‘Higher’ — New Single from Fallin’ Astronauts Out August 8
Rising Vienna-based indie-pop duo, Fallin’ Astronauts — comprised of lead vocalist Maximilian Hamedinger and guitarist Emil Breit — are trekking a moonboot-sized leap back into the music sphere with their latest single, ‘Higher,’ set for release on August 8, 2025. The guitar-led track is the first from their upcoming five-track debut EP MONO, slated for an October release.
“With MONO, we wanted to strip everything back to the core — to create something that feels raw, honest, and unfiltered. It’s our debut, but more than that, it’s the first time we’re fully sharing our sound and vision. MONO stands for singularity — not just being one, but being whole,” says the duo.
‘Higher’’s dream-pop sound draws sonic inspiration from bands such as Coldplay, Kodaline, and Imagine Dragons, dipping into their palette of contrasting, unexpected instruments to create a lush yet minimalist soundscape that balances emotional depth with soaring, atmospheric energy. ‘Higher’ lets you feel as weightless as the title suggests, its uplifting lyrics reminding listeners that life is a colorful pool meant to dive in.
With an appreciation of finding themselves in art, Fallin’ Astronauts’ name originates from Banksy-style street art illustrating an astronaut doing something a bit mundane: holding shopping bags — a fitting metaphor for the band’s comic, unpredictable journey. Starting as classical music peers, Maximilian trained on the cello and Emil on trombone and piano. They embarked on their first creative project, Lonely Moon Bandits, and then took the celestial theme with them into Fallin’ Astronauts.
Now, the duo continues to orbit the indie scene with momentum, featuring in magazines such as Illustrate, Plastic, and Iggy, and magnetizing crowds in intimate performances, including South Korea’s national radio show TBS eFM. With soon-to-be-announced international tour dates across Europe and Asia, Fallin’ Astronauts are preparing for lift-off into their brightest era yet.
‘Higher’ is out on all streaming platforms from August 8, 2025.
Follow Fallin’ Astronauts | Spotify | Instagram | Facebook | YouTube
Bay Area bloodline rock & soul band Don’t Tell John are back with their new single, ‘Again’.
Multi-generational and family-formed, Don’t Tell John channel raw soul and swagger into every performance. Brothers Mark and Jack Larkin first cut their teeth in the 90s band Nathan’s Hand and now they’ve reignited that fire, joined by the next generation of Larkins. Veronica’s powerhouse vocals and William’s guitar work sit at the heart of the band, rounded out by Jon Protass on percussion and Eric Cretarolo on lead guitar.
Their sound has been described as a female-fronted Soundgarden: heavy, groove-driven, and haunting. Veronica’s voice, already compared to Janis Joplin and Beth Hart, rides over vintage tones and blues-soaked riffs, while the band delivers explosive live sets that leave no doubt about their modern edge.
With recent singles ‘Jake’, ‘Grandad’, and ‘Hard Luck’, Don’t Tell John have been building serious momentum on streaming platforms and social media. The release of ‘Again’ marks the next chapter.
The creative spark behind ‘Again’…
Guitarist/songwriter Mark Larkin explains: “‘Again’ is about the cycles we all fall into. The way they can weigh on you, and the hope that maybe this time you’ll break free. There’s a melancholy feel and a recognition that the longer you’re in those patterns, the harder it gets to escape. Veronica and I first sketched the song out on a family trip to Oregon, and it quickly became part of our foundation. It was even the first song we ever played live as Don’t Tell John. Recording it at our own Station House Studios felt like bringing the journey full circle.”
‘Again’ launches out of the speakers with urgency and heart, pulling you straight into the world of Don’t Tell John. It’s a bold new single that hints at even bigger things to come while reminding you why this band is one of the most compelling rising acts in rock today.
‘Again’ is available to stream right now!
New Vevo Report Highlights Music Fandom as Cultural Currency
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Bex Lindsey Announces New Album The Process II, Out October 10
Pop-rock artist and mental-health advocate Bex Lindsey will release her new album, The Process II, on October 10th, across all major streaming platforms. The project continues Lindsey’s deeply personal songwriting arc—pairing confessional lyrics with widescreen hooks—and follows a year of momentum built around singles like “One Moment at a Time” and “Little Girl Big Feelings.”
