Raise a Glass and Blow the Roof Off: The Perfect Storm’s ‘Song for My Friends’ Is a Joyride of Chaos and Camaraderie

You can almost smell the beer foam and sweat dripping from the ceiling when The Perfect Storm kicks into “Song for My Friends.” It’s the sound of the afterparty no one wants to end — the kind that happens in a half-lit garage, someone’s Bluetooth speaker crackling under the weight of every chorus sung like a dare. These guys aren’t here to reinvent the wheel; they’re here to make the damn thing spin faster, louder, and with just enough danger that you might fall off — smiling all the way down.

Fresh off their Mediabase Activator chart success, The Perfect Storm could’ve leaned into the glossy, safe side of alt-pop. But “Song for My Friends” doesn’t play nice. It swings like a barstool at last call, built on fuzzy guitars, a rhythm section that sounds like it’s chasing its own tail, and vocals that feel like they’re grinning through the microphone. It’s that reckless, joyous energy you can’t fake — the same spirit that drove the Replacements to self-destruct in one breath and save rock ’n’ roll in the next.

https://www.youtube.com/watch?v=_2qFDS5eU7I

Lyrically, it’s a love letter to the tribe — to the weirdos, lifers, and hangers-on who turn the noise into meaning. “We wanted this one to feel like a toast,” the band said, and they nailed it. Every verse pops like a flashback: bad nights turned good, friendships turned mythic, laughter echoing down an empty street at 2 a.m. It’s nostalgia without sentimentality — just pure gratitude for the people who stick around when the amps blow and the crowd thins.

Producer magic gives it the shimmer of a radio hit, but don’t be fooled — underneath the polish is sweat, sincerity, and the glorious mess of a band that still believes music can bring people together. And maybe that’s the real party here: not the charts, not the streams, but the connection. The Perfect Storm don’t just sing to their friends; they drag you into the circle, hand you a drink, and make you sing along.

“Song for My Friends” isn’t just a single — it’s a reminder that sometimes the loudest joy is also the most honest. Turn it up, spill something, and remember why you fell in love with music in the first place.

–Leslie Banks

Camille K Shines Bright With New Single “Lonely” Featuring M11SON — Out November 18, 2025

November 18, 2025 — Rising pop artist Camille K returns with her vibrant new single “Lonely,” a track that turns the idea of isolation on its head with irresistible charm and infectious energy. Featuring M11SON and produced by Sakred Wolves, “Lonely” is a bold and refreshing addition to Camille’s growing catalog of genre-bending pop gems.

A ray of sunshine from the first beat, “Lonely” defies expectations. Bright, rhythmic, and instantly catchy, the song radiates joy and confidence with its flirty lyrics and electric pop production. Camille’s melodic vocals glide effortlessly over shimmering synths and ear candy textures, creating a sound that’s as uplifting as it is addictive.

“Lonely” is about finding connection in unexpected places, a playful expression of love that captures the butterflies, the thrill, and the pure fun of falling for someone who just gets you. It’s the kind of track that makes you want to dance in your room, roll the windows down, and sing along at the top of your lungs.

Perfect for playlists celebrating fun, pop, feel-good, and love songs, “Lonely” showcases Camille K’s knack for crafting songs that not only stick in your head but make you feel good, too.

“Lonely” by Camille K (feat. M11SON) is available on all streaming platforms Tuesday, November 18, 2025. Pre-Save HERE!

Camille K has been captivating audiences with her unique blend of classic and modern influences. Raised on a diverse musical foundation, her mother’s love for soul, R&B, and classic love songs and her father’s passion for classic rock, she has developed a sound that fuses timeless melodies with contemporary pop production. Her dynamic artistry and compelling storytelling have set her apart as a standout talent in today’s music landscape.

A seasoned performer since the age of 11, Camille has shared the stage with legendary artists such as Gina Schock (The Go-Go’s), Jeff “Skunk” Baxter (Steely Dan/Doobie Brothers), and Barry Goudreau (Boston). She has also opened for major acts including Flo Rida, Ja Rule, C&C Music Factory, Lit, Chris Kirkpatrick of *NSYNC, O-Town, LFO, and Jon Anderson (Yes).

Camille gained national recognition as a featured contestant on NBC’s America’s Got Talent in 2022, where her original song “Still in Love” earned high praise from the judges that day. Simon Cowell described her performance as “beautiful,” Heidi Klum called her “absolutely amazing” and “the whole package,” and Sofia Vergara praised her “spectacular” voice.

Beyond the stage, Camille has also made a mark in the film industry, with her music featured in Finding Christmas and 7th Secret. Her previous maxi-single, “Daydreamer,” reached #2 on the iTunes Top Dance Albums chart, further cementing her status as a rising star. She is currently working with Grammy Award-winning production team Sakred Wolves, consisting of Dirty Harry Zelnick, Lectriq, and M11SON, to craft new music that continues to push creative boundaries.

As Camille continues to tour throughout Philadelphia and New Jersey, “Let’s Face It” marks another milestone in her journey, showcasing her signature blend of raw emotion, powerful vocals, and polished pop production. Camille K is also an endorsed artist of Anatomy of Sound picks and Minarik Guitars.

See Camille K Live:

November
11/22 – Council Oak (Trio), Hard Rock, Atlantic City, NJ
11/23 – LUCCA (Solo), Bordentown, NJ
11/28 – Eden Lounge (Band), Harrah’s, Atlantic City, NJ

December
12/5 – LUCCA (Band), Bordentown, NJ
12/6 – Vinyl (Band), Philadelphia, PA
12/12 – Rush Lounge (Trio), Golden Nugget, Atlantic City, NJ
12/14 – Ocean City Community Center with Sax Quartet, Ocean City, NJ
12/19 – Garden State Live (Band), Hard Rock, Atlantic City, NJ
12/20 – NOLA’s (Duo), Ocean Resort Casino, Atlantic City, NJ
12/27 – Council Oak (Trio), Hard Rock, Atlantic City, NJ
12/31 – “Back to the 80’s Show” with Vine Lee of the OC Pops, Ocean City Tabernacle, Ocean City, NJ

The Gospel According to Dad: Ken Holt’s ‘Proud’ Finds Grace in the Grit

Ken Holt doesn’t just sing “Proud”—he bleeds it, every syllable swelling with the kind of emotional resonance that only comes from a life lived between love, loss, and the long echo of duty. Released on Veterans Day, it’s a fitting tribute from a man who grew up under the shadow of a Marine’s resolve and learned early on that music could both heal and haunt.

