ARTILLERY SAINTS UNLEASH NEW SINGLE “A FLURRY OF FURIES” — A DARK, CINEMATIC SNAPSHOT OF A WORLD IN VIOLENCE
Artillery Saints, the project of Scottish musician Ally McKenzie, returns with the blistering new single “A Flurry of Furies”, taken from the forthcoming album Glimpse (2026). The track captures the brutality, chaos, and moral decay of the present moment — delivered with McKenzie’s trademark dark wit and unflinching perspective.
Described by McKenzie as “meant to capture the violence and evil of the times,” “A Flurry of Furies” confronts modern life head-on, pairing stark lyrical imagery with moments of unsettling irony. It is a song that refuses comfort, instead holding up a mirror to the world as it is.
Sonically, the single is dense and cinematic, blending hypnotic basslines, fractured guitar bursts, stark electronic textures, and a constant undercurrent of menace. It stands as one of Artillery Saints’ most confrontational and urgent releases to date — less escapism, more reckoning.
The track is taken from Glimpse, McKenzie’s most ambitious album so far, following earlier releases Maneki-Neko and Fixed Grin Of A Wallpaper Star. Across eleven tracks, Glimpse pushes Artillery Saints further into avant-pop and electronic territory, weaving futuristic production with organic elements such as woodwinds, ambient sound design, and jazz-inflected flourishes.
Fans of Brian Eno, Roxy Music, Magazine, John Foxx, and Japan will recognise familiar atmospheres, but McKenzie’s voice remains distinctly his own — surreal, literate, blackly comic, and emotionally charged.
Originally part of ’90s indie act Fly and later electronic project Cities People And Parks, McKenzie rediscovered his creative drive post-lockdown after an impulsive guitar purchase reignited his passion for songwriting and production. Working largely from his home studio in Aberdeen, he now builds Artillery Saints using bass, synths, guitar, and Ableton Live, crafting music that is both meticulously produced and deeply human.
“A Flurry of Furies” is a stark and compelling reflection of the times we’re living in — a warning, a provocation, and a powerful glimpse of what’s to come.
Follow Artillery Saints
Instagram: https://www.instagram.com/artillerysaints/
Website: https://artillerysaints.bandcamp.com/
Soundcloud: https://soundcloud.com/artillery-saints
Spotify: https://open.spotify.com/artist/3yIH3sA1L0fZIUNui6c9hq
Youtube: https://www.youtube.com/playlist?
Twitter: https://x.com/ArtillerySaints
Amazing Radio: https://amazingradio.com/profile/artillerysaints
Circus Mind Channels Vintage Soul on New Single “Whole Lotta Nuthin” on Jan. 6th
New York, NY — January 2026 — Genre-blending groove collective Circus Mind returns with “Whole Lotta Nuthin,” a feel-good, vintage-soul-infused single that radiates warmth, swagger, and timeless charm. Mixing a little Little Feat, a dash of WAR, and splashes of Dr. John and Santana, the track leans into a slinky, soulful rhythm that feels instantly familiar and refreshingly alive. Listen HERE!
At its heart, “Whole Lotta Nuthin” captures frontman and songwriter Mark Rechler’s quest for authenticity in a world increasingly saturated with cheap imitations, disposable trends, and AI-generated replicas.
“We live in such a strange world, and it gets stranger every day,” says Rechler. “We no longer know what is real. I guess that got me questioning things and people. I want whatever is genuine. I like real instruments and real performances.. warts and all! Well… maybe not warts, but give me the real!”
True to that mission, Circus Mind doubles down on its organic, musician-driven sound. Dan Roth (drums), Steve Finkelstein (percussion), and Mathew Fox (bass) lock into a deep-pocket, super-slanky groove; Rechler layers in lush organ, Rhodes, and space-synth textures; Brian Duggan delivers tight, funky guitar lines; and Michael Amendola fires off a brassy, high-energy horn solo.
Adding another dimension to the track, Circus Mind tapped into New Orleans spirit by inviting Ari Teitel and Aurélien Barnes of The Rumble to join in on a soulful group chant that brings genuine Crescent City magic into the room.
With “Whole Lotta Nuthin,” Circus Mind delivers one of its most groove-forward, honest, and joyfully musical releases to date. It is an infectious throwback that celebrates the power of real musicians making real music.
ABOUT CIRCUS MIND:
Circus Mind is a New York-based rock outfit and the brainchild of ringleader Mark Rechler. The band’s latest release “Bioluminate”, a delightful mashup of rock and Nola funk mixed with late-Beatles pop, received rave reviews from Relix, The Rocktologist and countless other entertainment news outlets. The band features
Mark Rechler on Keys and Vocals, Brian Duggan on Guitar, Michael Amendola on Sax, Mathew Fox on Bass, Steve Finkelstein on Percussion and Dan Roth on Drums. Circus Mind is able to daringly swing from jazzy grooves to reggae roots then shoot out of a cannon into rock without missing a beat.
The boys deliver a modern take on influences such as Traffic, Steely Dan, Little Feat and Mott the Hoople while mixing in NoLa influences likeDr. John, The Meters and The Neville Brothers. Over the course of their career, Circus Mind has performed at Jazz Fest, The Fat Friday Annual Mardi Gras Ball, Brooklyn Bowl, The Capitol Theatre, B.B. King’s and many other prestigious venues.
Follow Circus Mind:
Linktree | Website | Instagram | Facebook | Spotify
INTRODUCING DEJA DEAD – NEW YORK ARTIST ANNOUNCES MAJOR GLASGOW EVENT FOR MARCH 2026
INTRODUCING DEJA DEAD – NEW YORK ARTIST ANNOUNCES MAJOR GLASGOW EVENT FOR MARCH 2026
Artist: Deja Dead
Album: DISCONNECTED
A bold new multimedia alt-rock project is heading to Glasgow next spring. Today, New York artist DEJA DEAD – real name Max Miller – announces “AN EVENING IN THE DEAD ZONE”, an immersive one-night event taking place at the Glasgow Film Theatre on Monday, 23rd March 2026.
The evening marks the first public unveiling of Miller’s upcoming audiovisual album DISCONNECTED, created in collaboration with the late legendary Glaswegian alt-rocker and producer RICO. Known for his work with Gary Numan, Tricky and LCD Soundsystem’s James Murphy, Rico left a lasting mark on the alternative scene. DISCONNECTED was the final project he worked on before his passing in 2022.
On the night, Max will share behind-the-scenes footage from the Glasgow recording sessions and stories from their time together — and the 15-year journey that brought him from New York City to Glasgow in search of a musical hero who ultimately became a friend.
The event will culminate in the debut of a neon-drenched short film that ties the album’s themes together — conceptualized by Max and directed by Ben Sottak, whose forthcoming debut feature The Hallowarrior stars Milly Shapiro and Shannyn Sossamon.
This announcement also marks the beginning of a wider universe surrounding DISCONNECTED, including CLOUD GAME by DEJA DEAD, an upcoming iOS game that expands the project into an interactive, narrative-driven experience. Further details on the game and additional multimedia elements will be revealed later in the campaign.
Event Details:
AN EVENING IN THE DEAD ZONE
23 March 2026 – Glasgow Film Theatre
More information and materials to follow.
