Elvira Kalnik’s ‘Summer Time’ Captures the Color, Freedom, and Optimism of a Perfect Endless Summer
One of the great joys of pop music has always been its ability to transport us. A great song can take us back to a specific place, a specific feeling, or even a version of ourselves we thought we’d forgotten. Elvira Kalnik’s “Summer Time” does exactly that. It’s a vibrant, upbeat celebration of freedom, positivity, and living fully in the moment—a song that feels like sunshine bottled into three-and-a-half minutes of music.
Originally featured on her 2017 album Magical Child, “Summer Time” arrives with a timeless message that feels particularly relevant today. In a world often dominated by stress, uncertainty, and endless distractions, Kalnik offers something refreshingly simple: permission to have fun.
From the opening moments, “Summer Time” establishes its playful spirit. Bright electronic production, danceable rhythms, and an infectious energy immediately create the feeling of a carefree beach party. The song doesn’t waste time getting to its point. This is music designed to make people smile, move, and maybe remember what it felt like to experience joy without overthinking it.
What stands out most is the sincerity behind the song. Many feel-good records can come across as manufactured or overly polished, but Kalnik’s enthusiasm feels genuine. She’s not trying to convince listeners that life is perfect. Instead, she’s encouraging them to set aside their worries—if only for a few minutes—and embrace the simple pleasures that often get lost amid life’s responsibilities.
The lyrics paint a colorful, almost dreamlike picture:
“We walk through rainbow bubbles,
Sunshine kisses our skin,
We dance until sunrise
To DJ’s raving spin.”
It’s playful imagery, certainly, but there’s something deeper beneath it. The song celebrates imagination, spontaneity, and the childlike wonder that adults often leave behind. References to unicorns, rainbow bubbles, and beach bonfires aren’t meant to be taken literally—they represent a state of mind. A willingness to be carefree, open-hearted, and unapologetically joyful.
The chorus is undeniably catchy:
“Summertime, let’s go party, party,
Summertime, a fire on a beach,
Summertime, move your body, body,
Enjoy yourself and feel free!”
It’s the kind of refrain that feels tailor-made for summer playlists, festival gatherings, and late-night drives with the windows down. The melody is simple enough to be instantly memorable while still carrying enough energy to keep the momentum flowing throughout the track.
Vocally, Kalnik strikes the right balance between playful and polished. Her performance is expressive without becoming overly dramatic. She delivers the lyrics with warmth and conviction, allowing the song’s positive message to shine through naturally. There’s an inviting quality to her voice that makes listeners feel like they’re being welcomed into the celebration rather than simply observing it.
Of course, longtime followers of Kalnik know that her career has been built on artistic versatility. A classically trained vocalist, producer, filmmaker, designer, and multimedia creator, she has spent years exploring a wide range of musical and creative styles. While recent works like “Water Knows” explored deeper emotional and philosophical themes, “Summer Time” showcases another side of her artistry—the ability to create music that is purely uplifting.
The production complements that goal beautifully. The electronic elements are bright and accessible, creating a modern dance-pop foundation without overwhelming the song’s carefree spirit. Every musical choice serves the central theme of liberation and joy.
Ultimately, “Summer Time” succeeds because it understands something fundamental about great pop music: sometimes the most powerful thing a song can do is make people feel good. Not through escapism, but through reminding them that happiness is still available, right here and right now.
Elvira Kalnik’s “Summer Time” isn’t just a seasonal anthem. It’s a celebration of optimism, individuality, and emotional freedom—and that’s a message worth revisiting any time of year.
–Al Hunt
Stephen Wicks Confronts Modern Society’s Biggest Fears With New Release The Doomsday Clock (85 Seconds To Midnight)
Artist: Stephen Wicks
Single: Doomsday Clock ( 85 Seconds To Midnight)
A corporate executive and entrepreneur who has reinvented himself as a singer-songwriter is preparing to release his most powerful song to date.
The Doomsday Clock (85 Seconds to Midnight) paints an apocalyptic picture of just how close humanity may be to self-destruction, delivering a striking commentary on the growing anxieties surrounding the modern world.
Proving that creativity knows no age or career boundaries, former property entrepreneur Stephen Wicks has transformed himself into a compelling singer-songwriter and is now making a profound impact through his music.
At the age of 74, after an illustrious multi-decade career in the corporate sector, Wicks has shifted his focus entirely towards songwriting and recording. Drawing upon a lifelong passion for music composition and the perspective of a seasoned observer, he is now preparing to release his fifth single — inspired by the famous Doomsday Clock bulletin published by the Bulletin of the Atomic Scientists.
The symbolic Doomsday Clock has never stood closer to midnight than its 2026 setting of 85 seconds, reflecting escalating global concerns surrounding climate change, nuclear proliferation, artificial intelligence, and geopolitical instability.
Confronting these existential fears head-on, Stephen Wicks has crafted a powerful rock release that combines urgent lyricism with driving instrumentation and cinematic intensity. His transition from boardrooms to recording studios stands as proof that it is never too late to share an important message with the world.
Working closely with acclaimed British producer George Shilling — known for his work with artists including Blur, Primal Scream, and Steve Winwood — Wicks approached the project with a philosophy that guided him throughout his business career: “If you want the best, surround yourself with the best.”
Lead guitar across the recordings is performed by Stefan Hauk, widely recognised as one of Australia’s most exciting young guitarists.
“Stephen combines the disciplined storytelling of a career spent navigating high-stakes corporate environments with the raw, unfiltered emotionality of an artist who pulls no punches and understands what is at stake for future generations,” says George Shilling, producer of the track. “This music is not just a passion project — it’s a wake-up call set to music.”
The Doomsday Clock (85 Seconds to Midnight) will premiere alongside an official music video visually capturing the relentless ticking of the clock and the fragility of the world humanity risks losing.
Follow Stephen Wicks
Instagram: https://www.instagram.com/stephenwicks
Spotify: https://open.spotify.com/artist/stephenwicks
Youtube: https://www.youtube.com/@StephenWicksMusic
Website: https://stephenwicks.co.uk/
From Cuba to Times Square: Classical Guitarist Laura Mazon Franqui Brings Latin American Heritage to One of the World’s Biggest Stages
Artist: Laura Mazon Franqui
Album: Rojo
The Miami-based Cuban artist appears in a national campaign with Karat while her debut solo album, Rojo, surpasses 500,000 Spotify streams less than two weeks after release.