“Proud” isn’t some flag-waving anthem or self-congratulatory exercise in nostalgia. No, it’s a confessional, a prayer set to six strings and a heartbeat, whispered from a father to his son with the unfiltered honesty of a man who’s seen too much to fake it. Holt’s weathered voice carries both the grit of the highway and the tenderness of a hymn. The line “I love you like a father wanting nothing but the best for you, my son” isn’t poetry—it’s scripture from the Book of Hard Truths.

Sonically, the track sits at that beautiful crossroads where Americana rubs shoulders with classic rock and a hint of gospel redemption. You can hear the ghosts of the Allman Brothers drifting through the rain, the spectral shimmer of Lennon and McCartney’s melodic intuition, and the earthy backbone of Waylon and Willie’s outlaw pulse. The production feels raw but purposeful—like a memory that refuses to fade. The guitars ring out like confessions, and the rhythm section holds steady, stoic, as if keeping time for the generations that came before.

https://www.youtube.com/watch?v=uKguO3Ch7p4-66 

What makes “Proud” special isn’t its polish; it’s its soul. Holt doesn’t overreach—he just tells the truth, and in a world of overproduced pseudo-emotion, that’s revolutionary. You believe every word when he sings about the Marine sergeant in heaven saluting his son. You see the rain-soaked field, the old records spinning, the boy finding himself in a melody passed down through bloodlines and belief.

I’ll say this: “Proud” isn’t about perfection—it’s about purpose. It’s about a man with calloused hands and a stubborn heart daring to write a love song to his own legacy. Ken Holt has made a song that’s both an embrace and a benediction, reminding us that sometimes, the most radical act is simply to say, without irony or shame—“I’m proud of you.”

–Leslie Banks

REBEKAH SNYDER BRINGS TRUE COUNTRY STORYTELLING TO LIFE WITH “THE FIDDLE PLAYER STAYS” — OUT NOVEMBER 14, 2025

RIYL: Miranda Lambert, Tyler Childers, Kacey Musgraves, Chris Stapleton, Brandi Carlile

November 14, 2025 — Alt-country/Americana artist Rebekah Snyder follows up her single “Don’t Ever Date a Yankee” with a heartfelt and true-to-life country tale, “The Fiddle Player Stays.” The second single from her forthcoming album Ready to Ride! continues Snyder’s tradition of storytelling rooted in authenticity, Appalachian grit, and lived experience.

“The Fiddle Player Stays” tells the story of a chance encounter that turned into a classic country moment. “I went to an open stage night at a local country bar to play my songs, and the Appalachian band ‘Possum and the Rails’ was there,” says Snyder. “The lead

singer, a former member of the motorcycle club ‘The Outlaws,’ fell ill just before their performance. The fiddle player from the band was sitting at the bar, so I sat next to him and asked if he would join me on stage for my set. And so, he did, and it was wonderful.

“The next day, I posted a video with the caption, ‘Last night I stole a fiddle player from a band of outlaws.’ The lead singer messaged me and said, ‘I want my fiddle player back today.’ I told him, ‘I’m keeping him and not giving him back.’ That interaction inspired the storyline and creation of ‘The Fiddle Player Stays,’ all based on a true story.”

Produced in Nashville, the song captures the energy and charm of Snyder’s classic country influences, blending fiddle, acoustic guitar, and heartfelt vocals with her signature storytelling edge. A music video directed by Marcos Durian will accompany the release.

“The Fiddle Player Stays” embodies Snyder’s knack for turning real moments into timeless songs, with humor, heart, and a touch of outlaw spirit.

Listen to “The Fiddle Player Stays” — OUT NOVEMBER 14!

ABOUT REBEKAH SNYDER:

Born and raised in rural Pennsylvania, Rebekah Snyder is an alt-country singer-songwriter and certified flight instructor whose music is grounded in truth, tradition, and personal resilience. A single mom of three and domestic violence survivor, Snyder writes songs for the overlooked and underestimated. Her stripped-down style reflects her Appalachian roots and honors the voices of her ancestors, especially the veterans and strong women in her family.

ABOUT THE SINGLE: “THE FIDDLE PLAYER STAYS”

Release Date: November 14, 2025

Producer: Dean Miller Director: Marcos Durian

Genre: Country / Americana / Singer-Songwriter

GABBY B Presents “PLAYBOY BUNNY”

Miami-based artist Gabby B continues to shape her relentlessly energetic musical brand with her latest single, “Playboy Bunny”. Fluent in English, Portuguese, Spanish and French, Gabby blends a multilingual sound with her dance-forward aesthetic to craft a single with viral potential.

At just over 2 minutes in runtime, the track wastes no time and delivers an immediate impact with its infectious hook and Brazilian funk rhythms. Lyrically, Playboy Bunny is bold and sensual, moving between playful flirtation and an empowering expression of sexuality. The titular lyric, “All the boys they love me, sexy like a Playboy bunny,” is a perfect example.

Vocally, Gabby delivers with assertiveness: the mix places her voice front and centre, letting her articulate the hook and the flourishes of backing chants/harmonies that embed in memory. The arrangement doesn’t linger either; the drop hits early, and the song keeps momentum rather than sprawling.