Fans of Beck, Nine Inch Nails, Massive Attack and Gorillaz will connect with DEJA DEAD’s existential, genre-hopping and cinematic approach — a collision of music, film and digital storytelling born from the artistic thread between NYC and Glasgow.
Follow Deja Dead
Instagram: https://www.instagram.com/deja_dead_/
Youtube: https://www.youtube.com/@deja_dead_
Spotify: https://open.spotify.com/artist/deja dead
Soundcloud: https://soundcloud.com/deja-dead
Twitter: https://x.com/Deja_Dead_
Facebook: https://www.facebook.com/DEJADEAD
Website: https://www.dejadead.com/
Historian Turned Novelist Charles Searle Launches Gripping Debut Historical Thriller “The Hooded Man”
Author: Charles Searle
Release Date: October 2025
Charles Searle, a lifelong historian with a doctorate in social and economic history, makes a powerful literary debut with The Hooded Man, the first novel in his ambitious new trilogy, The Dark Years. Deeply researched yet grippingly told, the book marks Searle’s transition from academic writing to historical fiction, combining intellectual depth with compelling narrative drive.
Searle’s fascination with history began at an early age, inspired by a teacher whose vivid storytelling brought figures such as Peter the Great and Napoleon thrillingly to life. That early spark led him into academia, where he completed a PhD and published scholarly articles in specialist journals. Although his career later took him into senior roles in post-16 education and inspection, his passion for history never faded. Instead, it evolved—culminating in a return to the subject through fiction, where he could reach a far wider audience.
“I write primarily to entertain,” Searle explains, “but as a writer of historical fiction, I also want to immerse readers completely in a time and place. There is a serious underpinning to The Hooded Man, even as it thrills and engages.”
Set in France in 1937, The Hooded Man unfolds during a period of intense political instability, polarisation and fear. The Republic is under threat from the Cagoule, a real-life, secretive extremist organisation inspired by the Ku Klux Klan, plotting to overthrow the government from within. Against this volatile backdrop stands Antoine Martinet, a war hero and devout Catholic whose own beliefs place him in moral conflict.
Searle’s writing is narrative-driven and meticulously researched, creating an authentic sense of place and time while maintaining the pace and tension of a thriller. His work will appeal to readers of Robert Harris, Philip Kerr, Joseph Kanon and Michael Dibdin, authors he cites as both influences and literary touchstones.
Beyond its dramatic plot, The Hooded Man speaks directly to the present. Searle draws deliberate parallels between interwar France and contemporary Western democracies.
“The France of the 1920s and 30s has many haunting similarities to what we are experiencing now,” he says. “Polarisation between right and left, political paralysis, and the rise of xenophobia. Writing about these issues—even as entertainment—forces us to ask how we would have reacted in those times, and whether we can avoid repeating the same mistakes.”
The Hooded Man is the first volume in The Dark Years trilogy, which follows Antoine Martinet from the trenches of the First World War, through the interwar years, into occupied France during the Second World War, and later to the collapse of the French empire in Indochina in the 1950s. The second volume, Crossing the Line, is scheduled for publication in autumn 2026.
With its blend of historical authenticity, moral complexity and contemporary relevance, The Hooded Man establishes Charles Searle as a thoughtful and compelling new voice in historical fiction—one that entertains while inviting readers to reflect on the lessons of history.
Follow Charles Searle
Facebook: https://www.facebook.com/charles.searle.9/
Amazon: https://www.amazon.co.uk/Hooded-Man-Charles-Searle
Drunk on Sunshine and Self-Belief: Cathleen Ireland Lets Go and ‘Coastin’’ Takes the Wheel
There are two kinds of feel-good songs in this world: the kind that slap a smile on your face like a bumper sticker, and the kind that earn it by surviving the wreckage first. Cathleen Ireland’s “Coastin’” is firmly in the second camp. This isn’t some disposable vacation anthem cooked up for algorithmic beach playlists. It’s a lived-in exhale — the sound of someone who’s been through the grind, dodged a few emotional bullets, and decided that joy doesn’t need permission anymore.
Ireland has always had a knack for pairing groove with gravity, but “Coastin’” might be the clearest distillation yet of who she is as an artist. From the opening lines — “I feel so high I know I gotta cool it / I feel like I just dodged a bullet” — she tells you exactly where this song is coming from. Relief. Gratitude. That strange calm that settles in after chaos when you realize you’re still standing, still breathing, still here.
Musically, the track glides instead of struts. The rhythm rolls easy, like tires humming down a coastal highway with the windows cracked and nowhere urgent to be. There’s a subtle sophistication in the arrangement — warm percussion, relaxed melodic phrasing, a vocal performance that doesn’t oversell the moment. Ireland doesn’t belt her happiness; she lets it settle into the pocket. That restraint is what makes the song hit harder.
https://open.spotify.com/track/2ZXe6Z7fWLYZ5IGp2wd4qK?si=f1b79f0cc8ae4536
When she sings “I’m thankful, grateful, I’m so blessed to be here,” it never feels like Instagram affirmation fluff. It feels like testimony. The kind that comes after nights spent staring at the ceiling, wondering if the work, the sacrifice, the self-doubt were worth it. “Coastin’” answers that question quietly, confidently: yes.
Lyrically, Ireland leans into imagery that’s simple but effective — sunup to sunset, waves rolling in, tequila and lime — but the real weight of the song lives beneath the surface. This is a track about reclaiming your own ease in a culture addicted to hustle. About realizing that your best self doesn’t emerge from constant striving, but from allowing yourself to enjoy the life you’ve built.
What makes “Coastin’” resonate is that it doesn’t deny struggle — it transcends it. There’s a maturity here, a sense that Ireland isn’t chasing the next shiny thing. She’s standing in her moment, soaking it in, daring herself to enjoy it fully. That’s a radical act in pop music.
In a landscape crowded with urgency and noise, Cathleen Ireland chooses something braver: contentment with teeth. “Coastin’” doesn’t beg for attention. It earns it — slowly, steadily, like the tide.
And once it gets you? You don’t want to rush anywhere ever again.
–Leslie Banks
Where the Truth Still Lives: The Women Carrying Americana Forward in 2025
Americana has always been less about polish than presence. It’s the sound of lived-in songs, of voices that don’t chase trends so much as testify. In 2025, the genre’s center of gravity rests firmly with women who understand that tradition isn’t a museum—it’s a conversation. They aren’t reviving roots music; they’re living inside it, bending it, challenging it, and letting it speak in contemporary terms.
At the heart of this movement is Pam Ross, a songwriter whose work feels carved rather than written. Ross doesn’t oversell emotion—she lets it surface naturally, like groundwater. Her 2025 output continued her reputation for crafting songs that balance grit with grace, addressing resilience, identity, and survival without ever lapsing into sentimentality. There’s a quiet authority in her delivery, the sound of someone who trusts the song to do the heavy lifting. In an era of overproduction and hurry, Ross reminds listeners that understatement can still stop you cold.
Elsewhere on the spectrum—but equally rooted—is Brandi Carlile, who in 2025 continues to function as both torchbearer and trailblazer. Carlile’s music has grown broader and more inclusive over time, folding rock, folk, and gospel into the Americana frame. What stands out now is her curatorial instinct—how she lifts other voices while sharpening her own. Her songs don’t just tell stories; they build rooms big enough for listeners to step inside.