MIAMI, FL — For internationally acclaimed Cuban classical guitarist Laura Mazon Franqui, seeing herself on a towering digital billboard in New York City’s Times Square was more than a career milestone — it was a powerful reminder of how far music, culture, and perseverance can travel.
Mazon Franqui was featured in a national campaign in Times Square through a collaboration with Karat, a financial platform designed for creators, entrepreneurs, and small business owners. The campaign showcased the artist performing guitar while introducing audiences to her newly released debut solo album, Rojo, which appeared at the conclusion of the advertisement alongside a call-to-action directing viewers to stream the album across major digital platforms.
For Laura, a Cuban-born musician whose artistic mission has long centered on elevating Hispanic and Latin American classical repertoire, the moment carried significance beyond personal recognition.
“Growing up in Cuba, I never imagined that one day I would see classical guitar represented in Times Square,” said Mazon Franqui. “This moment is about much more than me. It is about the music that shaped me, the culture I come from, and the people who believed in me before any of this seemed possible. To see Latin American classical music occupy a space seen by millions of people from around the world is both humbling and deeply meaningful.”
The billboard appearance arrives during a period of extraordinary momentum for the artist. Less than two weeks after its release, her debut album Rojo has surpassed 500,000 streams on Spotify, an uncommon achievement within the classical music landscape.
Released by the boutique classical label Prima Classic, Rojo is a deeply personal recording that explores Hispanic and Latin American guitar repertoire through works by Leo Brouwer, Heitor Villa-Lobos, Francisco Tárrega, Joaquín Turina, Jorge Morel, Carlos Rafael Rivera, and Grammy Award-winning composer Claudia Montero. More than a collection of performances, the album serves as a musical memoir — an exploration of memory, resilience, identity, love, and the people whose influence shaped the artist’s journey.
Named after Claudia Montero’s work Rojo, the album embraces the symbolism of the color red: passion, strength, vitality, and transformation. It is both a tribute to Mazon Franqui’s cultural roots and a celebration of the emotional power of music to preserve memory and tell stories across generations.
Widely recognized as one of the leading Cuban and Latin American classical guitarists of her generation, Mazon Franqui has performed internationally throughout the United States, Europe, Latin America, and Cuba. Her work as a performer, educator, recording artist, and advocate has earned recognition from leading institutions and audiences alike, while her growing digital presence has helped introduce classical guitar to new generations of listeners around the world.
The Times Square campaign was developed in partnership with Karat, a financial company dedicated to supporting creators, entrepreneurs, and small business owners through financial tools tailored to the realities of the modern creator economy. By helping creators build sustainable businesses around their work, Karat empowers artists and innovators to focus on what they do best: creating.
For Mazon Franqui, the partnership reflects a broader shift occurring within the arts.
“Classical musicians today are not only performers — we are educators, entrepreneurs, creators, and storytellers,” she said. “I’m grateful to be part of a generation that is finding new ways to connect with audiences and bring classical music into spaces where people may not expect to encounter it.”
As images of the campaign continue to circulate online and Rojo reaches listeners across the globe, the Times Square appearance stands as a symbolic milestone in a journey that began years ago in Cuba with a guitar, a dream, and a belief that music has the power to transcend borders.
About Laura Mazon Franqui
Laura Mazon Franqui is an internationally acclaimed Cuban classical guitarist, recording artist, educator, and advocate for arts education and women’s empowerment. Praised for her expressive artistry and technical mastery, she has performed throughout the United States, Europe, Latin America, and Cuba. She is an Augustine Artist, Cordoba Guitars Artist, scholarship recipient of Guitar Salon International, and recording artist with Prima Classic. Through her performances, recordings, educational work, and digital presence, she continues to champion Latin American culture and expand the reach of classical guitar for contemporary audiences.
Follow Laura Mazon Franqui
Website: www.lauramazon.com
Facebook: https://www.facebook.com/lauryart
Instagram: https://www.instagram.com/llillaura/
Spotify: https://open.spotify.com/artist/Lauramazon
YouTube: https://www.youtube.com/lauramazonfranqui
Rebekah Snyder Celebrates the Heart of Rural America with New Country Single “Small Town” – Out Friday, June 19th
Country singer-songwriter Rebekah Snyder is bringing the heart of small-town America to country radio with her new single, “Small Town,” available worldwide on June 19. The uplifting anthem is already gaining momentum at radio, climbing to #97 on the MusicRow CountryBreakout Chart last week and set to debut on Mediabase this week. Promoted to radio by Joe Kelly of CDX Records and distributed worldwide through CDX Records and Sony Orchard, “Small Town” is an energetic, feel-good country song built around the memorable refrain, “I recommend a small town.” Through its upbeat melody and relatable storytelling, the song celebrates the values, connections, and sense of belonging that make hometown life so meaningful.
The song’s inspiration comes directly from Snyder’s own life. Raised in a small town in Western Pennsylvania, she later moved away before eventually returning home to raise her three children. As a single mother, she found strength and support in the same close-knit community that had shaped her growing up. “I unexpectedly found myself a single mom raising three young children, and being able to bring them home to the small town where I grew up meant everything to me,” says Snyder. “This song is about the people, values, and community that helped me raise my children. I don’t know how I could have done it anywhere else.” That deeply
personal experience is reflected in lyrics such as, “I recommend raising kids in a small town… Open arms stay waiting for them in their small town,” capturing the song’s message of home, resilience, and community.
Written during late summer evenings in Pennsylvania, “Small Town” was brought to life in Nashville’s Beard Music Studios with producer Dean Miller, whose credits include recordings with Chris Stapleton, Kacey Musgraves, Dolly Parton, Alison Krauss, Vince Gill, Willie Nelson, Merle Haggard, and Kris Kristofferson. Featuring top Nashville musicians, including acclaimed bassist Eli Beaird and a standout guitar solo from James Mitchell, the track blends modern country production with classic heartland storytelling.
“Working with Rebekah has been an adventure,” says Miller. “She is a prolific songwriter who works hard at her craft. ‘Small Town’ is a perfect, upbeat summer song full of great energy and classic images that cut right to the heart of any fan of classic heartland country music.”
“Small Town” is the second radio single from Snyder’s forthcoming album, Ready to Ride!, following her duet with Adam Cunningham, “Don’t Ever Date a Yankee,” which recently reached #62 on the MusicRow Country Breakout Chart.
Preview Here!