A week after the release, Lindsey will celebrate with an intimate album event in Brooklyn on October 17th, 2025.
“This record is about growth that doesn’t look pretty while it’s happening,” Lindsey says. “It’s about doing the work—setbacks, breakthroughs, and everything in between—and coming out the other side a little braver.”
The Process II expands the sonic palette of 2025’s pre-release singles—melding piano-driven pop, modern rock edges, and atmospheric electronics—while staying anchored in the candid storytelling that’s earned Lindsey press and fan attention this year. Coverage leading into the album highlighted her re-imagined “One Moment at a Time” and the self-portrait single “Little Girl Big Feelings,” both framing the album’s themes of resilience and recovery.
Retail and platform listings confirm October 10, 2025 as the street date for The Process II.
Release Event
What: The Process II — Album Release Celebration
When: Thursday, October 17, 2025 (doors 7:30 PM, show 8:00 PM)
Where: GLR Books, Williamsburg, Brooklyn, NY
Details: Intimate performance + album celebration (limited capacity).
About Bex Lindsey
Formerly known as Arizona Lindsey, Bex is a New York–based singer, songwriter, and producer whose work fuses pop sensibilities with raw, therapeutic lyricism. A champion for mental-health awareness, she brings lived experience into songs built for big rooms and honest conversations alike. Recent features and festival lineups have spotlighted her ongoing evolution leading into The Process II.
Listen / Pre-Save
The Process II will be available October 10 on Spotify, Apple Music, Amazon Music, and all major DSPs.
The official website for Bex Lindsey may be found at https://www.bexlindseymusic.com
Eddy Mann’s ‘It’s Time, Lord’ Turns a Whisper into a Wake-Up Call
There’s a certain courage in restraint — in refusing to shout when everyone else is screaming. That’s what Eddy Mann achieves with “It’s Time, Lord,” his new single released October 6, 2025. In an age of bombast and empty anthems, Mann’s simple, ukulele-led plea for peace feels almost radical. No fireworks. No grandstanding. Just faith, humility, and a few perfectly chosen words.
Mann isn’t a newcomer to conviction. The Philadelphia singer-songwriter has built a long career out of bridging scripture and street-level humanity — songs that sound like prayers whispered through cracked lips after a long night. But “It’s Time, Lord” feels like something deeper, more immediate. It’s less a performance and more a call for divine intervention in a world that’s forgotten how to listen. Inspired by Psalm 7, it’s a song born from the ache of watching too much senseless suffering and knowing that no human solution has worked yet.
“It’s time, Lord, it’s time / It’s time to an end to the violence,” Mann sings, his voice steady but weighted with weariness. It’s a line that should sound familiar to anyone paying attention — because how many times have we prayed that very thing in the past decade? The lyric repeats like a mantra, a rallying cry turned inward. Mann doesn’t demand that God fix it all; he’s asking that we remember what faith really means in the middle of the noise.
https://www.youtube.com/watch?v=BuLrRKQ-BDc
Musically, “It’s Time, Lord” feels like a quiet rebellion. The ukulele, that most unassuming of instruments, becomes a symbol of hope and disarmament — a small sound standing up to the chaos. You hear every breath, every brush of string, every ounce of intent. That vulnerability gives the song its backbone. It’s the kind of minimalism that draws from the same well as early Dylan, Bruce Cockburn, and even Springsteen’s Nebraska — artists who understood that truth doesn’t need volume, just honesty.
In a genre where too many Christian songs promise easy redemption, Mann’s writing refuses the shortcut. His prayer is honest enough to admit exhaustion. The world is bleeding, and this song doesn’t pretend otherwise. But beneath that realism, there’s faith — not the polished kind that fits neatly on a bumper sticker, but the kind that fights to believe even when it hurts.