If Carlile brings the choir, Margo Price brings the fire. Price remains one of Americana’s sharpest observers, marrying outlaw country spirit with social clarity. Her recent work sounds restless in the best way—songs that pace, argue, and demand attention. She writes like someone who knows the cost of silence and refuses to pay it.
Then there’s Sierra Ferrell, whose 2025 presence feels almost mythic. Ferrell’s music drifts in from another time, but never feels dated. Her voice—part mountain wind, part front-porch confession—turns old forms into something strangely new. She doesn’t modernize Americana; she reveals how timeless it already is.
Tradition, of course, has architects as well as explorers. Rhiannon Giddens remains one of the genre’s most vital historians, using her platform to expand the narrative of American roots music. In 2025, her work continues to bridge scholarship and soul, reminding audiences that Americana’s past is far more diverse—and far more radical—than it’s often portrayed.
And hovering above it all like a steady North Star is Gillian Welch, whose influence is felt as much as it’s heard. Welch doesn’t release music often, but when she does, it lands with the quiet weight of scripture. Her approach—patient, disciplined, unwavering—has shaped an entire generation of writers who understand that authenticity isn’t loud.
Taken together, these women form a living continuum. In 2025, Americana isn’t chasing relevance; it’s defining it. Through artists like Pam Ross and her peers, the genre continues to prove that the most enduring music isn’t about reinvention for its own sake—it’s about telling the truth, clearly and without apology.
-Benjamin Mosser
Lee Mendelson Productions Announces the Pre-Order of the Vince Guaraldi “Be My Valentine, Charlie Brown” Picture Disc Limited Variant Sold Exclusively at Barnes & Noble
Lee Mendelson Film Productions proudly announces the release of the new Vince Guaraldi “Be My Valentine, Charlie Brown” picture disc variant sold exclusively at Barnes & Noble, a deeply personal project that honors and extends the timeless legacy of composer Vince Guaraldi. More than an album, this release is a continuation of a cultural conversation that has resonated across generations.
Charlie Brown has been waiting by the mailbox for this Valentine for 50 years, but you don’t need to. This variant of the record that premiered in 2025 is something special. Vince Guaraldi’s scored 1975’s “Be My Valentine, Charlie Brown” and the full album includes the complete 22 track score plus 8 never-before-heard bonus tracks.
The holiday special was written and created by Charles Schulz, directed by Phil Roman and produced by Bill Melendez and Lee Mendelson. The score by Vince Guaraldi is also available on CD, vinyl and digital. The album is mixed and mastered for audiophiles, jazz lovers, and Peanuts® fans everywhere from the original 2″ session tapes to a 192kHz/24bit master. This variant includes the first picture disc – with images directly from the special – on both sides of the LP.
The record Includes Guaraldi hits like the sweet centerpiece melody, “Heartburn Waltz” and its diverse reprises. Other highlights include “Paw Pet Overture,” “Jennie L.” and “There’s Been A Change.” Some songs have equally stunning alternate takes that have never been heard. Guaraldi effectively layered his Fender Rhodes and acoustic piano to create a sublime, heartfelt soundtrack throughout and, perhaps, the most unique version of everyone’s favorite “Linus and Lucy.”
Beyond the composer’s playing, the trio is made up of Seward McCain on electric bass (at Guaraldi’s request), and Vince Lateano on drums.
This album is a Valentine’s treat – for any day of the year where your heart reaches out for love. The album was mixed by Terry Carleton, restored and mastered by Vinson Hudson, and produced by Sean Mendelson and Jason Mendelson. The vinyl includes a 4-page insert with art from the special and liner notes that give a track-by-track analysis by producer Sean Mendelson and notes by producer Jason Mendelson and Derrick Bang (author of “Vince Guaraldi at the Piano”). The vinyl has additional photographs and images from historical documents. This special B&N-Exclusive is the first picture disc for the special with images on both sides of the record. This album awaits you or your sweet babboo.
Pre-Order your copy on Barnes & Noble here:
The Vince Guaraldi “Be My Valentine, Charlie Brown” picture disc will be released on January 16, 2026.
Follow Lee Mendelson Film Productions on IG @leemendelsonfilmproductions
Irene Michaels: A Year in Review
2025 was a landmark year for Irene Michaels, defined by recognition, visibility, and artistic triumph. It was a year where her journey, her voice, and her message converged on some of the most respected stages in music and culture.
One of the year’s crowning moments came when Irene won a Josie Music Award, a powerful acknowledgment of her artistry and perseverance within the independent music community. The honor carried even greater significance when she later returned to the spotlight at the Grand Ole Opry, not as a nominee, but as a presenter, handing a Josie Award to another artist—an emblematic full-circle moment reflecting her standing and respect among her peers.
Irene’s presence extended far beyond award ceremonies. She appeared at Times Square for International Peace Day, performing and representing unity and compassion in one of the most visible public spaces in the world—an area seen by over 300,000 people daily. The appearance underscored her commitment to humanitarian values and her belief that music can be a vehicle for global connection.
Musically, 2025 also delivered a standout release with her new hit single Feeling Free, a track that captured both emotional liberation and artistic confidence. The song resonated with listeners as an anthem of renewal—reflecting Irene’s own evolution and her ability to transform lived experience into universal truth.
Media recognition followed naturally. Irene appeared in leading entertainment outlets including Broadway World, Vents Magazine, Hype Magazine, The Nashville Music Guide and others—each feature highlighting not just her music, but her resilience, authenticity, and ongoing relevance in an ever-changing industry.
As the year closes, Irene Michaels stands strengthened by achievement and guided by purpose. 2025 was not simply a year of milestones—it was a declaration. Of voice reclaimed. Of artistry honored. And of a future that continues to open wider with every song, every stage, and every moment she chooses to stand fully in her truth.
The official website for Irene Michaels may be found at https://www.irenemichaels.com
Avohee Avoher: The Soundtrack You Didn’t Know You Needed
Avohee Avoher is quietly carving out a lane that feels both intimate and expansive. His music doesn’t chase trends or algorithms — it creates atmosphere. The kind that sneaks up on you late at night, settles in, and refuses to leave.
There’s a sense of intention in everything Avohee releases. His songs feel lived-in, emotional without being overproduced, confident without being loud. He isn’t trying to overwhelm the listener — he’s inviting them in. The result is music that feels personal, reflective, and strangely familiar, even on first listen.
You can explore his full creative world at https://avohee.com
A Sound Built on Mood and Meaning
What separates Avohee from the pack is his ability to balance vulnerability with control. His melodies unfold patiently, his production leaves room to breathe, and his lyrics feel more like quiet confessions than performative hooks. Whether he’s leaning into atmospheric textures or stripped-down moments, the emotional through-line stays intact.
His sound exists somewhere between genres — touching on alternative, soul, and modern experimental pop — but never fully settling into one. That fluidity gives his music longevity. These aren’t tracks built for a moment; they’re tracks built to stay.
More Than Songs — A Curated World
Visiting avohee.com feels less like opening a press kit and more like stepping into an artist’s mindset. The site reflects the same tone as the music: clean, intentional, and emotionally grounded. It’s not cluttered with noise — it’s focused, much like the work itself.
In an era where artists are often pressured to overshare, Avohee does the opposite. He lets the music speak first. And when it does, it speaks clearly.