ABOUT REBEKAH SNYDER:
Born and raised in rural Pennsylvania, Rebekah Snyder is an alt-country singer-songwriter and certified flight instructor whose music is grounded in truth, tradition, and personal resilience. A single mom of three and domestic violence survivor, Snyder writes songs for the overlooked and underestimated. Her stripped-down style reflects her Appalachian roots and honors the voices of her ancestors, especially the veterans and strong women in her family.
REBEKAH SNYDER ONLINE:
SPOTIFY | APPLE MUSIC | FACEBOOK | INSTAGRAM | YOUTUBE | TIKTOK | WEBSITE
American Songwriter Thom Bishop Finds A New Creative Home In Ireland With “Here Comes the Night”
Acclaimed American songwriter, novelist and educator Thom Bishop is entering a powerful new chapter with the release of his forthcoming single Here Comes the Night, a reflective and cinematic track taken from his upcoming album Roy Orbison, Elvis and Me.
For Bishop, the release represents more than new music. It marks the continuation of a lifelong artistic journey that has taken him from folk clubs and anti-nuclear rallies to literary acclaim, near tragedy, spiritual awakening and now, a growing connection with Ireland’s thriving music scene.
Originally from the United States and currently based in Colorado, Bishop has been spending increasing amounts of time in Ireland with his wife Michele while their daughter Simone studies at University of Galway. What began as regular family visits soon evolved into something deeper.
“In recent trips, I’ve become increasingly inspired by the Irish music scene,” says Bishop. “There’s something deeply emotional and authentic about the music culture there — from the buskers on the streets to the traditional songs echoing through pubs. It feels like a place where songs still matter.”
One moment especially stayed with him: country icon Garth Brooks selling out Dublin’s Croke Park for five consecutive nights in 2022.
“The embrace of American music in Ireland struck me,” Bishop explains. “Combined with my own Irish heritage, it made me feel there was a real place there for my work.”
Produced by legendary guitarist Billy Panda, known for his longstanding work with Garth Brooks, Here Comes the Night blends timeless songwriting with emotional honesty. It serves as an introduction to Roy Orbison, Elvis and Me, an album featuring six original songs alongside six carefully chosen covers.
“We wanted the originals to sound like classics and the covers to feel shiny and new,” Bishop says. “The sense of someone coming from a long journey who has finally arrived.”
That journey has been anything but ordinary.
Over the course of his career, Bishop has shared stages with icons including John Prine, Muddy Waters, John Lee Hooker, Pete Seeger and David Allan Coe. He also wrote a song for the feature film About Last Night, unexpectedly scoring a Number One hit in Malta — “and I still don’t know how that happened,” he laughs.
Outside music, Bishop built an equally respected literary and academic career under the pen name Junior Burke. He served on the faculty of Naropa University’s Jack Kerouac School of Disembodied Poetics in Boulder, founded by Allen Ginsberg and Anne Waldman, eventually becoming Chair of the department. His novels, including The Cold Last Swim and Buddha Was a Cowboy, received critical praise and award recognition.
At the same time, songwriting remained the constant thread throughout his life.
“I’ve written over a thousand songs,” Bishop says. “There are around two hundred I’m still proud to perform.”
One of the defining moments in his artistic life came during his college years after reluctantly attending a dancehall performance in rural Illinois. Returning home late that night, a song suddenly arrived almost fully formed. By morning, he had written “Mr. Arthur’s Place” — the first song that truly felt like his own.
“That was the moment I understood songwriting wasn’t something I wanted to do,” he recalls. “It was something I needed to do.”
The emotional depth behind Bishop’s work has long earned admiration from critics.
“Impressive, intelligent songcraft,” wrote Billboard.
“Like all great songs, they’re timeless,” noted celebrated author Paul Zollo.
Meanwhile, The New York Times described him as “a most appealing singer and composer.”
Beyond his artistic achievements, Bishop’s life has been shaped by resilience. In 2013, a devastating flood destroyed his home and much of his town, forcing his family to rebuild from scratch. A near-fatal accident later caused him to reevaluate his life and fully recommit himself to creativity, spirituality and purpose.
Now deeply influenced by meditation and Kriya Yoga, Bishop continues writing, performing and preparing for the publication of Branches & Blades, a forthcoming book collecting selected lyrics and reflections from across his songwriting career.
With Here Comes the Night, Thom Bishop offers listeners something increasingly rare — songs rooted not in trends, but in lived experience.
As Ireland continues embracing storytellers from across generations and genres, Bishop may have found exactly where his next chapter belongs.
Gary Hubber Crafts an Intimate Pop-Rock Journey Through Life’s Uncertainties in ‘A Dangling Thread’
For many songwriters, uncertainty is something to be resolved. ‘On A Dangling Thread’, Melbourne artist Gary Hubber instead chooses to sit with it. His latest full-length album is a thoughtful and deeply human collection that explores life’s unanswered questions through warm pop-rock arrangements, reflective storytelling, and an unwavering commitment to emotional honesty.
At the centre of the record is lead single ‘Hear It From You’, a quietly affecting track that captures the uneasy space between anticipation and certainty. Rather than building toward a dramatic revelation, Hubber allows the tension to linger, finding meaning in the waiting itself. It’s a songwriting approach that defines much of the album, which repeatedly favours nuance over resolution and introspection over grand statements.
Across ten tracks, Hubber crafts an album that feels both personal and universally relatable. Songs such as ‘Running from the Light’ and ‘Jump Into The Fire’ wrestle with life’s fragility while encouraging forward motion, while ‘Rock of Gibraltar’ and ‘People Are Strange’ celebrate the individuals who shape our lives in subtle but lasting ways. Even as the record moves through themes of vulnerability, self-doubt, connection, and identity, it never loses sight of its central message: uncertainty is not something to fear, but an inevitable part of being human.
Following the success of New Tricks, Gary Hubber continues to establish himself as one of Australia’s more thoughtful songwriting voices. ‘A Dangling Thread’ may not offer easy answers, but that’s precisely its appeal. In an era often obsessed with certainty and immediacy, Hubber delivers a record that finds beauty in ambiguity, reminding listeners that some of life’s most meaningful moments happen while we’re still figuring things out.
Alex Krawczyk’s “When The Road Is Uneven” Offers a Gentle Guide Through Life’s Bumps
There are songs that demand attention, and there are songs that quietly earn it. Alex Krawczyk’s new single, “When The Road Is Uneven,” falls firmly into the latter category. It arrives without fanfare, without sonic fireworks, and without any need to prove itself. Instead, it does something increasingly rare in today’s music landscape: it slows down long enough to offer comfort.