The slick pop-melody hooks reveal a polished, clean production aesthetic. Producer Joseph Lopez (aka “Mr. Hit Record”) is credited with sculpting that hybrid sound, and the funk-inflected percussion gives the groove its backbone, while the synths and vocal layering bring the mainstream pop gloss.

In the broader context of Gabby B’s career, “Playboy Bunny” marks a consolidation rather than reinvention. She has previously explored bilingual dance-pop with funk influences and here she hones those elements into a tighter, more streamlined statement.

– https://skopemag.com/2025/10/27/gabby-b-embraces-feminine-power-and-playful-confidence-on-new-single-playboy-bunny

The official music video actively underscores the track’s themes as the narrative flips the traditional mansion/playboy fantasy. Gabby and her crew commandeer the space, subverting gender roles, and projecting control, glamour and boss-energy.

Playboy Bunny is a sharp, dance-driven anthem that aligns with Gabby B’s evolving identity as a global pop artist with roots in Brazilian funk and a multilingual reach. For fans of Latin-pop and funk-inflected club music, this track ticks the boxes.

Home

https://www.instagram.com/gabbyb_music/

Distance Major Captures Emotion and Melody in Motion on New Single “With You”

RIYL: Tycho, M83, Boards of Canada, Phantogram, U.N.K.L.E., The Postal Service

New Jersey based composer and producer Distance Major returns with “With You,” a standout track from his self titled debut album that embodies the heart of his instrumental storytelling. Blending elements of synth driven rock, modern jazz, and ambient electronica, “With You” offers a cinematic journey through emotion and movement, a song that feels as visual as it sounds.

Built on a traditional pop structure yet entirely lyric free, “With You” showcases Distance Major’s ability to translate melody into feeling. With its catchy synth motifs, flowing dynamics, and lush textures, the track demonstrates how simplicity can be both powerful and deeply expressive. “This song was based on the traditional structure of a pop song,” Distance Major shares. “I really wanted a catchy melody in both the verse and chorus, so how can you do that without lyrics? I tried this one and really enjoyed the final version. Sometimes you need to keep things simple, which is what I did for this track.”

While “With You” currently stands as an instrumental composition, it hints at what’s to come, as Distance Major has written lyrics for the piece that he plans to incorporate in a future vocal version. The result is a song that feels complete in its current state yet open-ended in its evolution, reflecting the artist’s improvisational process and forward thinking creativity.

The track captures the sonic identity that defines Distance Major, a seamless fusion of cerebral sound design and emotional resonance. Crafted entirely by composer Michael Keane, who composed, performed, mixed, and mastered the record himself, “With You” is another step in his exploration of melody, motion, and the art of storytelling through sound.

Listen to “With You” – HERE

DISTANCE MAJOR ONLINE:
BANDCAMP | INSTAGRAM | YOUTUBE | TIKTOK | X | FACEBOOK | SPOTIFY

Eyal Erlich Casts a Modern Spell on “Sentimental Magic Cape”

There’s a moment in “Sentimental Magic Cape” — right around the minute mark — when Eyal Erlich leans into the mic and sings, “Somebody said don’t like your mama / Well, you don’t really know her at all.” It’s a line that lands with that mix of humor and ache that defines his music — personal but cryptic, sharp but strangely sweet. This is Erlich’s terrain: the space where sarcasm flirts with sincerity and memory becomes melody.

Backed by his stellar band — Omer Hershman (electric guitar), Adi Gigi (bass), and Barak Kram (drums) — Erlich builds a sound both ragged and refined. Hershman’s guitar snarls and sparkles, alternating between punk crunch and psychedelic shimmer. Gigi’s bass grounds the chaos, while Kram’s drumming propels everything forward with restless urgency. Together, they sound like a band that’s lived a little, laughed a lot, and doesn’t mind bleeding for a good chorus.

The lyrics tumble out in fragments of frustration and longing: “I tried to fly and put it on… it’s a little magic, but no, no, I can’t escape.” The “cape” becomes a symbol for the emotional disguises we wear — those sentimental shields that never quite save us but make us brave enough to keep going. Erlich doesn’t wallow in the pain; he dances with it, turning vulnerability into voltage.

Musically, the song feels like a love child between late-’70s post-punk and early-2000s indie revival — think The Jam jamming with Interpol in a Tel Aviv basement. The production keeps things raw and human; you can hear fingers slide across strings, cymbals crash just a hair too long. That imperfection is its beauty — the sound of real musicians playing from the gut.

Erlich’s vocal delivery is what seals the spell. He doesn’t croon — he confides. Every word feels lived in, every phrase just slightly behind the beat, as if the emotion hits him a split-second after he sings it. When he repeats “Put it on, put it on, put it on” near the end, it’s not just a hook — it’s a mantra, a cry, a ritual.

“Sentimental Magic Cape” is more than a song; it’s a cinematic confession wrapped in distortion. It’s the sound of someone trying to fly, knowing full well gravity’s got plans of its own — and still choosing to jump anyway.

https://www.youtube.com/watch?v=fKUL0YZF8w8

Social Media:

https://www.instagram.com/eyalerlichmusic/
https://www.facebook.com/EyalErlichMusic
https://open.spotify.com/artist/3tD1ttAtZtUVZzW6WfjcYg
https://www.youtube.com/@EyalErlichMusic

–Lonnie Nabors

Nico Grund Announces Release of “Don’t Stop Now”: A Pop-Punk Anthem of Hope and Perseverance

Cologne-based singer-songwriter Nico Grund will release his new single “Don’t Stop Now” on November 7th, 2025. A high-energy pop-punk track with heartfelt lyrics that encourage listeners to push forward even when life feels overwhelming. “This song is about carrying on, even when you feel defeated,” Nico explains. “The finish line might be closer than you think, and giving up is never the answer.”