Why Avohee Avoher Is Worth Your Time
The best artists don’t shout for attention — they earn it. Avohee’s music rewards listeners who slow down, listen closely, and appreciate nuance. His songs feel like companions rather than distractions, the kind you return to without realizing how often you’ve hit repeat.
He may still be emerging, but the foundation is already solid. This is an artist building something real — patiently, intentionally, and with purpose.
Explore the music and the world behind it here:
https://avohee.com
Your Back Is a Road, Boy: Baldy Crawlers and the Beautiful Trouble of Not Knowing
Some songs kick down the door and demand to be understood. Others sit quietly in the corner, smoking a cigarette, watching you squirm while you try to pin them down. “Boy,” the new single from Baldy Crawlers, is firmly in the latter camp—and thank God for that.
Written and produced by Martin Maudal, “Boy” doesn’t arrive with a message neatly folded inside its pocket. It arrives like a half-remembered dream, already slipping away even as you reach for it. From the opening moments, the song feels less composed than discovered, as if someone stumbled across it lying in the dirt and decided not to clean it up. That’s its power.
The first line—“Your back is a road, boy”—lands with the quiet menace of poetry that refuses to explain itself. It’s strange, intimate, vaguely unsettling. You don’t know what it means, but you know it matters. That tension carries through the entire track, which moves at its own unhurried pace, unconcerned with hooks, choruses, or radio-friendly logic.
Musically, “Boy” lives in negative space. Maudal’s acoustic guitar and understated percussion feel hand-placed rather than performed, while Marc Weller’s guitar textures hover like fog. Carl Byron’s Hammond B3 doesn’t so much play as breathe, swelling and receding like a memory trying to surface. Ross Schodek’s bass keeps things grounded, but never rooted—there’s always the sense that the song could float away at any moment.
https://open.spotify.com/artist/55h3BL4HJGVYVRkQF9L3z1?si=47b5f43a01f24304
At the center of it all is Elizabeth Hangan’s lead vocal, which is devastating in its restraint. She doesn’t oversell a single syllable. Instead, she lets the words hang there, unresolved, daring you to lean in. Harmony vocals from Norrel Thompson and Maudal arrive like distant echoes—not answers, just reminders that someone else is wandering the same emotional terrain.
What “Boy” ultimately captures is something most modern records are terrified of: ambiguity. There’s no grand emotional payoff, no cinematic climax. The song doesn’t build—it unfolds. It asks you to sit with it, to stop scrolling, to stop decoding, and just be present. That’s a radical act in 2026.
Baldy Crawlers has always existed slightly outside the machinery of expectation, but “Boy” feels like a statement of intent. This is music made by someone who trusts instinct more than interpretation, feeling more than meaning. It’s not here to comfort you or convert you. It’s here to linger.
And long after the final note fades, it does exactly that—like a road you swear you’ve traveled before, even if you can’t remember where it leads.
–Leslie Banks
Kiton Suits: The Pinnacle of Italian Craftsmanship and Elegance
In the world of luxury menswear, few names evoke the sophistication and artistry of Italian tailoring like Kiton. Among its most iconic offerings, Kiton suits represent the pinnacle of craftsmanship, quality, and timeless style. Known for impeccable tailoring, premium fabrics, and meticulous attention to detail, these suits have become a symbol of refined taste for discerning gentlemen across the globe.
Founded in Naples, Italy, Kiton has a storied tradition of producing garments that blend heritage with innovation. The brand emphasizes precision in every stitch, luxurious materials, and a perfect fit, ensuring that each suit not only looks extraordinary but also feels like an extension of the wearer’s personality. For those who invest in Kiton Suits, clothing becomes a statement—a combination of artistry, confidence, and elegance that transcends trends.
Craftsmanship at its Finest
What sets Kiton apart from other luxury brands is the unparalleled craftsmanship behind every suit. Each piece is predominantly handmade, requiring hundreds of hours of work from skilled artisans. The fabrics are carefully chosen from the finest Italian mills, often including exclusive wool, cashmere, and silk blends that drape beautifully and maintain their shape over time. The attention to detail is evident in every aspect—from the hand-stitched lapels to the meticulously finished buttonholes.
The construction of a Kiton Suit is an art form. Soft shoulder designs, natural canvas interlinings, and precisely cut patterns ensure comfort and a flawless silhouette. Unlike mass-produced suits, Kiton Suits conform subtly to the wearer’s body, providing elegance without rigidity. Every detail, no matter how small, contributes to a garment that is both functional and breathtakingly beautiful.
Fabrics and Materials
Kiton’s commitment to quality begins with fabric selection. Only the finest wools from Italy and England, luxurious cashmere, and rare silk blends are used. These materials not only feel sumptuous to the touch but also age gracefully, developing a unique patina that enhances the suit’s character over time. The combination of natural fibers and expert tailoring ensures that Kiton Suits are breathable, comfortable, and durable—a true investment in style.
Timeless Design Meets Modern Sophistication
While rooted in classic Italian tailoring, Kiton Suits incorporate modern sensibilities to appeal to contemporary tastes. Clean lines, refined proportions, and subtle innovations in cut and structure allow these suits to feel current while maintaining timeless appeal. Whether it’s a boardroom presentation, an elegant evening event, or a casual cocktail gathering, Kiton Suits adapt effortlessly, embodying both sophistication and versatility.
Personalization and Exclusivity
Another hallmark of Kiton is the brand’s dedication to personalization. Many clients choose bespoke or made-to-measure suits, ensuring a fit tailored perfectly to their body and preferences. From selecting fabrics and linings to choosing lapel styles and pocket details, each Kiton Suit can be customized, reflecting the individuality of its owner. This exclusivity reinforces the perception of Kiton not merely as a clothing brand but as a symbol of status, refinement, and taste.
Why Kiton Suits Stand Out
Kiton Suits are distinguished by their subtle elegance and understated luxury. Unlike flashy or ostentatious designs, the brand focuses on perfection in proportion, cut, and detail. The result is a garment that exudes confidence without seeking attention—an effortless marker of refined style. Wearing a Kiton Suit communicates that the wearer values quality, tradition, and artistry over fleeting trends.
Caring for Your Kiton Suit
Investing in a Kiton Suit is a commitment to lasting style. Proper care ensures the suit retains its shape and elegance for years. Dry cleaning with expert attention, careful storage, and minimal pressing help preserve the integrity of the fabrics and the handmade construction. Over time, a Kiton Suit evolves gracefully, reflecting the wearer’s lifestyle and experiences, which adds a unique and personal dimension to its luxury.
Global Appeal and Cultural Impact
From the boutiques of Naples and Milan to international fashion capitals like New York, London, and Tokyo, Kiton Suits have captured the hearts of global clientele. Celebrities, executives, and style-conscious individuals turn to Kiton for garments that define elegance. Beyond fashion, Kiton represents a cultural appreciation of Italian sartorial tradition—where clothing is more than utility; it is an expression of identity and refinement.
Styling Kiton Suits
Kiton Suits are versatile enough to suit a variety of occasions. Pairing a classic navy suit with a crisp white shirt and leather oxford shoes creates a timeless business ensemble. For a more relaxed yet sophisticated look, a light grey suit combined with soft cashmere knitwear and suede loafers provides elegance without formality. Accessories such as silk ties, pocket squares, and minimalist watches enhance the outfit without overpowering the inherent craftsmanship of the suit.