Written by Krawczyk and Robbie Roth, the song is built around a simple but enduring truth: life doesn’t always move in straight lines. There are setbacks, disappointments, and moments when the path ahead seems uncertain. Rather than dwelling on those struggles, however, Krawczyk focuses on the ways people find strength to continue moving forward.
The opening lyric sets the tone perfectly: “I’ve got a song that I sing when I’m down, something to steady my soul.” It’s an invitation into a personal space, one where music serves not as escape but as support. Throughout the song, Krawczyk returns to that idea, suggesting that songs can be companions during difficult times.
Her voice is ideally suited to the material. Warm, sincere, and unforced, she delivers each line with the confidence of someone who believes every word she’s singing. There’s no overstatement in her performance. She doesn’t reach for dramatic vocal flourishes or emotional excess. Instead, she relies on clarity and honesty, allowing the song’s message to speak for itself.
Producer Robbie Roth surrounds that voice with an arrangement that is rich without becoming crowded. Acoustic guitar provides the foundation, while piano, keyboards, and tasteful electric guitar accents add depth and color. The musicians play with admirable restraint throughout.
Robbie Grunwald’s keyboards contribute subtle atmosphere, while bassist Devon Henderson and drummer Davide DiRenzo establish a steady pulse that keeps the song grounded. The electric guitar work from Tim Bovaconti and Caroline Marie Brooks adds texture rather than flash, and Roth’s guitar solo serves the song’s emotional arc rather than interrupting it.
Particularly effective are the background vocals from Brooks, Julie Title, and Roth. Their harmonies broaden the song’s emotional reach, transforming what begins as a personal reflection into something more communal. The effect is similar to hearing friends join in on a familiar chorus, reinforcing the song’s central themes of connection and support.
The chorus carries the song’s message with elegant simplicity:
“When the road is uneven let the music renew your stride, and the rhythm take you home.”
It’s a memorable line because it feels earned. Krawczyk doesn’t present it as a slogan or a lesson. Instead, it emerges naturally from the song’s narrative, offering encouragement without sounding preachy.
One of the most appealing aspects of “When The Road Is Uneven” is its refusal to chase trends. The production is contemporary but timeless. The songwriting favors substance over cleverness. The performance values emotional truth over technical display.
That combination gives the single a lasting quality. Long after the final note fades, the song’s message remains. It reminds listeners that setbacks are inevitable, that kindness matters, and that music can provide a sense of direction when the road ahead feels uncertain.
In a culture that often rewards volume and immediacy, Alex Krawczyk has created something quieter and perhaps more enduring. “When The Road Is Uneven” doesn’t try to overwhelm its audience. It simply reaches out a hand.
Sometimes that’s exactly what’s needed.
–Benny Torres
Brian Grilli’s “Hanging Tree” is LIKE GETTING KICKED BY A MULE BUT IT FEELS GOOD!
Roger K Turns Up the Heat with “Saucy”
Some songs are made to be heard. Others are made to be felt. “Saucy,” the latest release from Roger K, lands firmly in the second category, delivering a high-energy blend of groove, confidence, and infectious rhythm that refuses to stay in the background.
From the moment the track begins, “Saucy” establishes its personality. Built around a driving beat, catchy vocal hooks, and a playful sense of swagger, the song captures the feeling of stepping into a room, catching her eye, and letting her know exactly what’s up. It’s bold without trying too hard, polished without losing its edge, and packed with the kind of energy that keeps listeners coming back for another play.
What makes “Saucy” stand out is its ability to balance commercial appeal with authenticity. Rather than chasing trends, Roger K leans into his own creative identity, blending modern production techniques with memorable songwriting and an unmistakable sense of fun. The result is a track that feels equally at home on playlists, in headphones, or blasting through speakers on a night out.
The release also highlights Roger K’s continued evolution as an independent artist. With years of experience crafting music that bridges pop, dance, R&B, and Afrobeats influences, he has developed a style that prioritizes emotion, movement, and connection. “Saucy” is another step forward in that journey, showcasing an artist who understands how to create music that resonates while still sounding uniquely his own.
Whether you’re discovering Roger K for the first time or have been following his releases for years, “Saucy” deserves a spot on your playlist.
Listen now:
Looking for more music with the same energy? Visit www.rogerkmusic.com to discover more mood-altering tracks, exclusive content, and the latest releases from Roger K.
Darryl Scotti and Big Yard Reimagine ‘State Of Mind’ with Elegant New Remix
Darryl Scotti and Big Yard revisit familiar territory on ‘State Of Mind (Remix)’, but rather than simply reworking the original, they uncover an entirely new emotional dimension within it. Stripping away much of the traditional instrumentation, the track leans into layered vocal harmonies, understated jazz influences, and spacious production, transforming the song into something more intimate and reflective.
What immediately stands out is the confidence behind the reinvention. The a cappella-driven arrangement allows the song’s melodic strength to take centre stage, while subtle rhythmic textures and atmospheric flourishes create a late-night listening experience that feels both sophisticated and deeply human. There’s a timeless quality to the recording, drawing equally from Americana storytelling and jazz-inspired restraint without feeling tied to either genre.
At a time when many artists are focused on chasing immediacy, Scotti continues to prioritise substance and craft. ‘State Of Mind (Remix)’ serves as a reminder that thoughtful songwriting can remain compelling regardless of format, offering a fresh perspective on an existing work while preserving the emotional core that made it resonate in the first place.
Jamie Richards Releases “My Goings, What’s Coming”
Jamie Richards has spent decades building a reputation as one of Texas country music’s most dependable storytellers, and his new single, “My Goings, What’s Coming,” is a reminder that some artists only get better at telling the truth with age. Drawn from his forthcoming album Blue Rock Sessions, the song finds Richards leaning into the qualities that have made him a regional favorite: plainspoken lyrics, emotional honesty, and a deep understanding of the restless souls who never quite seem able to stay in one place for long.
ABOUT THE ARTIST: https://www.jamierichardsband.com/
At first glance, “My Goings, What’s Coming” feels like a song about leaving. But beneath that surface lies something more complicated. This isn’t the story of a carefree drifter celebrating the open road. Instead, Richards sings from the perspective of someone who recognizes both the gift and burden of his own nature. The opening lines, “You can’t say you ain’t been told / I’m impossible to hold,” immediately establish a free spirit who knows exactly who he is and understands the disappointment that truth can bring to others.