Nico’s passion for music began in a school band project, later inspired by a Metallica symphony video that sparked his dream of writing and performing his own songs. From his self-released debut Black & White (2017) to his EP For the Right Reasons (2020) with Dreamscope Media Group, he’s consistently honed his craft. Appearances on The Voice of Germany (2021) and Deutschland sucht den Superstar (2023) further cemented his presence in the German music scene, alongside the success of his single “Through My Eyes”, produced by Ingo Politz.

After completing a PhD in physics, Nico fully committed to music in 2024, embracing a pop-punk direction with global appeal. With “Don’t Stop Now”, he combines raw personal storytelling with motivational energy, creating a track that is both relatable and inspiring.

The single will be available on all major streaming platforms on November 7th, 2025.

Links:
Instagram: @nicogrundmusic
Facebook: @nicogrundmusic
Spotify: Nico Grund
YouTube: @NicoGrundMusic
Tiktok: @nicogrundmusic

@skopemag Q&A Featuring Great Adamz

Fresh off his first UK No. 1 with “Funke,” Northampton-based Afrobeats artist Great Adamz is having a landmark year. From viral dance trends and festival stages to award wins and major collaborations, he’s quickly become one of the UK’s most exciting new voices in Afrobeats. We caught up with him to talk about the success of “Funke,” his journey so far, performing with his band The 99 at Latitude Festival, and what’s next, including his new single “Body and Soul” with Maddox Jones.

Hi, Great! How are you?

Hey this is actually nice most people never ask how are you now adays but am glad to let you know am Doing Great

First of all, congratulations on your first UK No. 1 with “Funke!” How would you describe the feeling of achieving such a milestone?

Thank you so much — it still feels surreal!

Hearing that “Funke” hit No. 1 in the UK was one of those moments where everything just stops for a second. You think about the journey — the late nights in the studio, the self-doubt, the grind without guarantees — and then suddenly, the world is dancing to your song. It’s overwhelming in the best way.

“Funke” has already been a hit online, recently re-released as a single. It has sparked viral dance trends and accumulated over a million streams. Did you anticipate the song receiving such a huge response?

When we first created it, the energy in the studio was electric. We knew it had that bounce, that infectious rhythm, and a hook that could stick. But seeing it spark viral dance trends, rack up over a million streams, and cross into international charts — that’s the kind of response you hope for, but never take for granted.

But to say I knew it would make this type of impact honestly no I didn’t know. True story I remember calling Jurgen who’s head of Radikal records while he was in London Euston train station just after I made the song in the studio and I told him “ we have a banger” he loved it straight away. 

I had a good feeling about it for sure ! 

If you could share this success with your younger self, what would he be most proud and excited about?

Wow — that’s a powerful question.

If I could sit down with my younger self — the version of me grinding in silence, writing lyrics late at night, maybe doubting if this dream would ever take shape — I think he’d be shocked first, then overwhelmed with pride.

Not giving up, even when the path wasn’t clear.

Staying true to the sound — blending Afrobeats with soul, rhythm, and purpose, even when it didn’t fit a mold.

The fact that “Funke” didn’t just chart — it connected. It made people dance, celebrate, and feel joy around the world.

This year, you’ve collaborated with a vibrant collection of musicians, including Orode, Article Wan, and Kweku Flick. What have you learned from working alongside these artists, and do you have any fond memories to share?

This year’s collaborations have been some of the most enriching and inspiring moments of my career so far. Working with artists like Orode, Article Wan, and Kweku Flick wasn’t just about blending sounds — it was about sharing stories, cultures, and creative energy in a way that elevated all of us. Article wan is a pretty bold guy and I learnt a lot from him especially how he carries himself.

You performed with your band, “The 99,” at the iconic Latitude Festival. What instruments are featured in your band, and how does this bring a fresh energy to your songs? Would you say it’s a different experience compared to your recordings?

Performing with The 99 at Latitude Festival was an incredible experience — there’s something magical about bringing your music to life with a full band in front of a live audience. We were told that we had the biggest crowd of the night. I also did my first crowd jump and it was amazing jumping in the crowd and dancing singing so cool!

Instruments featured in The 99:

Drums and percussion — laying down those infectious Afrobeat rhythms with live energy.

Bass guitar — providing that deep groove and movement that drives the songs.

Keyboards and synths — adding texture, melody, and atmosphere.

Electric guitar — bringing both rhythm and those subtle riffs that add flavor.

Saxophone or brass section (depending on the lineup) — injecting that soulful, jazzy punch that really lifts the tracks Played 

How would you describe your sound in just three words?

Well 3 words would be 

Melodic

Epic 

Special 

“Funke” is sure to get anyone on the dance floor. What’s your go-to song that gets you moving?

Well I love Funke but one song that I also really like is 

Kuron Be it’s one track that everyone really loves 

What’s next for you? Is there more new music in the works?

Well I have a few collabs on the way have just released body and soul with Maddox jones 

Later on this year we would see some collabs with some other Afrobeat artist like Rebecca winter and in the new year we would get new singles and lots of great music on the way

Inside the World of Real-Life Findom

It feels like a scam because on the surface, it sounds absurd. People hand over money, sometimes hundreds of thousands, to someone who orders them to. But inside certain corners of the internet, this is completely normal. 

It’s called financial domination, or findom, and it’s one of the most interesting forms of intimacy the internet has ever produced. Still, the findom cashmeet lifestyle is definitely worth trying out at least once – for many reasons!

♥︎ What Is Findom?

The simplest way to define it is this: one person gives money or gifts, another person accepts and controls that exchange. That’s what is findom at its core.

A quick findom definition would read like this:

• The submissive, often called a “paypig,” “wallet,” or “fin-sub,” feels arousal or satisfaction from giving.
• The dominant, sometimes known as a findom mistress or “cash dom,” experiences pleasure or authority through receiving.
• The transfer itself becomes symbolic rather than practical.