“It’s Time, Lord” isn’t just a song. It’s a mirror held up to the faithful and faithless alike — asking the question we’ve avoided for too long: if it’s really time for change, what are we waiting for?
–David Marshall
SHAB’s ‘Say It With Your Chest’ Reborn With Bold Remix From Grammy-winning Producer Dave Audé
When SHAB first released “Say It With Your Chest” earlier this year, it was already a powerful anthem armed with fearlessness – a track that celebrates the joyful outcome of a journey of resilience, self-expression, and unapologetic strength. Now, with Grammy-winning producer Dave Audé at the helm of its remix, the song has been reborn as a festival-sized dance number, brimming with palpable energy.
Audé, with his unmatched record of 135 #1 Billboard Dance tracks, takes SHAB’s bold original and injects it with an infectious club-worthy soundscape. The result is an electrifying reimagining that feels tailor-made for late-night grooves and festival crowds. Where the original leaned into its message of empowerment, the remix amplifies it tenfold, giving SHAB’s unmistakable vocals an even bigger stage to soar.
On this remix, SHAB’s voice cuts through Audé’s layered production with authority, echoing the song’s core message: speak your truth, own your space, and live boldly. The synergy between SHAB’s fierce delivery and polished production makes the remix not only a rework but a transformation, carrying the same DNA while evolving into something more visceral and urgent.
What makes this track stand out is its balance: it never sacrifices substance for style. While the beat hits hard and the drops sparkle with addictive intensity, the emotional undercurrent of the song remains intact. That’s the sweet spot – an empowering hit that doesn’t just move your feet but also strikes at something deeper.
“Say It With Your Chest (Dave Audé Remix)” positions SHAB right where she belongs – at the crossroads of pop and dance, empowerment and pure escapism.
Creed Fisher Keeps the Outlaw Flame Alive With New Single “Heaven Don’t Want Me”
Outlaw Country has never been about playing it safe—and Creed Fisher is living proof of that. The Average Joes Entertainment recording artist is back with his latest single, “Heaven Don’t Want Me,” and it’s every bit as rowdy, raw, and unapologetic as fans have come to expect. The track also paves the way for Fisher’s highly anticipated new album, Between Heaven and Hell, dropping October 17.
“Heaven Don’t Want Me” paints a vivid picture of life in the fast lane. With lyrics drenched in smoky barrooms, restless highways, and the kind of temptations that trail a troubadour, the song embodies the grit and grit-and-gravel storytelling that have long defined Fisher’s sound. His weathered vocals and no-frills delivery cut through like a shot of whiskey, grounding the song in lived experience rather than polished illusion.
“‘Heaven Don’t Want Me’ is a song about living in the fast lane,” Fisher explains. “It tells the story of rambling from town to town and the temptations that come along with it. Long nights and bar fights are all part of living the life of an Outlaw Country music singer. I hope one day I see those pearly gates but right now Heaven Don’t Want and the Devil Ain’t Done!”
The single serves as both a snapshot of Fisher’s Outlaw lifestyle and a rallying cry for fans of hard-hitting, unapologetic country. Between Heaven and Hell promises to carry that torch even further, blending honky-tonk grit, southern soul, and unshakable defiance into a sound uniquely his own.
For fans hungry for real-deal country that doesn’t compromise, “Heaven Don’t Want Me” is a must-hear. The track is available now to stream across all streaming platforms.
For tour dates, album news, and more, visit www.creedfisherofficial.com and follow Creed Fisher on socials @creedfisherofficial.
Taken from her highly awaited debut album ‘No Please, Yes Thank You’ May The Muse returns with her highly addictive, and very present new single ‘Cruel World’!
Project creator Désirée reveals the story behind her new single, describing how “‘Cruel World’ was in its embryonic stages when I first performed it at the Berliner Philharmonie. I was excited about the chord sequence and the potential to explore a variety of melodic paths through it. When we recorded ‘Cruel World’, I was listening to The Sisters of Mercy, particularly the album ‘Floodland’. I love the persistent bass lines that refuse to evolve; it forces the band into dynamic choices to elevate the reprises and doesn’t rely on cheap key changes. This is my version of The lyrics are about a resilient connection that emerges despite the surrounding hardships and injustices. A sanctuary of warmth and understanding in an environment marred by suffering and indifference.”