The song’s central hook is both memorable and revealing. “My goings what’s coming, I can’t stop my running,” Richards sings, capturing the contradiction at the heart of the character. He may find comfort, companionship, and even love, but permanence remains just beyond reach. The line “I’m staying here, but I’m not here to stay” is classic country songwriting—simple, direct, and devastatingly effective.
What makes the song particularly compelling is the absence of excuses. Richards doesn’t portray the narrator as a rebel or romantic outlaw. There’s a quiet sadness running through the lyrics. When he sings, “Right now with you, I feel at home, that lets me know I stay too long,” the realization lands with a sting. Home is exactly what he wants, yet it’s also what sends him moving again.
That emotional complexity has long been one of Richards’ strengths. Raised on an Oklahoma dairy farm before cutting his teeth in honky-tonks, Nashville songwriting rooms, and eventually the Texas country circuit, he has built a career on songs that feel lived-in rather than manufactured. His authenticity is audible in every line of this performance. His vocal delivery carries the weight of experience, sounding less like an actor playing a role and more like a man reflecting on roads already traveled.
https://open.spotify.com/album/2aeVhnrFZ7e9hCa8A2VkA3
Musically, the track embraces the traditional country sensibilities Richards has championed throughout his career. The arrangement supports the lyrics without overwhelming them, allowing the story and melody to remain front and center. It’s the kind of song that trusts the listener to lean in rather than dazzling them with unnecessary production tricks.
“My Goings, What’s Coming” succeeds because it understands a universal truth: sometimes the hardest thing to live with is yourself. Jamie Richards captures that reality with grace, humility, and hard-earned wisdom. In an era often dominated by trend-chasing, this song stands as a testament to the enduring power of honest country music and the craftsmanship of an artist who still knows exactly how to tell a story worth hearing.
Gwen Waggoner
Circus Mind Unveils New Album Road Less Traveled, A Bold 10-Song Musical Journey
New York, NY — Circus Mind returns with Road Less Traveled, a 10-song, genre-defying album that has been unfolding one track at a time over the past year. The release brings the band’s ambitious rollout full circle, culminating in the arrival of its electrifying title track, a high-energy retro power pop anthem that closes the journey on a triumphant note.
The title track, Road Less Traveled, serves as the album’s grand finale. Driven by bright melodies and propulsive energy, the song delivers an uplifting message about trusting your instincts, tuning out distractions, and forging your own path, of course.
“Circus Mind albums tend to cover the spectrum of music I love and grew up with,” says songwriter, keyboardist, and vocalist Mark Rechler. “Like the circus, we are not just a bunch of clowns. We are acrobats, lion tamers, daredevils, and yes, even a few circus freaks. That is part of what makes the circus the circus.”
Road Less Traveled marks the band’s fourth LP and fifth overall release, continuing their evolution while staying true to the eclectic spirit that defines them.
The album was produced, engineered and mixed by Chris Fasulo and features performances by:
Mark Rechler on keyboards and vocals
Dan Roth on drums
Steve Finkelstein on percussion
Mathew Fox on bass
Brian Duggan on guitar
Chris Butler on backing vocals on Road Less Traveled
With a sound that feels both familiar and refreshingly original, Circus Mind once again demonstrates their ability to balance musical nostalgia with bold creativity.
“Ladies and gentlemen, children of all ages, step right up. The Road Less Traveled awaits.”
Road Less Traveled will be available on all streaming platforms this June.
ABOUT CIRCUS MIND:
Circus Mind is a New York-based rock outfit and the brainchild of ringleader Mark Rechler. The band’s latest release “Bioluminate”, a delightful mashup of rock and Nola funk mixed with late-Beatles pop, received rave reviews from Relix, The Rocktologist and countless other entertainment news outlets. The band features
Mark Rechler on Keys and Vocals, Brian Duggan on Guitar, Michael Amendola on Sax, Mathew Fox on Bass, Steve Finkelstein on Percussion and Dan Roth on Drums. Circus Mind is able to daringly swing from jazzy grooves to reggae roots then shoot out of a cannon into rock without missing a beat.
The boys deliver a modern take on influences such as Traffic, Steely Dan, Little Feat and Mott the Hoople while mixing in NoLa influences likeDr. John, The Meters and The Neville Brothers. Over the course of their career, Circus Mind has performed at Jazz Fest, The Fat Friday Annual Mardi Gras Ball, Brooklyn Bowl, The Capitol Theatre, B.B. King’s and many other prestigious venues.
Follow Circus Mind:
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DJZEPiC delivers a funk-fuelled anthem built for late-night escapism in ‘i GOT A FEELiNG’
Australian producer DJZEPiC is tapping into dance music’s renewed obsession with groove, nostalgia, and emotional release. His latest single, “i GOT A FEELiNG”, arrives at a moment when disco-infused house continues to dominate club culture and streaming playlists alike, yet the track succeeds by offering more than a simple throwback. Instead, it demonstrates an artist increasingly confident in translating classic dancefloor influences into something tailored for a modern audience.
Built around elastic basslines, shimmering synth textures, and an infectious rhythmic pulse, “i GOT A FEELiNG” captures the euphoric energy that has fuelled dance music’s enduring appeal for decades. While echoes of French touch and early 2000s dance-pop inevitably surface throughout the production, DJZEPiC approaches these influences with a contemporary sensibility, favouring sleek arrangements and polished execution over outright nostalgia. The result is a track that feels familiar without becoming derivative.
With momentum continuing to build around his releases, DJZEPiC is steadily establishing a recognisable artistic identity within a crowded electronic landscape. “i GOT A FEELiNG” reinforces his strengths as a producer capable of balancing commercial accessibility with genuine dancefloor credibility, while offering a glimpse of where his sound may be heading next.
That trajectory becomes even clearer with forthcoming single “Light Years”.
Expanding on the cosmic undertones hinted at throughout his recent work, the track reportedly leans further into space-age funk and expansive house textures, suggesting an artist eager to push beyond revivalism and towards a more fully realised sonic universe. If “i GOT A FEELiNG” captures the rush of the night out, “Light Years” looks set to soundtrack the moment when the outside world disappears entirely and the music takes over.