𖡎 The Psychology of Power and Payment

Ask ten participants what does findom mean and you’ll get ten answers: erotic ritual, emotional release, meditation with money – the variations are endless.

But most of the attraction comes from these three:

1. Control – The submissive surrenders decision-making to feel free.
2. Validation – The dominant interprets tribute as proof of devotion.
3. Performance – Both sides enjoy the script.

A findom relationship doesn’t have an expiry date, as it might last an hour or a year, depending on how well each role is played. But sure, it can exist entirely online or move offline through meetups and “cash drops.” 

Clarifying the Findom Meaning

Even within the community, people argue about findom meaning. Critics call it manipulation dressed as kink. Practitioners call it consensual theater. Both are partly right. 

Pop culture reduces findom to glamorous women scamming rich men. But reality is different. The scene includes every gender and orientation. There are dominants who are complete artists, some are full-time sex workers, and there are even regular hobbyists experimenting with persona.

The gender stereotypes persist because “woman in charge” imagery sells. Yet, to participants, it’s more about chemistry.

How Does Findom Work?

1. Introduction – Contact begins online through social media or kink forums.
2. Negotiation – They discuss limits, payment methods, and expectations.
3. Exchange – Money or gifts change hands: sometimes there are tasks, messages, or recorded affirmations.
4. Aftercare – The dominant checks in, and the submissive confirms their satisfaction or asks for adjustments.

➤ Steps to Becoming a Findom

A financial domination kink doesn’t always mean large sums. Many subs send symbolic amounts, others go big. So every few weeks, new users post threads asking how to be a findom. Most answer with the same checklist:

• Set financial limits for yourself and others.
• Use separate accounts for work and private life.
• Never promise what you can’t emotionally do.

Relationships Built on Ritual

A stable findom relationship can look almost domestic. There are routines: daily check-ins, scheduled tributes, small rituals like morning messages or lists of instructions. Some partners describe it as caretaking in reverse. Done well, it resembles any structured relationship. 

Academically, findom falls under the umbrella of a financial domination fetish. Scholars describe it as an “exchange fetish,” where emotion, control, and currency fuse. It very similar to gift-giving kinks and psychological BDSM. 

Although most scenes happen online, some do in real life. A meet might involve handing over cash in person, a brief conversation, maybe eye contact, then goodbye.

Offline protocols often include:

• Proof of consent.
• Public settings for safety.
• Clear exit rules.

🚩 Risk and Responsibility

Money adds weight to any kink. Participants warn newcomers that debt, pressure, or obsession can turn fun into harm. Responsible dominants limit spending and insist subs handle their basic expenses first.

Look, fantasy should never wreck finances. Ethical practitioners treat boundaries as part of the allure and not an obstacle.

Findom is popular because modern finance makes intimacy instant. Instant transfers, wish lists, anonymous tipping are what already exists in everyday life. The kink simply repurposes them. Still, keep an eye on privacy matters!

Most participants use various tools that include VPNs, encrypted chats, alternative usernames, and other privacy measures. Some never share real names because trust in such an arrangement depends on secrecy.

We already live in an environment where worth feels tied to spending. The kink just calls it what it is: power as currency. After all, if you go through feeds filled with receipts, it’s as if you’re watching performance art about capitalism itself…

Wrapping Up

So, after all this, what does findom mean today? In simple terms, people are finding ways to express control and vulnerability through the systems that already dominate them. The participants know it’s a game, yet it feels real. Mainly, it’s the tension that keeps it alive.

To outsiders, it looks weird. To insiders, it asks the question money always asks, only louder: who owns who? So why not have fun in the process?

Visionary Artist Eye’z Unveils Empowering New Single “It’s the One”

Multi-talented singer-pianist-actor Eye’z is proud to announce the release of her latest single It’s the One, now available across all major streaming platforms.

https://label-caster.ffm.to/yytko95cfw

https://eyez.bandcamp.com/track/its-the-one-2

https://zdigital.7digital-com.prod.global.7digital.net/artist/eyez-1/release/its-the-one-54644405

A Bold Statement from a Unique Voice

From the very first bars of It’s the One, Eye’z asserts herself as an artist unafraid to blend genres and defy expectations. With her background as a pianist and actress, she brings a theatrical flair to her music that sets her apart.

Her earlier work already showed her range—from the ethereal tones of “Sugar Acappella” to the emotionally charged “Lovely”—and now she turns her creative fire to this bold new statement.

What It’s the One Offers Listeners

Musical depth: With rich instrumentation, pounding rhythm, and cinematic touches, the track invites both the mind and body to engage.

Emotional resonance: The lyrics explore themes of decision, clarity and seizing the moment—encouraging listeners to recognize when this is the moment.

Visual flair: Given Eye’z’s background in film and performance, the single comes with an aesthetic worthy of its message—expect visuals and branding to match the sonic ambition.

Why This Matters

In a music landscape saturated with sound-alikes, Eye’z stands out. Her unique blend of piano-driven composition, vocal grit, and performative sensibility positions her as a rising force. The release of It’s the One marks a pivotal moment in her career—a track that could be the catalyst for wider recognition.

Listen & Connect

It’s the One is now live on streaming services worldwide.

Follow Eye’z for updates, upcoming live shows, behind-the-scenes content and more:

Instagram: [@mseyez]

Facebook: [Eye’z Pop Music]

SoundCloud & Bandcamp: eyez.bandcamp.com

Spotlight on Ann Kittredge: The Art of Living—and Loving—the Song 

Allegra Releases ‘Red’

London’s rising pop powerhouse Allegra is back, and she’s seeing ‘Red’. After dancing her way to the top of the charts with last year’s club hit ‘Wildfire’, the 22-year-old starlet has returned with a sultry, self-assured anthem that feels like a turning point in her evolution from breakout newcomer to full-blown pop contender.