Conclusion
In conclusion, Kiton Suits exemplify the pinnacle of luxury Italian tailoring, merging heritage, artistry, and modern sophistication. They are more than garments; they are investments in style, confidence, and self-expression. For those seeking enduring elegance, perfect fit, and unmatched craftsmanship, a Kiton Suit represents the ultimate expression of Italian luxury. With every stitch, fabric choice, and handmade detail, Kiton continues to define what it means to wear a suit with timeless style and distinction.
Late Night Feelings Crafts A Thoughtful Late-Night Listen With In Your Dreams
With In Your Dreams, Late Night Feelings (AKA Karan Naik) delivers a project that values mood and atmosphere. He keeps things grounded, crafting an EP that feels intentional and personal without leaning on excess. It is a release that understands its own emotional lane and stays confidently within it.
The EP opens the door to a world of smooth production and reflective songwriting. Synths glow gently in the background, beats remain minimal, and Naik’s vocals stay calm and close. Nothing here feels over-produced. Each track unfolds at its own speed, creating a sense of continuity from start to finish.
Standout track “Heartstopper” injects a touch of lightness into the project, offering a moment of warmth and emotional release. It feels hopeful without being overly sweet, striking a balance that fits naturally within the EP.
What sets In Your Dreams apart is its consistency. There are no distractions or unnecessary twists. Naik focuses on mood, melody and honesty, trusting that these elements are enough. The result is an EP that feels cohesive and replayable. For listeners drawn to understated pop that values feeling over flash, this release is an easy recommendation.
goodie Unveils Details for The Early Years pt I (2010–2011), a Remastered Look at His Genre-Blurring Origins
An Ahead-of-its-Time Fusion of Guitar, Rap, and DIY Ambition, the Collection is Reborn for Streaming Audiences
Restlessly inventive artist goodie has announced that he is revisiting the roots of his creative identity with the release of goodie: The Early Years pt I, a newly re-mixed and remastered collection drawn from the first two albums he recorded between 2010 and 2011. Available on all major streaming platforms starting Friday, December 19, the album presents a curated snapshot of a teenage artist experimenting freely at the crossroads of guitar-driven songwriting and hip-hop.
Before goodie had a name or a defined sound, its creator was a classically trained kid—piano at age five, violin through middle school—who found his real musical voice after picking up a guitar on Christmas Day 2007. Writing songs alone in his bedroom quickly turned into a compulsion, driven more by emotion than technique. That trajectory shifted when a high-school friend, Matthew Molina (aka R1CAN), invited him into the world of DIY rap recording, cutting verses over YouTube beats with minimal equipment. The collaboration introduced goodie to rapping and self-recording—two practices that would become central to his approach.
Growing up in Atlanta public schools, goodie absorbed the city’s hip-hop culture while also being shaped by the genre-blending influence of Linkin Park’s Hybrid Theory. The result was an instinctive pull toward rapping over guitars—often solo, over sampled drums rather than with a full band. While that fusion-based sound existed at the time, the collection highlights an early, individual take that feels quietly forward-looking in retrospect.
Originally recorded with limited production knowledge, the songs lived for years in their raw form on Bandcamp. As goodie’s technical skills developed, the idea of revisiting the material became increasingly compelling. With the original session files intact, he returned to the tracks to give them fuller, warmer mixes—bringing clarity and dimension without sanding down their rough edges. A pause in making new music ultimately provided the space to complete the project.
Curated as a representative “tasting menu,” The Early Years pt I spans acoustic singer-songwriter cuts, guitar-driven rap tracks, and early experiments that resist clean categorization. The lyrics—often centered on youth, relationships, and underage drinking—are unpretentious but honest, capturing the mindset of a creatively restless teenager with no commercial agenda and few inhibitions.
“These songs are a perfect snapshot of who I was at that time in my life, both for better and for worse,” said goodie. “I don’t have a ton in common with that person now, but then again, as I was working on the project, I would catch a lyric here and there that made me think, ‘Jesus, I’m still struggling with that’ or ‘Wow, I already thought that at 18 years old?’ In both good and bad ways.”
The official tracklisting for The Early Years pt I is as follows:
“intro (chillin’ hard)”
“hardheaded woman”
“bullseye furk”
“havin’ a ball”
“happy song (bad week)”
“blackcloud”
“light me”
“interlude”
“little league”
“sorry in advance”
“no problem”
“it wasn’t enough (hope and luck)”
“tell ya friends”
“all i know”
“talkin’ shit”
“bittersweet (see you soon)”
Rather than nostalgia, The Early Years pt I functions as a document: outsider art preserved as-is, now placed alongside the wider streaming canon. It’s a reminder of how much ambition can exist before refinement—and how those early impulses often shape everything that follows.
# # #
Credits
Written, recorded, mixed, and mastered by goodie (Benton Oliver)
- “hardheaded woman” – Chorus and chord progression written by Cat Stevens (Yusuf Islam)
- “light me” – Chorus and chord progression written by Jean Anthony Greif
- “little league” – R1CAN verse written by Matthew Molina
- “bittersweet (see you soon)” – Chorus and chord progression written by Thomas Callaway (CeeLo Green) and Brian Burton (Danger Mouse)
About goodie
goodie is a project by music industry professional Benton Oliver, who works in management helping artists, bands, and producer clients manage their careers. Oliver has also worked with live music organizations including the New Orleans Jazz & Heritage Foundation, Preservation Hall, and the New Orleans Jazz Orchestra.
Oliver unveiled the project goodie in the early 2010s, after developing his sound outside of traditional band structures. Blending rap vocals with guitars, samples and whatever instruments were available, he was guided more by instinct and creative urgency than by genre rules or commercial ambition.
At the core of goodie is a commitment to outsider art: self-written, self-recorded, and self-produced music made without creative guardrails. The lyrics often reflect youthful restlessness and self-examination, focusing on relationships, indulgence, and internal contradictions, delivered with candor rather than polish. Early recordings prioritize momentum over technical refinement-, they reveal an artist driven by curiosity, density of thought, and a willingness to try anything once.
Rather than chasing trends, goodie documents moments—capturing who he is at a given point in time and moving on when that chapter feels complete. His catalog reflects growth through experimentation, and his recent work revisiting early material underscores a broader artistic throughline: ambition first, refinement later, and honesty always.
Anna Mozzon Instills Grace, Growth, and Gut-Punch Emotion in Stunning Debut Single ‘Innocent’
At just 15 years old, Anna Mozzon is already operating on a different wavelength. The Italian-born newcomer writes pop music with the emotional intuition of someone who’s lived far more life than her age suggests, pairing delicate piano arrangements with a vocal delivery that knows when to whisper and when to command the room.
Her debut single ‘Innocent’ arrives as a quietly breathtaking introduction, the kind of first release that doesn’t ask for attention, but earns it. Recorded in New York over three intensive days in August 2025, the track was produced by Vadim Zariuta, with vocal production handled by the ever-expressive Galana Bosaya. Adding another layer of creative credibility, Anna later refined the song alongside poet and hip-hop artist Nadirah X, who ultimately felt no changes were needed. For a first professional studio outing, that level of lyrical confidence is nothing short of remarkable.