Camille K Presents “Stuck”
Camille K continues her prolific run of bright, emotionally transparent pop with “Stuck,” a single that captures the frustratingly relatable feeling of being unable to move on. Released on June 2, the track arrives as the Philadelphia singer-songwriter’s latest step forward, following a string of increasingly polished pop releases that have highlighted both her songwriting instincts and her knack for memorable hooks.
From the opening moments, “Stuck” leans into a glossy pop sound built around crisp percussion and an upbeat rhythmic pulse. Like much of Camille’s recent work, the production is sleek without becoming overwhelming, allowing the emotional core of the song to remain front and center.
The arrangement features shimmering synth textures as a subtle undertone to Camille’s vocals, balancing radio-friendly accessibility with enough detail to keep the track engaging. But the chorus is where “Stuck” truly comes alive. Camille understands the value of a strong melodic payoff, and the hook lands with an effortless singalong quality, delivering the kind of earworm refrain that feels tailor-made for playlists.
Yet even at its most infectious, the song never loses sight of the emotional tension driving it forward. It transforms emotional frustration into something undeniably catchy.
Rather than wallowing in heartbreak about someone who still occupies your thoughts, Camille approaches the subject with a sense of self-awareness and youthful honesty.
The lyrics capture the circular thought patterns that come with lingering feelings, where every attempt to move forward somehow leads right back to the same person. It’s a familiar theme in pop music, but presented with enough sincerity that it never feels cliché.
Vocally, Camille favors control and expression over showmanship, delivering a light, conversational, and remarkably natural performance. The production deserves special mention, providing a polished mix that gives the track a modern sheen while leaving plenty of room for Camille’s voice to shine.
“Stuck” occupies the space in between uncertainty and connection when emotions refuse to resolve themselves neatly. It’s another strong entry in Camille K’s growing catalog, combining relatable storytelling, polished production, and an irresistible pop hook.
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Running on Credit’s Solidifies Their Place in Modern Americana on “Searching for the Sound”
Running on Credit returns with their new album and title track “Searching for the Sound”, a heartfelt country ballad that leans into what the band do best: grounded storytelling, lived experience, and unvarnished emotional honesty. As both a song and a statement of intent, it captures a band settling into its identity while staying true to the blue-collar roots that define their sound.
Recorded at Four Eyes Studios in Beaumont, Texas, “Searching for the Sound” embraces a stripped-back, live approach that allows the performance to breathe. Elmore’s lead vocal sits at the centre of the track, delivering a steady, unforced performance that carries both intimacy and quiet strength. Around him, steel guitar from Chase Curtis and subtle rhythmic work from Chris Cropper help shape a spacious arrangement that never overreaches, instead letting the song’s emotional core do the work.
Lyrically, the track follows a familiar but powerful country theme: the search for direction, identity, and meaning beyond the comfort of the known. It’s a song about stepping away from certainty and accepting the uncertainty that comes with growth. Rather than dressing this idea up, the band keeps things direct and unpretentious, allowing the narrative to land with clarity and weight.
In the tradition of acts like Turnpike Troubadours, Flatland Cavalry, and Tyler Childers, Running on Credit sits comfortably within the current wave of Americana artists keeping traditional country storytelling alive while gently pushing it forward. “Searching for the Sound” doesn’t attempt reinvention; instead, it succeeds by reaffirming what makes this style of music endure honesty, simplicity, and emotional truth.
Burial Ground Returns with Long-Awaited EP, Reviving the Pioneering “Bloodcore” Sound That Helped Shape Metalcore
Burial Ground Returns with Long-Awaited EP, Reviving the Pioneering “Bloodcore” Sound That Helped Shape Metalcore
Ashes from the Human Flame will Feature Two New Songs and “Forever Friends,” a Haunting Song That Had Only Been Recorded Once Live
Wilkes-Barre/Scranton, PA — [June 5, 2026] — After decades of silence, Burial Ground—the underground pioneers credited with forging the “Bloodcore” sound that helped shape modern metalcore—have reemerged with purpose. Reuniting earlier this year, the influential Wilkes-Barre/Scranton, PA band returns not just to revisit their legacy, but to expand it, announcing a long-awaited new EP that bridges their raw beginnings with a renewed creative force. The four-song project, entitled Ashes from the Human Flame, will be available on all DSPs starting Friday, June 5.
Originally formed in late 1991/early 1992 by late vocalist Jamie White and 15-year-old guitar prodigy Brian Quinn, Burial Ground quickly carved out a reputation in the hardcore scene for their explosive fusion of death metal, grindcore, and hardcore. Their sound—dubbed “Bloodcore” by fans – is now considered a legitimate offshoot within the heavy and extreme metal landscape, an honor the band regards as both humbling and sacred.
The band’s reunion comes after a series of rare and meaningful appearances over the years. In 2004, Burial Ground reunited for a tribute concert and fundraiser following the sudden passing of co-founder White. More recently, in 2025, members came together again to perform at a benefit honoring another fallen Wilkes-Barre/Scranton hardcore figure, Option Co-Founder and Side Over Bassist Neil Husvar.
As the sole remaining founding member of Burial Ground, Quinn was unable to attend the Husvar benefit concert, as he was touring the world as the lead guitarist for the multi-platinum rock band Candlebox. During his decade-long tenure with the band, Quinn performed on some of the world’s biggest stages and contributed to five studio albums.
Yet, after ten years on the road, Quinn eventually returned home, unaware that a new chapter for Burial Ground was about to begin. In early 2026, he reconnected with the band’s acclaimed 2004 lineup, which featured vocalist Steve Option alongside 1997 members Guitarist Dave Gruber, Bassist Erik Anderson, and Drummer/Percussionist/Vocalist Tommy “Tyrant” Lin. The reunion immediately rekindled the chemistry and creative energy that had defined the band’s earlier years, setting the stage for Burial Ground’s first new recordings in decades.
The forthcoming EP features four tracks that bridge past and present with two brand-new songs, plus two from long ago, showcasing the band’s enduring intensity and evolution. These include a previously unreleased track entitled “Flowers,” co-written by Quinn and White during sessions for a Revelation Records development deal which has since been re-invented as the track “Iron Lung,” and “Forever Friends,” a haunting and deeply personal song that had only been recorded live once. The band was able to harvest White’s vocals from that single live performance and include them on the song. It will be the first “new” music fans will hear posthumously from White. Recorded at Sound Investments Studio in Old Forge, PA, Ashes from the Human Flame was produced by Burial Ground and Joe “Wiggy” Wegleski, engineered by Wegleski, and mastered by Tom Borthwick.