‘Red’ is sleek, hypnotic, and simmering with confidence. Gone are the sugar-coated hooks of her early singles, this is Allegra stepping into her womanhood, soundtracked by pulsing basslines, breathy vocals, and synths that glow like city lights at 3AM. It’s dance-pop with a bite, and it radiates the kind of grown-up glamour that signals she’s not chasing trends anymore, she’s setting them.

The accompanying visualiser seals the deal. Allegra struts across a minimalist studio stage, switching between an angelic white ensemble and a bold, red-lit look, channeling both vulnerability and power. It’s stylish, unapologetic, and just a little bit dangerous, everything pops next big star should be.

With her second EP arriving 6th November, ‘Red’ feels like the ignition spark for Allegra’s new era, one that swaps heartbreak anthems for unapologetic self-possession. It’s a confident evolution from her Unsent Love Letters Vol. 1 days, where she opened up about heartbreak and healing. Now, she’s done with the tears, she’s ready to own the dance floor.

https://youtu.be/bS9z2cAnQkU?si=SAEv6ipGooz3Qr3u

Norwegian based soul-rock band Bonnie and the Jets are back with their new track ‘Diamonds & Gold’

Following a string of critically acclaimed singles and highly energetic live shows, Norwegian based soul-rock band Bonnie and the Jets are back with their new track ‘Diamonds & Gold’, the final single from their second full-length album ‘II’!

Bonnie and the Jets are a hard-working soul-rock band on the rise, and with their dedicated approach to music, they have managed to make a name for themselves both internationally and at home. With their admiration for the sound of the ’60s and ’70s, combined with innovative songwriting and a personal touch in every single little detail, they can truly be considered as pioneers of the soul-rock genre!

Bonnie and the Jets have established themselves as one of Norway’s most exciting bands, known for their powerful live presence, charismatic frontwoman, and a sound that mixes vintage warmth with a modern punch. They debuted with their outstanding self-titled album in 2022 and have since built a steadily growing fanbase both at home and abroad. Both their live and recorded performance have achieved positive support from press, across the globe, including ‘Best Song of the Year’ from British radio station Radio WigWam!

The thematic core of ‘Diamonds & Gold’…

‘Diamonds & Gold’ is a powerful yet intimate song about self-respect and self-worth. It reflects on what we choose to value in ourselves in a world that often shouts loudest about superficial ideals. Bonnie describes the emotional core of their new single, revealing how “We wanted to create a song that feels both strong and personal, something that reminds you of your own worth, no matter what you’re going through.” The track continues the band’s signature blend of soul and rock, and it was recorded at Lekerommet Studio, Oslo in the winter of 2024!

A new era for Bonnie and the Jets!

After months in the studio and a series of powerful singles, soul-rock band Bonnie and the Jets have released their second full-length album ‘II’, which marks a bold new chapter for the band. It explores important themes such as karma, identity, and reinvention. Rooted in their signature soul-rock sound – with vintage warmth and a forward-thinking edge – the album blends soaring anthems with intimate, emotionally charged moments. The result is a sound that feels both timeless and innovative. The record features brilliant guest appearances from Marius Lien & Stian Carstensen, capturing the feel of their Norwegian roots.

‘II’ is the second album in their planned interconnected trilogy (With the third instalment arriving in 2026!) and Bonnie describes how “This album is a kind of journey through the past couple of years; both personally and musically, it’s about shifting, letting go, rebuilding… we’ve gone deeper, taken more risks, and tried to be as honest as possible. Reinvention has been a key part of that.”

With singles like ‘House of Creation’, and ‘Naked’ the band has already offered a glimpse into the emotional and sonic landscape of ‘II’ – where big choruses meet raw vulnerability and nerve, and ‘Diamonds & Gold’ is a superb reminder of that incredible style! With ‘II’, the band embraces both evolution and reflection, it represents not just a continuation, but a reinvention – musically, emotionally, and creatively.

Bonnie and the Jets are:

Vocals: Caroline “Bonnie” Bonnet  – Guitar: Dagfin Hjorth Hovind – Drums: Alf Magne Hillestad – Keys: Kristian Wentzel – Bass guitar: Haldor Haug Knutsen – Backing vocals: Johanna Dahl Bryne

Their second full-length album ‘II’ and ‘Diamonds & Gold’ are available to stream right now! ‘II’ is available in physical formats, both vinyl and CD!

‘II’ was celebrated with performances at Dark Season Blues in Svalbard!

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Richard Lynch’s “Why Me Lord” — A Country Prayer for the Soul

There’s a sacred quiet that lives inside the best country songs. It’s the silence between the strum of a guitar and the breaking of a heart—the place where truth hides, trembling but alive. Richard Lynch’s new single, a cover of Kris Kristofferson’s “Why Me Lord,” lives right there in that silence. It’s not just another interpretation of a country gospel classic; it’s a man’s humble conversation with his Creator, recorded for all of us to overhear.

The first thing you notice is the stillness. Lynch doesn’t try to outperform Kristofferson. He doesn’t chase perfection or polish the rawness away. Instead, he walks straight into the vulnerability of the song, his voice carrying decades of dust, devotion, and daylight. You can feel the Ohio soil beneath his boots as he sings “What have I ever done to deserve even one of the pleasures I’ve known?” It’s not nostalgia—it’s repentance wrapped in gratitude.

This is where Richard Lynch shines. He’s never been about flash or fame. His career—stretching across four decades of real country living—has been a testament to the simple virtues of honesty, humility, and heart. “Why Me Lord” feels like the culmination of all that, a distilled drop of everything Lynch has come to understand about life, faith, and forgiveness. You hear it in his tone—weathered, gentle, and unpretentious, like the voice of an old friend telling you something you needed to hear.

https://open.spotify.com/track/50sdwq6HDclSuWM2ktLXaa?si=39c1d2849ec94412 

The production honors that simplicity. A soft acoustic foundation carries the weight of the lyrics, with the pedal steel weeping like a prayer escaping through a cracked church window. Every note feels intentional, uncluttered, respectful. There’s air in this mix—room for the words to breathe, for the listener to reflect. The rhythm is unhurried, the kind of pace that lets memory settle in.