‘No Please, Yes Thank You’
‘No Please, Yes Thank You’ is an eclectic collection of songs veering from neo-soul to rock, goth, country and pop, which supports the assertion by Clash magazine that “conversations around the genre of music she makes fade into irrelevance.” ‘No Please, Yes Thank You’ displays a sound that just can’t be pigeonholed, or fully defined by any genre. It’s a musical journey from start to finish, from the hard hitting ‘Cruel World’ through to ‘Diamonds Or Pearls’, it’s a mesmerising, and highly ambitious listen.
The intriguing journey of May The Muse…
May The Muse is the creative output of American/German singer/songwriter Désirée Mishoe. Raised in small-town in Belgium, she reluctantly carved a successful career in modelling for a decade, throughout her teens and into her twenties, until music called. As her first love, it became irresistible and she felt compelled to pivot from modelling into the world of music.
Initially writing songs alone, and later collaborating with German producer Robot Koch, she released her diverse first EP entitled ‘Gold’ in 2018, which featured her much-loved cover version of Moderat’s ‘Bad Kingdom’. In 2020, May The Muse released the single ‘Islands and Waves’, which also appeared on the 2021 release of her ‘When Mercury Fades’ EP.
Celebrated for her “intense creativity” (Clash) and her “bewitching vocals” (The Line of Best Fit), she received an invitation for the much-praised A COLORS SHOW in early 2021. May The Muse went on to play festivals such as the Montreux Jazz Festival, Melt! Festival and Reeperbahn Festival. She has supported Artists like The Avalanches, Ibeyi, Joep Beving and The Darkness.
Her music has been used in the hit Netflix Series Dark and it has also appeared in Riverdale and Kimmy Fasani’s, Butterfly in a Blizzard.
‘Cruel World’ is available on all major streaming platforms right now!
Roses in December Turn Up the Heat on New Release ‘Inferno’
Rising punk-rock band Roses in December is set to ignite with their upcoming single ‘Inferno’, their most progressive track to date. The song morphs from a riff that has followed the band through countless gigs since 2015 into a fiery anthem, fueled by their signature blend of activism and raw sound. ‘Inferno’ is a wildfire of rage against a corrupt world.
“‘Inferno,’ our proggiest song to date, highlights our despair at the increasing likelihood of the world becoming a spherical flame pit either from global warming, war, or a nuclear holocaust,” says the band. “With world leaders/oligarchs snatching more and more power from the people via force or covert means.”
To complement the sonic ferocity, Viz comics cartoonist Lee Healey has created artwork depicting the twelve disciples of a gleefully wine-stained devil, raising glasses as flames engulf the backdrop. Together, the band’s sound and imagery serve as a rallying cry for a social movement against corruption.
Formerly known as Crux, Roses in December have earned support from Tom Robinson (Radio 6) and Nicky Roberts (BBC Introducing), while performing at Alt Festival (part of The Great Escape 2024) and A Stone’s Throw Festival 2024, as well as selling out venues across Newcastle. With their EP Divided and Conquered arriving on November 7th and a headline show at Three Tanners Bank on November 8th, Roses in December are poised to cement their place as one of the UK’s most uncompromising new punk acts.
‘Inferno’ is out now on all streaming platforms.
Follow Roses in December Facebook | Instagram | Spotify | TikTok | YouTube | X
Blake Red Breaks Free with Explosive New EP, “Out of the Cage” – Out Friday, October 3rd
Blake Red Breaks Free with Explosive New EP, “Out of the Cage” – Out Friday, October 3rd
RIYL: Halestorm, Evanescence, Dorothy, In This Moment
October 2025 – Chicago-born alternative rock powerhouse Blake Red is set to unleash her most unflinching body of work yet with the release of her highly anticipated EP, “Out of the Cage,” arriving Friday, October 3rd. Following the venomous bite of her singles “Scorpion” and “Secrets Are No Fun,” the EP cements Blake’s return to both the stage and the studio with a collection that is equal parts raw, fearless, and cathartic.