“Burial Ground was never about fitting into a scene; we were building something of our own without even realizing it,” said Quinn. “Coming back to these songs, especially the ones Jamie and I wrote together, it feels like picking up a conversation that never really ended. This EP is for him, for our friends we’ve lost, and for everyone who kept this music alive all these years.”
The official track listing for Ashes from the Human Flame is as follows:
“Ashes from the Human Flame”
“Cult of Death”
“Iron Lung”
“Forever Friends”
Burial Ground will celebrate the release of the EP at the Hardcore for Husvar 2 show on Saturday, July 25 at the St. Mary’s Center (320 Mifflin Ave., Scranton, PA) featuring hardcore legends Judge as the headliner. Tickets are available at www.hardcore4huz.com. Proceeds benefit the Huz 2.0 Scholarship Fund and NAMI.
About Burial Ground
Formed in the early ’90s, Burial Ground emerged from the Wilkes-Barre/Scranton hardcore scene as innovators of a genre-defying sound that fused death metal, grindcore, and hardcore. Known for pioneering “Bloodcore,” the band’s influence can be heard across generations of heavy music. Their legacy continues to resonate as they return with new material in 2026.
Cathleen Ireland Finds Her Center on the Empowering Anthem “Breathe”
Every once in a while, a song comes along that doesn’t need smoke machines, flashy gimmicks, or social media tricks to make an impact. It simply connects. That’s exactly what Cathleen Ireland accomplishes with her latest single, “Breathe.”
At first listen, the track feels like an infectious pop anthem wrapped in polished production and undeniable hooks. But spend a little time with it, and you’ll discover something deeper. “Breathe” isn’t just a catchy song—it’s a reflection of the modern balancing act so many women perform every single day.
From the opening lyrics, Ireland drops listeners directly into her world:
“Hair makeup nails and toes / Rushing to get to this gig…”
Immediately, you understand this isn’t some manufactured empowerment slogan created in a boardroom. This is lived experience. It’s the voice of a woman juggling responsibilities, expectations, family, career, creativity, and identity while somehow still finding the strength to keep moving forward.
The beauty of “Breathe” lies in its honesty.
Written by Ireland and Danny E. B. and produced by longtime collaborator Sean McDonald at Red Medicine Studios, the song strikes a rare balance between contemporary pop accessibility and authentic storytelling. The beat is sleek and modern without sacrificing warmth, while the arrangement leaves enough space for Ireland’s voice and message to shine.
And what a message it is.
The chorus arrives like a reassuring hand on the shoulder:
“Breathe / You got this, you got this girl.”
Simple? Absolutely.
Effective? Completely.
In a musical landscape often cluttered with overcomplicated messages and excessive self-seriousness, Ireland understands the power of saying exactly what people need to hear. The repeated refrain becomes more than a lyric—it becomes a mantra.
What elevates “Breathe” above standard motivational fare is Ireland’s refusal to paint an unrealistic picture of success. She doesn’t pretend everything is easy. She doesn’t offer magical solutions. Instead, she acknowledges the exhaustion, frustration, and pressure that accompany modern life.
One of the song’s strongest moments comes when she addresses the dismissive attitudes women still encounter in professional environments:
“Every single one of them reeks of you’re just a girl attitude.”
It’s a line delivered with confidence rather than bitterness, and that’s what makes it resonate. Ireland isn’t seeking validation. She’s documenting reality while demonstrating resilience.
Vocally, she delivers one of her most engaging performances to date. There’s confidence in every phrase, but also vulnerability. She sounds like someone who has lived every word she’s singing. That authenticity has become one of her defining strengths throughout her career.
And what a career it has been.
Long before “Breathe,” Ireland established herself as one of Pittsburgh’s most accomplished independent artists. From her early days fronting Friday’s Child and theFIVE6 to leading Hot Weather Holiday, she has consistently evolved while remaining true to her artistic identity. Along the way, she’s earned recognition from the USA Songwriting Competition, the UK Songwriting Competition, the International Acoustic Music Awards, and dozens of international film festivals for her award-winning music videos.
Yet despite those accomplishments, “Breathe” feels remarkably grounded.
Perhaps that’s because the song isn’t concerned with accolades. It’s concerned with perseverance.
The track serves as a powerful preview of her upcoming album, In the City, showcasing an artist who continues to grow creatively while staying connected to the everyday experiences that inspire her work.
By the song’s conclusion, the message is crystal clear. Life may be chaotic. Responsibilities may be endless. The pressure may never completely disappear.
But there’s strength in pausing, taking a breath, and reminding yourself how far you’ve come.
With “Breathe,” Cathleen Ireland has created more than a memorable pop single. She’s delivered a soundtrack for anyone trying to navigate life’s demands without losing themselves in the process.
And in today’s world, that’s a message worth turning up loud.
–Lonnie Nabors
“This Is Not Surrender” by UniversalDice
UniversalDice is a band that operates on its own terms. Their sound weaves together the immediacy of contemporary rock with the crafted sophistication of classic songwriting, creating something that feels both urgent and enduring. There is a deliberate intelligence running through everything they do, music built not merely to be heard, but to be felt, questioned, and remembered. Like the best bands before them, they understand that a great song is also a conversation, one that lingers long after the final chord fades.
At the core of UniversalDice lies Dantone, a songwriter whose ambitions extend well beyond the stage. As lead vocalist, guitarist, producer, and director, he architects the band’s entire sonic and visual world from the ground up. His writing carries the hallmarks of a genuine craftsman, layered, purposeful, and unflinching in its willingness to confront the uncomfortable. Where many artists skirt around mortality, political fracture, and the quiet erosion of civil courage, Dantone walks directly into that territory and plants a flag.
There is something in UniversalDice’s DNA that echoes the trajectory of both 90s inspirations and The Beatles, two bands that began with raw, accessible energy and evolved into vehicles for something far more meaningful. Like such bands as Green Day, UniversalDice understands that melody is not the enemy of message; in fact, the two are most powerful when inseparable. A hook can carry a protest further than a slogan ever could.