When Lynch reaches the chorus—“Lord help me, Jesus, I’ve wasted it so”—you can feel the confession in his chest. It’s not just a singer interpreting a line; it’s a man confronting the ghosts of his own roads. There’s wisdom in that ache, the kind that comes from living enough to know the weight of grace. His phrasing has that sacred balance of brokenness and hope, where faith feels less like certainty and more like surrender.

“Why Me Lord” is more than a song; it’s a mirror. It reflects the listener’s own doubts, regrets, and quiet moments of thanks. Lynch’s gift here isn’t reinvention—it’s restoration. He returns the song to its altar, where it belongs, and lights a candle in its honor.

In a world that confuses noise for connection, Richard Lynch reminds us that sometimes the purest form of worship is a whisper. His version of “Why Me Lord” doesn’t demand attention—it earns reverence. It’s a humble, heartfelt reminder that music at its best doesn’t just entertain; it redeems.

By the final verse, when Lynch softly pleads, “Try me, Lord, if you think there’s a way,” you realize he’s not just singing for himself. He’s singing for all of us who’ve fallen, prayed, and found the courage to stand again.

–Lonnie Nabors

SONGSTRESS LIZZIE BLAZQUEZ CHURNS OUT NEW PROJECT

by Nick Christophers

Lizzie has developed a knack for always coming out with something new and exciting to entice the music scene. She has been growing her solo career year after year releasing new music with a twist. From pop to electro there is no genre that she is not afraid of experimenting with. Her last single “Four Seasons” was well received and served as a springboard to new avenues for her music. The video for the project was filmed around Central Park at such landmarks like Belvedere Castle, which houses Central Park Weather Station, Bow Bridge, The Pond, The Turtle Pond, The Ramble, Gapstow Bridge, The Boat House, Conservatory Garden, and Shakespeare Garden.

She learned to play the guitar at a young age and then began developing lyrics and honing her voice. It was only a matter of time that she would be belting out her songs on stage and via streaming sites. It is good to note that she is a bilingual performer where she sings in English and Spanish. Based on her dual language she released songs at the beginning in English (cover of “Knocking on Heavens Door”) and the Latin track “Deep Inside Of Me”.  This managed to offer her exposure via media outlets like WBON-98.5 FM/La Fiesta, WCWP-88.1 FM and Old Westbury Web Radio. Of course, she came back with the sensual track “Ouh Baby” that gave us a front seat to her sexy and electric sound.

“I’m always trying new genres. As you can see from my catalogue, I’ve done trap, pop, pop punk, pop rock, EDM, etc. So, it’s always something new that I’m working on. You will see the same eclecticism in my upcoming releases.”

For this November, she is set to release a new track titled “Electric Ecstasy,” marking a return to her earlier sound. The genre of the new single leans more toward pop, featuring fast-paced, upbeat drums and bass with fun lyrics. She isn’t entirely sure how to label the genre — perhaps it’s best described simply as an upbeat pop track. This is a style she explored in her early years, and she wanted to return to her musical roots. She co-produced the song with music producer and audio engineer TM, who is very talented and recorded new live drums and bass for the single. Lizzie has performed at venues ranging from Arlene’s Grocery to The Bitter End, as well as at community street events, beauty pageants, piano bars, and numerous private events.

Lizzie strongly believes in supporting other independent artists whenever possible. She believes a true musician is always on the move, putting in the work to achieve success. However, support from fans and friends is always crucial. This can be monetary—by buying merchandise, purchasing tickets, tipping, or booking them for paid gigs. If monetary support isn’t possible, you can still help for free by promoting the artist on social media, sharing their content, commenting on their posts, following them on Spotify, or keeping 

their music on replay. Lizzie also books other musicians for paid gigs and tips them simply because she enjoys helping others. For her, it feels good to lift others up, not just herself. Her new single is set to drop on November 21 on all major music platforms, including Spotify, Pandora, Apple Music, and other streaming services.

https://lizzieblazquez.com/

Ross Mintzer Expands Electronic Horizons with ‘aimless mystics’

Ross Mintzer returns with ‘aimless mystics’, an album that seamlessly fuses heartfelt songwriting, modern electronic production, and global musical influences.

Crafted over the past year, the album reflects Mintzer’s introspective approach, with each track shaped by a desire to explore fresh sonic territory. Entirely self-produced, many of the songs have already resonated in his live sets, demonstrating their emotional depth and dancefloor appeal.

Opening with the uplifting dance-pop anthem “cosmic farewell,” the album immediately establishes its vibrant tone with infectious hooks, layered vocals, and festival-ready energy. Central to aimless mystics is the concept of “aimlessness,” inspired by Buddhist philosophy and Stoic teachings, which informs both the lyrical content and the album’s exploratory sonic journey.

Recorded primarily on a legendary Neumann U47, once used in John Lennon’s Tittenhurst Park Studio, Mintzer’s vocals and saxophone benefit from a distinctive warmth and presence. Lead single “frequencies” showcases his signature style: melancholic electronics evolving into bright, bouncy EDM, punctuated by vocoder-infused vocals and melodic ingenuity.

Collaborations, including work with Italian producer Lorenzo Cosi, and nods to electronic innovators like Totally Enormous Extinct Dinosaurs, demonstrate Mintzer’s ambition to push the boundaries of electronic music.

With ‘aimless mystics’, Ross Mintzer delivers an album that is both globally inspired and deeply personal, cementing his position as a forward-thinking force in contemporary electronic music.