Sonically, ‘Innocent’ unfolds with restraint and intention. The song opens in its most vulnerable form – just Anna, her piano, and a voice that carries weight without overreaching. As the track progresses, subtle production details and swelling instrumentation begin to lift the song skyward, building toward a cathartic, pop-leaning crescendo that feels both cinematic and deeply personal.
Lyrically, ‘Innocent’ reflects on the slow unraveling of a close friendship that once hinted at something more. It’s a story of loss, timing, and emotional honesty, capturing that universal moment when something meaningful slips away before it ever has the chance to fully exist. What started as a way to “get it out of my head” has transformed into a resonant anthem for anyone who’s ever mourned a what-could-have-been.
With ‘Innocent’, Anna Mozzon presents a sound that is polished but raw, emotionally intelligent yet refreshingly unforced. At an age when many artists are still searching for their voice, Anna has already found hers, and it’s one that feels poised to echo far beyond this debut moment.
Liz Luceris Shares Her Light
Through faith, all things are possible and Liz Luceris is a true testament to that fact. Liz remains faithful at all times and her music reflects that strong spirit from within. Liz Luceris is a cinematic composer and singer/songwriter and she trained in classical composition and film scoring at Berklee College of Music, AIR Studios and Budapest Scoring. Liz writes from an emotional place and creates a sound that is bigger than life.
Luceris combines elements of cinematic pop, orchestral indie, neo classical and art pop that produces one magical & spiritual experience. Through hardships in life and all the blood, sweat and tears, Liz Luceris perseveres and digs deep to make meaningful music that matters. The light shines on Liz Luceris and her music and it is quite profound to witness this firsthand as a listener.
Her single “Monochrome Tune” offers a haunting melody that will warm your heart. This song is very soft ‘n’ somber with Liz providing a delicate & elegant touch. Liz Luceris delivers a captivating performance on “Monochrome Tune” where there is beautiful tone to her voice overall. The audience will want to embrace this closeness factor on “Monochrome Tune”, so come one, come all and enjoy this tight-knit number that is wonderfully orchestrated. On the single, “Dopamine Shot (Sparkling Edition)”, the listener is overcome with joy thanks to a bright, full sound that jabs you right in the ears. This song may be very short in length but is heavy in substance with Liz Luceris as your maestro on this trip. I have to say that “Dopamine Shot (Sparkling Edition)” packs a ton of happy notes into 1:26, so hat’s off to Liz Luceris for accomplishing that. The following composition, “I Speak Not”, is on the EP ‘Hommage À Byron’ and what power here with rich dynamics as well. There is a cinematic feel here with elements of rock on “I Speak Not” and it all meshes extremely well. Liz showcases her angelic voice on “I Speak Not” and with her mighty presence makes this song a dynamite production. Musically & instrumentally, “I Speak Not” is superb and so dynamic with a solid beat throughout the track.
Straight from the heart and straight to the soul can best describe the music of Liz Luceris. With rich chords and emotive notes, the material will connect with many people near and far. I say to Liz Luceris to let your light shine on through mindful & blessed music and never let that light go dim.
https://open.spotify.com/artist/7e3PX8k0ajabSpOMkYqxY6
https://www.chestnutboutique.com/
https://www.youtube.com/@lizluceris
https://www.instagram.com/lizluceris/
By Jimmy Rae
Distance Major Channels Vintage Grit, Jazz Influence, and Cinematic Imagination on New Single “NYC 1970s Cinema”
Distance Major Channels Vintage Grit, Jazz Influence, and Cinematic Imagination on New Single “NYC 1970s Cinema”
RIYL: Tycho, M83, Boards of Canada, Phantogram, U.N.K.L.E., The Postal Service
Composer and producer Distance Major transports listeners into a stylized version of New York City’s past with “NYC 1970s Cinema,” one of the most distinctive and immersive tracks from his debut album. Inspired by the look, feel, and emotional tone of the city during the 1970s, the instrumental piece blends jazz influences with experimental electronic textures to recreate the atmosphere of classic film and urban nostalgia.
Rather than focusing on the turmoil that defined the decade, Distance Major draws from the aesthetic spirit of the era: the fashion, the grit, the color palette, the cinematic language, and the loose, unpredictable energy that shaped a generation of filmmaking. “This song is trying to capture two of my favorite things,” he explains. “The way New York City looked and felt in the 1970s, and my love of jazz and films from that time. I worked really hard on keeping everything loose and trying to get a sound that reflects what I feel when I think about that era or when I get lost in a film I discover from that period.”
The track stands as the most experimental piece on the record and a personal favorite for the artist. With a fluid structure, evolving moods, and a dusty, analog warmth, “NYC 1970s Cinema” plays like an unreleased score cue from a forgotten film reel. It’s an homage not only to a time and place, but to the emotional sensations that come with rediscovering vintage cinema. “I constantly come across films from that era that are new to me,” he adds. “I always end up with a similar emotion while watching them, and that feeling guided this track.”
“NYC 1970s Cinema” also reflects Distance Major’s improvisational creative process. Nearly all of his work begins with freeform sessions at the piano or on new synthesizers. Moments that catch his ear become the seeds of fully developed compositions, shaped through careful arrangement, harmony, and rhythmic exploration. “The music I’ve put out is pure emotion inspired by what I was feeling during the improv session,” he says. “Titles come from those feelings, and the songs evolve from one spontaneous moment.”
The track embodies the journey based approach that defines the Distance Major project. Each piece is designed to unfold like a cinematic narrative, rewarding headphone listeners and immersive environments while still resonating in group settings. Drawing from years of classical study, time away from music, and new explorations in electronic production, Distance Major crafts soundscapes that feel both personal and transportive.
Listen to “NYC 1970s Cinema” and the full Distance Major album HERE
DISTANCE MAJOR ONLINE:
BANDCAMP | INSTAGRAM | YOUTUBE | TIKTOK | X | FACEBOOK | SPOTIFY
From Espionage to the Courtroom: Jeffrey S. Stephens on Illusions of Trust
Jeffrey S. Stephens is no stranger to high-stakes storytelling. Best known for his adrenaline-fueled Jordan Sandor espionage thrillers and the Nicholas Reagan series, Stephens has spent years mastering the art of the page-turner. With his latest novel, Illusions of Trust, he shifts his gaze from global spy games to the high-pressure world of New York City law. Drawing on his own decades of experience as a practicing attorney , Stephens introduces readers to Russell Palmer, a Manhattan lawyer who finds himself entangled in a dangerous web of high-society divorce, corporate corruption, and murder. We sat down with the author to discuss this new direction, the real-life inspirations behind his characters, and the craft of building suspense.
Q: After writing six espionage thrillers and a murder mystery, what inspired you to pivot to a legal drama and create this new set of characters for Illusions of Trust?
Jeffrey S. Stephens: I decided to call upon my decades of experience as an attorney to create a new set of characters. I moved from New York City to Connecticut long ago, and it was interesting to recall my early days in Manhattan as I recreated some of those adventures in a modern story.
Q: The setting of New York City plays a significant role in the book, from the “demi-monde” to the world of the ultra-rich. How did your personal history living and practicing law in Manhattan influence the atmosphere and authenticity of the story?