Out of the Cage is a deeply personal project dedicated to the memory of Blake’s late
father, who inspired her path as a musician. Across its tracks, Blake channels resilience, and fury into towering guitar riffs, scorching vocals, and lyrics that cut with unapologetic honesty. From the blistering intensity of “Scorpion” to the razor-sharp narrative of “Secrets Are No Fun,” the EP refuses to pull punches while showcasing Blake’s uncompromising artistry.
“Out of the Cage is my first EP in four years, and it marks my return after some time away,” says Blake Red. “I’m very proud of this record and I really hope it connects with people. It’s dedicated to the memory of my incredible dad who inspired me to be a musician.”
Produced by Blake Red and mixed/mastered by GRAMMY-winning producer Darryl Swann (Macy Gray, Black Eyed Peas), the EP captures Blake at her heaviest and most defiant. She takes the reins on electric guitar, bass, and vocals across all tracks, joined by drummer Macklin Suhre (with Tom McGeoch on “Scorpion”) and bassist/drummer Daniel Farnsworth on select cuts.
To celebrate the release, Blake will headline a special EP release show on October 3rd
at the Epiphany Center for the Arts in Chicago.
ABOUT BLAKE RED:
As a Black female alternative rock artist, Blake Red dares to challenge the traditions of heavy music. The Chicago native is a fearless multi-hyphenate performer, songwriter, producer, and instrumentalist, uniting passionate lyricism with sonic ferocity. A Berklee
College of Music graduate and lifelong devotee of the electric guitar, Blake has released three studio EPs since her 2018 debut. With Out of the Cage, her first EP in four years, she delivers a bold, unfiltered statement of resilience, artistry, and unapologetic authenticity.
BLAKE RED ONLINE:
INSTAGRAM | FACEBOOK | YOUTUBE | TIKTOK
Shari Rowe Turns Fear Into Hope with New Song “Too Good To Go”
When country singer-songwriter Shari Rowe first sat down to write “Too Good To Go,” it wasn’t with the intention of releasing a single—it was to process the scariest news of her life.
While on tour earlier this year, Rowe began struggling with unexplained health issues. After months of uncertainty, doctors told her they saw signs of Multiple Myeloma, a form of blood cancer. That night, overwhelmed with fear yet clinging to faith, she wrote a poem that would eventually transform into “Too Good To Go.”
“‘I love that I’ve got so much to lose’—that line is the heartbeat of the song,” Rowe reflects. “‘Too Good To Go’ came from a place of reflection and gratitude… The way the people in my life showed up for and supported me filled my heart in a way that has changed me forever.”
Fortunately, weeks later, further testing revealed her actual condition to be Eosinophilic Fasciitis, a rare but treatable autoimmune disease. The relief was immense, but the song remained—a reminder of the fragile beauty of life.
Watch the Lyric Video here: https://youtu.be/GMetoa4t1Aw?si=Q9rbFdicjhMHu5Of
Rowe, who has shared stages with Wynonna Judd, LeAnn Rimes, and Tracy Lawrence, is beloved for her down-to-earth performances and genuine connection with fans. She brings that same honesty to “Too Good To Go,” offering not just a song, but a message of resilience and gratitude.
“Too Good To Go” is finally out now and can be streamed anywhere you listen to music. For updates, visit www.sharirowe.com or follow @sharirowe on social media.
Lane Lowder Presents ‘This Ain’t Your Fault’
For fans of Luke Combs and Riley Green, ‘This Ain’t Your Fault’ is another step forward for a young artist proving that age is no barrier to honesty, emotion, and lasting impact in country music.
Which One is Real? Shweta Harve & Dario Cei Lead Us Into the Mirror
It begins like a story you think you already know. A shadowed figure, a lone silhouette. A mask. Just another night, just another song, you think. But then, slowly, the words seep in. And suddenly you’re not so sure of anything at all.