That philosophy finds its fullest expression in the band’s recent single, “This Is Not Surrender.” Written and produced entirely by Dantone, the track is seven minutes of slow burning political fire wrapped in restraint. It does not shout. It does not perform outrage. Instead, it does something far more dangerous, it speaks quietly, clearly, and with absolute conviction, the way truth tends to when it has nothing left to prove.
https://www.youtube.com/watch?v=m7VfOnSn3H4
The song reads like a modern declaration, drawn from a moment when passivity has become its own form of complicity. Dantone’s lyrics challenge the seductive comfort of looking away, of telling yourself the storm will pass without your intervention. The title itself is a refusal, not a battle cry, but a line drawn with steady hands. In an era saturated with noise, the song’s measured tone feels almost radical.
Longtime collaborators Bob Barcus on guitar and Eddie Canova on bass provide the foundation, their contributions deliberate and uncluttered, allowing the song’s emotional and political architecture to stand fully exposed. The accompanying lyric video on YouTube reinforces this ethos, pairing the music with understated visuals that trust the listener’s intelligence.
What separates “This Is Not Surrender” from ordinary protest music is its patience. It does not demand agreement, it invites reflection. It offers itself as both a mirror and a window, personal enough to feel intimate, universal enough to outlast the moment that inspired it.
UniversalDice has made something genuinely rare here: a political song with the soul of a hymn. The quandry it leaves behind is not whether you heard it, but whether you were willing to listen.
Gwen Waggoner
Jonathan Moody, ‘Don’t Be My Doubt’: A Stirring Anthem for the Quiet Battles We All Fight
In an era overflowing with songs about self-belief, Jonathan Moody’s “Don’t Be My Doubt” stands apart by focusing on something far more fragile and far more human: the desperate need to be believed in by someone you love.
Built on a foundation of warm Americana and heartland folk, the track unfolds like a late-night drive through uncertainty. Moody’s weathered, soulful vocal doesn’t demand attention through sheer force. Instead, it earns it through sincerity. Every line feels lived-in, every phrase delivered with the conviction of someone who’s spent time wrestling with the doubts he sings about.
The song’s emotional core lies in its striking simplicity. Written by Chuck Hodges, “Don’t Be My Doubt” explores the burden of carrying the world’s disappointments only to discover that the harshest judgment often comes from the people closest to us. It’s a theme that resonates deeply in a culture increasingly defined by skepticism, criticism, and impossible expectations.
Musically, the arrangement is rich without becoming cluttered. Self-produced by Moody, the track benefits from a spacious, cinematic atmosphere that allows every instrument and emotion room to breathe, turning a personal reflection into something far more expansive. The elegant violin work of Keris Chois and the mournful cello lines from Guillermo Quiros add depth and gravity, while Christiano Galvao’s restrained drumming and Joao Paulo Drumond’s tasteful percussion keep the song moving with quiet determination. David Filice’s bass serves as an emotional anchor throughout.
Then comes the secret weapon: The Epoch House Choir.
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As the song builds toward its final moments, the choir transforms what begins as a personal confession into something communal and universal. The repeated plea of “Be my faith” becomes less a request to one person and more a collective prayer for compassion in an increasingly cynical world.
What makes “Don’t Be My Doubt” especially effective is its refusal to offer easy answers. The song doesn’t promise victory, wealth, or redemption. Instead, it argues that belief itself can be transformative. Sometimes all someone needs is a hand reaching out instead of another voice telling them why they’ll fail.
Moody has spent years honing his craft on notable stages across the country, from House of Blues venues to iconic music landmarks, major stadiums, and premier corporate events. That experience is evident throughout “Don’t Be My Doubt,” where seasoned musicianship meets genuine emotional connection, allowing the song’s message to land with remarkable sincerity.
By the time the final chorus fades, “Don’t Be My Doubt” leaves behind a lingering reminder that faith isn’t always found in churches, self-help books, or grand gestures. Sometimes it arrives in the form of a person who chooses to stand beside us when we’re at our weakest.
In a world increasingly quick to doubt, Jonathan Moody delivers a song that dares to believe.
Camille K Announces New Pop Single “Stuck” Out June 2, Music Video Premieres June 5
May 2026 — Rising pop artist Camille K returns with her vibrant new single, “Stuck,” arriving on June 2, followed by the official music video release on June 5. The track delivers a fresh and playful take on the “sweet, but psycho” cliché, transforming it into a bright, self-aware pop anthem that feels both modern and irresistibly fun. Snippet Here!
Blending glossy production with an undeniably catchy hook, “Stuck” captures the whirlwind feeling of being completely wrapped up in someone. It leans into that slightly chaotic, all-consuming crush energy while keeping things light, colorful, and danceable. Camille K approaches the concept with a sense of humor and confidence, making the song as relatable as it is addictive.
Driven by an upbeat tempo and vibrant melodies, “Stuck” is built for repeat listens. It fits seamlessly into pop, crush, and feel-good playlists, offering a burst of energy that stands out in today’s pop landscape.
With “Stuck,” Camille K continues to define her sound through sharp storytelling, polished production, and a strong sense of identity. The single highlights her ability to balance playful attitude with emotional honesty, creating music that connects instantly.
“Stuck” will be available on all major streaming platforms on June 2, with the official music video premiering June 5.
Ever since the age of 11, Camille has shared the stage with legendary artists such as Gina Schock (The Go-Go’s), Jeff “Skunk” Baxter (Steely Dan/Doobie Brothers), and Barry Goudreau (Boston). She has also opened for major acts including Flo Rida, Ja Rule, C&C Music Factory, Lit, Chris Kirkpatrick of *NSYNC, O-Town, LFO, and Jon Anderson (Yes).
Camille gained national recognition as a featured contestant on NBC’s America’s Got Talent in 2022, where her original song “Still in Love” earned high praise from the judges that day. Simon Cowell described her performance as “beautiful,” Heidi Klum called her “absolutely amazing” and “the whole package,” and Sofia Vergara praised her “spectacular” voice.
Beyond the stage, Camille has also made a mark in the film industry, with her music featured in Finding Christmas and 7th Secret. Her previous maxi-single, “Daydreamer,” reached #2 on the iTunes Top Dance Albums chart, further cementing her status as a rising star. She is currently working with Grammy Award-winning production team Sakred Wolves, consisting of Dirty Harry Zelnick, Lectriq, and M11SON, to craft new music that continues to push creative boundaries.
As Camille continues to tour throughout Philadelphia and New Jersey, “Stuck” marks another milestone in her journey, showcasing her signature blend of raw emotion, powerful vocals, and polished pop production. Camille K is also an endorsed artist of Anatomy of Sound picks and Minarik Guitars.
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