Jeffrey S. Stephens: In my view, there is simply no other city that provides the diverse settings and characters we find in New York. The bars and restaurants, the parks and theatres and museums, just fabulous and as varied as the population. From the working class to the wealthy, the people in New York provide a special study in human nature. I had such fun and learned so much practicing law in New York, both good and bad, but almost always fascinating.
Q: The relationship between the protagonist, Russell Palmer, and his mentor, private detective Robbie Whyte, is central to the narrative. Are these characters based on specific people you encountered during your legal career?
Jeffrey S. Stephens: Very much so. Robbie Whyte is loosely based on a retired NYPD officer. At first I represented him, and then we became close friends., He was a guiding force as I went into practice for myself, and he understood New York as only a street cop can. He was a funny, cynical and loyal man. As for Russell Palmer, there is always a part of me in my main characters, so I leave that to the readers.
Q: The plot touches on some intense real-world themes, including a federal investigation into a major pharmaceutical company. What motivated you to include this specific type of corporate intrigue as a backdrop for the novel?
Jeffrey S. Stephens: True stories of corruption have unfortunately become all too common, as you suggest. It seemed worthy exploring the personalities that engage in those acts of selfishness and evil. In thrillers and mysteries, I believe it is critical that the villains be three-dimensional—interesting characters with real texture. As I wrote ILLUSIONS OF TRUST, I tried to create more than one intriguing villain, to keep the story moving and the twists and turns believable.
Q: When crafting a mystery with so many “layers of deceit” and twists, do you meticulously outline the plot beforehand, or do you allow the story to evolve organically as you write?
Jeffrey S. Stephens: Plotting in advance and creating a detailed outline is my protection against what people call writer’s block, but what I consider a thoroughly avoidable situation. I remember reading about Alfred Hitchcock and how he created a storyboard for every scene in his movies. By the time he got to filming, he had already envisioned all of what was to come. Although I create a careful road map for myself, since I do not have to pay actors and cameramen, I have the luxury of taking major detours along the way.
Q: You have often cited the late George V. Higgins as an influence. What is the most valuable piece of advice you would offer to aspiring writers who want to follow in your footsteps?
Jeffrey S. Stephens: First, make sure you have a paying job. Second, as Higgins said, “Writers write”. Don’t make excuses, don’t procrastinate, just write, even if tomorrow you trash what you wrote today. Finally, don’t get caught up in trying to make your first draft perfect. As Hemingway cautioned, you are going to have to rewrite again and again anyway. Just keep writing, and miracles can occur.
Illusions of Trust promises to be a gripping addition to Stephens’ body of work, blending the pacing of a thriller with the insider authenticity of a legal procedural. Readers can expect to be kept guessing as Palmer and Whyte peel back the layers of corruption to ensure justice prevails. To learn more about the book and Jeffrey S. Stephens’ other works, you can visit his website or find Illusions of Trust on Amazon.
Top 5 Free Mac Data Recovery Software (2025)
Losing files on Mac – whether due to accidental deletion, formatting, system error, or any other unexpected reason – can be distressing. Fortunately, in 2025, several free Mac data recovery methods, including manual backups and third-party recovery tools, are available online that you can try to recover your lost files.
However, recovering lost files using previous backups can be time-consuming and sometimes challenging, as well. Thankfully, dedicated free Mac data recovery software tools can help you recover lost or deleted files in Mac with a few simple clicks, with minimal effort. In this article, we’ll explore the top 5 free Mac data recovery software tools, explain what they do best, their limits, and when you should choose each one. Let’s get started!
Features to Check in Your Mac Data Recovery Software
When choosing a Mac data recovery software to restore lost files, it’s essential to thoroughly check and analyse all its features. Some essential features include:
- Recovery Size Limit: Check how much data can be restored using your free Mac data recovery tool (some tools only allow scanning or have a low free recovery limit).
- Different Scanning Capabilities: Multiple tools offer both basic scan and deep scan capabilities. Basic scan is for recovery of recently deleted files, but deep scan allows you to find files from formatted, corrupted, or severely damaged drives.
- Support from Different Storage Devices: Look for the data recovery software which supports the recovery of files from different storage devices, ranging from HDDs, SSDs, USB drives, SD cards, to external drives.
- Compatibility With Apple Silicon (M1, M2, M3): Modern Macs run on Apple Silicon chips, so the tool must be optimised for these processors for stable performance.
- User-Friendly Interface: Ensure your Mac data recovery tool provides a clean and simple GUI so anyone, even without technical expertise, can easily restore lost files.
Best 5 Free Mac Data Recovery Software Tools to Try in 2025
Now that you are familiar with different features to check in any free Mac data recovery software tools, it’s time to explore some best tools along with their features. Here are the top 5 among them:
1. Stellar Data Recovery Free for Mac
Stellar Data Recovery Free is a user-friendly free Mac data recovery software, especially designed to restore your deleted files by performing a thorough scan of your storage media. The software can recover files deleted from various internal or external storage devices, such as Mac internal drives, USBs, memory cards, and more. It supports modern file systems (APFS, HFS+), works with a variety of storage media, and lets you scan, preview, and recover deleted files.
Pros:
- This tool offers a simple and user-friendly GUI, making it easier even for beginners to restore deleted files.
- The software is useful for both simple deletions and complex data loss scenarios (formatted drives, corrupted volumes).
- The preview functionality of this software lets you preview the recoverable files before restoring.
- The free version supports recovery of lost files up to 1 GB for free. To restore files of a larger size, you can check and use the premium versions.
Cons:
- The Deep scan process on large drives or external media may take hours.
- To perform advanced recovery (bootable media recovery, unbootable system recovery, disk imaging), you need to purchase the premium version.
- If your deleted data is overwritten, even Stellar may struggle to restore it fully.
2. EaseUS Data Recovery Wizard for Mac
It is a popular data recovery utility, supporting recovery of accidentally deleted, formatted, or lost files from Mac internal drives and external media. You can easily restore deleted photos, videos, documents, and other types of files of various file formats using this tool. It offers both quick and deep scans, file-type filtering, and preview functionality — making recovery fairly simple and accessible.
Pros:
- EaseUS Data Recovery Wizard for Mac supports recovery of deleted files from various internal or external storage media, including USB drives, SD cards, and external HDD/SSD.
- It offers a clean, user-friendly interface with straightforward scan and recovery process.
- This tool can easily handle data recovery in different scenarios, including accidental deletions, empty Trash, formatted drives, corruption, etc.
- The free version actually performs some basic data recovery without payment.
Cons:
- The free version is limited in file size during recovery. For larger recoveries, you’ll likely need to upgrade to Pro.
- Some file formats (especially large or RAW photos) may not support previews under free mode.
- Features like bootable-drive recovery, cloud recovery, and advanced repair tools are available only in paid versions.
3. Recuva by CCleaner
Recuva is a well-known freemium data-recovery tool, allowing recovery of files deleted from internal or external disks, USB drives, memory cards, and more. The software supports various file systems such as FAT, exFAT, NTFS (and some Linux filesystems like Ext2/3/4) for storage media. It is known for several amazing features, such as it performs both quick and deep scans, previews recoverable photos, and helps retrieve files even from formatting, corrupted or damaged drives.
Pros:
- The freemium version of this Mac data recovery software makes it accessible even without spending any cost.
- A wizard-style, intuitive UI works well for beginners and non-technical users.