Ivelisse Del Carmen Unleashes Vulnerability and Power on Latin Pop Single “Sin Filtro”

Let’s just say it: Ivelisse Del Carmen is doing reggaeton differently, and beautifully. Her new single, “Sin Filtro”, isn’t your typical club banger. Instead, it’s a daring, intimate exploration of identity, vulnerability, and creative freedom, all wrapped in rhythms that make your body move and your mind reflect.

From the very first note, you can hear her classical training weaving seamlessly into the Caribbean pulse of reggaeton. Spanish guitar flutters alongside sweeping orchestral strings, and then there’s her voice, operatic, powerful, yet tender, carrying lyrics that hit you right in the chest. Lines like “My ego, the spider, afraid to get hurt” don’t just sit there; they linger. It’s the kind of writing that’s unafraid to show the messy, complicated side of being human.

Produced by Paul Stanborough, who has a resume including Tina Turner and Kylie Minogue, “Sin Filtro” balances precision and emotion. The percussion keeps the song grounded in its Puerto Rican roots, while the classical flourishes elevate it into a cinematic soundscape. It’s music you can move to, yes, but also music you can sit with, reflect on, and feel something deeply.

What makes this track so compelling is the way Ivelisse reclaims reggaeton. She’s taking a genre that was once censored or stigmatized and turning it into a platform for honesty. “This isn’t club music, it’s reflection music,” she says, and she’s right. There’s anger, there’s healing, there’s joy, all existing together in one track, in one voice, on her own terms.

“Sin Filtro” is bold, cinematic, and fiercely personal. It’s proof that Ivelisse Del Carmen isn’t just making music, she’s shaping it, bending it, and ultimately, reclaiming it. And if this is a glimpse of what’s to come on her second album, we’re all in for something extraordinary.

SVMMI Delivers Heart and Honesty on Debut EP Almost Forever

October 2025 — Rising pop artist SVMMI unveils her highly anticipated debut EP, Almost Forever, a three song journey through love, loss, and the lingering beauty of what could have been. Known for her emotional storytelling and soulful sound, SVMMI bridges the gap between cinematic pop and heartfelt country, crafting songs that speak directly to the soul.

Over the years, SVMMI has fearlessly explored multiple genres from polished pop to high energy EDM and dance music, earning widespread recognition for her dynamic vocals and electrifying energy. But even in the glow of that success, she felt called back to something deeper: music that feels real. Songs with meaning, vulnerability, and emotional truth.

That shift began with her breakout single “More for You,” a powerful ballad written for her mother during her battle with breast cancer. The track became a symbol of love, resilience, and strength, and marked the beginning of a new creative chapter for SVMMI, one rooted in emotional honesty and storytelling.

Her debut EP, Almost Forever, reflects that evolution. The project includes three emotionally rich tracks “I Knew,” “What If?” and “Almost Forever,” each capturing a different stage of a love story that never found its ending. Through evocative lyrics and cinematic production, SVMMI paints a vivid portrait of two people bound by love but separated by circumstance. The result is a project that feels both deeply personal and universally relatable, a soundtrack for anyone who’s ever loved, lost, and wondered what if.

With Almost Forever, SVMMI proves that true artistry lies in honesty. Every note, every lyric, and every performance carries the weight of real emotion, a signature that defines her sound and sets her apart as one of pop country’s most exciting new voices.

Listen to “Almost Forever” – Here!

SVMMI – I Knew (Official Music Video)

Watch “I Knew” – Lyric Video – Here!

Watch “Almost Forever” – Lyric Video – Here!

Follow SVMMI:
Instagram: @svmmiofficial
TikTok: @svmmiofficial
Facebook: @svmmiofficial

MIRUD Releases “Entre Os Mundos” Portuguese Album

Recording artist MIRUD has released “Entre Os Mundos,” a Portuguese-language album created between Los Angeles and Lisbon. The project combines pop, R&B, and Latin influences with Portuguese lyrics.

MIRUD, born in Albania, studied opera at The Juilliard School in New York. At age 20, he was discovered by producer Arthur Pingrey, who received an Oscar nomination for his film work. MIRUD’s debut performance took place at Festivali i Këngës, Albania’s national music competition.

His catalog includes multiple releases across different languages. “Ride The Sin” received 2.5 million YouTube views within 17 hours of release. Songs “Escondes” and “Vivir Sin Ti” entered Top 10 charts in Latin American markets. His combined streaming data shows over 20 million plays on Spotify, 35 million on Apple Music, and 37 million views on YouTube.

The album features custom artwork created through 3D photography sessions. The visuals were produced in professional studio settings to complement the album’s thematic content. MIRUD directed the visual concepts for the project, which include styled photography and digital design elements that accompany the audio release.

“I sing for people who have felt caught between cultures,” said MIRUD. “This album reflects that experience.”

MIRUD has performed at venues including Viña del Mar International Song Festival in Chile, Air Albania Stadium, NY Pride, and Bushwig Festival in New York. He has worked with regional artists Genta Ismajli, Elhaida Dani, and Anxhela Peristeri.

His work has been featured in Marie Claire, Harper’s Bazaar, Vanity Fair, GQ Swiss, and Glamour Italia. He is mentioned in actress Joely Fisher’s memoir. He performed at actress Connie Stevens’ private birthday event. In 2024, the Albanian government recognized his contribution to representing Albanian culture internationally.

“Entre Os Mundos” is available on major streaming platforms.

Learn more at: https://www.mirudofficial.com/

For updates, follow MIRUD on social media:

Instagram: https://www.instagram.com/mirudofficial

YouTube: https://www.youtube.com/@mirudmusic

TikTok: https://www.tiktok.com/@mirudofficial

Spotify: https://open.spotify.com/artist/1vtPwOxeuiJVLKq6OsolBw

About MIRUD

MIRUD is a Los Angeles-based recording artist from Albania. His music combines multiple languages and genres, with releases spanning Albanian, Portuguese, Spanish, and English. He performs internationally and has built an audience across Europe, Latin America, and North America.

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