“Which One is Real?” That’s the question Billboard-charting artist Shweta Harve is asking. Not of the world outside, where trolls dance behind screens and avatars. She asked that last time, with her breakout hit “What the Troll?”. No, this time, the question is inward. Closer. Uncomfortably close. This time, it’s about you.
Because inside every person, there’s a tug-of-war. The ego—hungry, restless, endlessly grasping. Always pretending. And the soul—quiet, patient, watching. Which one do you listen to? Which one drives the choices you make when no one else is watching?
The song doesn’t so much answer as it exposes. Harve’s voice, clear but tinged with something almost accusatory, floats over Dario Cei’s intricate arrangements. Guitars shimmer and fracture like light hitting broken glass. Percussion pulses steady as a heartbeat, then stumbles, the way we all do when our masks slip. You can feel the struggle. The push, the pull. The masquerade, and the moment of truth.
Listen closely to the words. “Who you see is not you, I’m the one who sees you. Lost in the games you play pretend, beneath the surface, where it never ends.” That’s not just a lyric—it’s a voice whispering in the middle of the night, when the party’s over, when the masks are off and you’re left alone with yourself. A confession? Or a revelation?
And then there’s the bridge. “Whether running blind or as a waning star, I am your compass, no matter how far.” You can almost picture it—someone on the edge of collapse, staring into the mirror, finally realizing that the reflection staring back has been the witness all along. The soul. The higher Self. Watching, waiting.
By the time the outro arrives—“In the mirror of the soul, I’m the one who sees you”—it doesn’t feel like an ending. It feels like a reckoning. A moment you can’t quite shake, long after the screen goes dark.
So…which one is real? The question lingers, heavier than the beat, deeper than the melody. Harve and Cei won’t answer it for you. They can’t. Only you can decide whether you’ll keep pretending…or finally face the reflection staring back.
October 24th…”Which One is Real” drops.
–Kevin Morris
Nico Cann Releases Infectious New Single ‘Lose My Mind’ — Out Now
Rising London-based pop-rock artist Nico Cann continues to captivate with his latest single ‘Lose My Mind,’ released on August 29, 2025. Produced by longtime collaborator Thomas Mitchener, the track draws loose inspiration from The Catcher in the Rye. It balances nostalgia with modernity—anchored by a Roland Jazz Chorus 120 riff and closing with a soaring guitar solo from close friend Nicholas Richards.
Nico Cann – ‘Lose My Mind’
https://open.spotify.com/track/6P7OqeMv4sQl6LYH1Jexar
“At its heart, the song reflects on the memory of a childhood love—a time of innocence, instinct, and unfiltered emotion before the weight of adult life set in,” Nico shares. “It’s about longing for a past that never truly existed—a time that never was.”
That spark of influence only cracks the surface. Written in Milan in January 2023, ‘Lose My Mind’ carries coming-of-age themes shaped in part by Henley and Bruce Hornsby’s ‘The End of Innocence,’ one of Nico’s all-time favorite songs. But what rises above is his own voice—gravel trailing off Bruce Springsteen’s scruff, brushed with Jack Antonoff’s late-night melancholy, and carrying Sam Fender’s small-bar ache, where you just know your heart will be scraped raw like the label peeling from your beer. Nico takes those echoes and twists them into something sharper, lived-in, and distinctly his own.
“The song is inspired by the spirit of freedom and inventiveness that defined the 1980s,” Nico adds. “I felt that those values—hope, creativity, and a sense of possibility—are increasingly being lost today, and I wanted to capture and celebrate them through music.”
With an evident passion for music history, Nico recorded his debut single, ‘Runnin’ in the Rain’ at Abbey Road Studios and followed with ‘Light Over the Ridge,’ which earned him a feature in Rolling Stone UK. Since then, he has gained recognition from Billboard Italy, Italian TG1, iHeartRadio Live in the UK, and abroad. He has played numerous shows, including a sold-out headlining gig with his band, The Air Traffic, in his hometown of Milan. With his next London performance set for October 24, Nico is primed to mesmerize even more listeners.
‘Lose My Mind’ is available now on all major streaming platforms.