- This tool performs fast recovery of recently deleted files or a deeper scan for lost or formatted data.
- The tool is lightweight with a small size, and it doesn’t heavily burden system resources.
Cons:
- This software is designed only for the Windows OS. If you’re using a Mac, it won’t work unless via a virtual machine or other workaround.
- The full deep scans on large or damaged drives may take a long time and yield limited success.
- The free version is somehow limited in size; the paid version is often necessary for more serious recovery tasks.
4. Disk Drill Data Recovery
Disk Drill for Mac is an all-in-one data recovery software that supports the recovery of files deleted from various storage devices, including internal/external drives, USB drives, memory cards, and more. Its interface is clean and user-friendly, making it accessible even to non-technical users. The free version lets you scan and preview, while full recovery requires upgrading to the Pro plan.
Pros:
- The software offers a clean, intuitive GUI that simplifies the recovery process — good for beginners and non-tech users.
- It allows you to preview the recoverable files before restoring them, ensuring everything that is recovered is really required.
- Works with HFS+, APFS, and other common file systems, making it practical for modern Macs
Cons:
- If data has been overwritten or the storage device is physically damaged, Disk Drill may fail to restore files.
- The free version offers limited features, and data recovery on large drives can be time-consuming.
- Sometimes recovered files come jumbled or unnamed, making them hard to sort.
5. R-Studio
R-Studio is a powerful, cross-platform data recovery software, supporting restoration of files on both Windows and macOS devices. It also supports a broad range of file systems — including APFS/HFS+ on Mac and many on Windows/Linux. The advanced scanning feature of this tool allows creating disk images, which makes it popular among IT professionals and advanced users.
Pros:
- The software supports recovery of files even if the partition structure is lost or the drive is reformatted.
- It avoids writing to the original disk during recovery, reducing the risk of further data loss.
- It works on macOS (Intel + Apple Silicon), Windows, and Linux, which makes it flexible if you deal with multiple OS environments.
Cons:
- Many advanced features and detailed options are applicable only in paid versions.
- The free/demo version typically restricts recovery to a minimal file size (e.g. 256 KB). To restore files of a larger size, you need premium versions.
- Users need some understanding of file systems, partitions, and recovery principles to get good results.
Wrapping Up
If you are looking for free Mac data recovery software, then carefully check the above top 5 tools to help you restore lost or deleted files. Carefully check the pros and cons of the aforementioned top 5 free Mac data recovery software tools, then select the one that best fits your needs. Remember: free tools are excellent for many recovery situations, but there are limits. If a drive is physically failing or files are mission-critical, consider pausing software attempts and contacting a professional data-recovery service—software cannot reliably fix mechanical hardware failure.
Day Z. Duke Turns Heartbreak Into Power on ‘Pain In My Passt’
Day Z. Duke arrives with a sharp sense of purpose on her new single “Pain In My Passt,” a title that signals the wit, grit, and bite waiting inside the track. The wordplay sets the stage for a country anthem steeped in frustration, resolve, and the kind of emotional fire familiar to fans of Carrie Underwood’s early breakthroughs. Duke leans into that lineage with confidence. Her vocal delivery moves from controlled restraint to a clenched, almost trembling power that mirrors the evolution of a woman who has finally drawn the line.
The production balances modern polish with enough Southern edge to keep the story grounded. A tight drum pattern and a thread of electric guitar carry the melody forward while Duke’s voice cuts through with an honest mixture of tenderness and anger. There is real personality here, something that recalls the spirit of Miranda Lambert’s sharpest moments. Duke allows the hurt to sit beside the humor, which makes the chorus land with particular force. “Pain In My Passt” introduces an artist who understands how to turn personal chaos into a fight song, and it suggests that Day Z. Duke is ready to claim her own corner of contemporary country.
https://open.spotify.com/album/1mE0ST6pTeNZwjVMj9SAKZ
The Burnett Sisters Band Release “Easy Come, Easy Go”
With Easy Come, Easy Go, The Burnett Sisters Band step confidently into a new tier of contemporary bluegrass artistry. Long known for their seamless family harmonies, their deft blend of tradition and originality, and their increasingly visible presence on the festival circuit, the Burnetts arrive here with their most cohesive and compelling statement to date. The album’s 10 songs—seven originals penned or co-penned by guitarist/songwriter Geary Allen, alongside a handful of reimagined standards—showcase not only the band’s technical refinement but their deepening narrative voice. What emerges is a record that honors the roots of bluegrass while embracing a modern emotional range.
URL: https://www.burnettsistersband.com/
The opener, “Blaming You,” sets the tone with pointed lyrical clarity and some of the band’s strongest vocal interplay. Sophia Burnett’s delivery is warm but firm, capturing that delicate bluegrass balance between lament and resilience. Instrumentally, the track is crisp and unhurried: guitar, fiddle, and mandolin interweave with a lightness that gives the harmonies room to bloom. It’s a sharp reminder that the Burnetts’ greatest gift may be their ability to let simplicity shine.
“Fool’s Gold,” on the other hand, carries more rhythmic bite. Allen’s songwriting stands out here—lean, focused, and subtly metaphorical without ever drifting into abstraction. His guitar work anchors the groove while the sisters layer harmonies that evoke early country duos but with a contemporary sheen. It’s one of the album’s most radio-ready songs, and its energy serves as a perfect early-record lift.
The centerpiece of the first half, “Don’t Let Me Fall,” is arguably the emotional apex of the record. Its pacing is masterful: a slow build that welcomes fiddle and mandolin lines that feel both classic and fresh. What truly elevates the track, though, is the vulnerability in the vocal performance. The Burnetts don’t often lean into overt sentimentality, but when they do, they do so with restraint and authenticity.
The title track, “Easy Come, Easy Go,” is catchy, succinct, and reflective of the album’s larger themes—acceptance, release, and the ability to pivot from hardship with grace. At just under three minutes, it wastes no time and pulls off the kind of efficient, melodic accessibility that defines great bluegrass singles.
https://open.spotify.com/album/6ZAswrbf2xvSD5C5JojmXt
Of the traditionals, “Lovesick Blues” and “Julianne Johnson / Tie Your Dog, Sally Gal” offer two different showcases of the band’s deep roots. The former leans into a classic old-time wail, while the latter—sparked by joyful tempo and tightly executed fiddle runs—captures the vitality of their live shows.
The home stretch of the record reveals the band’s narrative sophistication. “The Youthful Soldier” and “Sorrow, Grief, and Pain” are striking examples of Allen’s ability to craft historical and personal storytelling with equal weight. The songwriting avoids melodrama, choosing instead to let imagery and arrangement evoke the emotional stakes. Both tracks highlight the Burnetts’ impressive ability to honor traditional idioms without sacrificing their contemporary voice.
And then there is “The Song of the Mountains,” the recent summer 2025 chart-topper that solidified their status as a rising force. It’s easy to hear why it resonated: it’s vibrant, melodic, and driven by a chorus built for festival sing-alongs. Overall, Easy Come, Easy Go succeeds not just because of its musical polish but because it articulates who The Burnett Sisters Band are right now: artists on the rise, rooted in tradition yet unafraid to evolve. It’s a record that rewards repeated listening and marks a major milestone for a group clearly poised for even greater heights.
Gwen Waggoner
