Connor Morrison to Release New Single, “Why Aren’t You There Yet?”, July 18th, 2025
Singer-songwriter Connor Morrison is proud to announce the release of his newest single, “Why Aren’t You There Yet?”—arriving on all platforms July 18th, 2025. A bold, emotional anthem that blends urgency with introspection, the track explores the timeless question: Am I running out of time, or just getting started?
Originally written nearly a decade ago and recently reimagined, Why Aren’t You There Yet? channels the existential reckoning of young adulthood. Morrison began writing the song after the sudden loss of his grandfather, which prompted an early confrontation with mortality, purpose, and legacy. Over a backdrop of driving rhythms, pounding piano, and lyrical grit, the track captures the feeling of wanting to “become” something—before knowing exactly what that means.
“This is a song about feeling stuck, like you’re watching your life unfold in real time but unsure if you’re in the right story,” Morrison says. “It’s about chasing the version of yourself you hoped you’d be—and learning not to wait for life to happen.”
From its reflective verses to its explosive, full-band chorus, Why Aren’t You There Yet? feels both intimate and anthemic—perfect for fans of Billy Joel, Ben Folds, and Andrew McMahon. It’s a song for anyone who’s ever wondered if they’re behind, or exactly where they’re supposed to be.
Known for his vibrant stage presence and cinematic piano-rock sound, Morrison continues to build momentum as a solo artist following years of work with folk-rock duo The Meanderings. Based in the San Francisco Bay Area, he’s steadily grown his presence across platforms like TikTok and Instagram, where he’s teased this song’s evolution to fans over the past few months.
With themes of loss, growth, and reinvention, Why Aren’t You There Yet? is a call to action for anyone still becoming who they are.
Why Aren’t You There Yet? will be available on July 18th, 2025, on all streaming platforms.
For more information, visit Connor’s website, www.connormorrisonmusic.com
Instagram: @connormorrisonmusic
TikTok: @connormorrisonmusic
Spotify: Connor Morrison
Facebook: Connor Morrison
YouTube: Connor Morrison
Brother Bicker Band’s Nostalgic Escapist Journey: Another Kind of Train
Brother Bicker Band seeks to recapture the nostalgic sounds of a time gone and delivers with their new escapist album Another Kind of Train: “Picture where you were the first time that you heard that really, really great song… Open your eyes and fast forward five, ten, fifteen or maybe even thirty years (or more)…. the Brother Bicker Band is trying to recapture that memory, that feeling, that love, that loss.” With the fusion of different beautiful vocal harmonies and their nostalgic country songs dipped in hints of blues and funk, this album immerses you in a world almost entirely gone. It’s an ode to Canadian country and the Americana legacy.
The album starts with “Nashville Sound”, and you’re immediately transported in the shoes of a wandering traveler finding the glimpses of a world almost gone, almost feeling lost: “Looking for side streets and a place to dance”. The song contrasts the seemingly incessant rush of modern life to a period where time is slower and there’s more meaning to life. The “Nashville Sound” is narrated with twangy chords and a hint of blues to add to that nostalgic feeling. The song is marked by Nashville’s famous locations, the Bluebird Cafe and Nashville’s iconic Broadway. You feel the traveler’s solace in finding glimpses of the Americana life, “Down to the alley where I get my news, watching the Reverend while he sings the blues”. The song ends on a nostalgic hint, with the traveler reminiscing through the memories of another day, “Listen hard, echo of another day…Back in the hotel there’s a shitty bar American beauty that’s where you are.”
The songs alternate in moods, with funky soulful songs like “No Straight Lines” lifting the mood, being a catchy tune about the ups and downs of finding love. The song starts with a funky guitar chord and a groovy bass chord; the lyrics are carried by the soulful harmony of upbeat vocals. You’re thrown in a hectic journey spanning suspicious doctors to lawyer’s offices all the way to the Promised Land. The song feels like a fantastically funky fever dream reminiscent of Americana classic movies like Oh Brother Where Art Thou? The gambling adventure of chasing love is narrated through beats perfect to dance to on a night out. This is a song that can bring you back to memories or make you stand up and question if you’re dancing enough.
The album turns to a tragic story of redemption and seeking more, with “Another Kind of Train”. The cool and soothing introduction of twangy guitars juxtapose the solitude and regret of our traveler as she is swearing off her past, seeking a train, a way to something better over the horizon, “Don’t wait up, I’m not coming home, this dirty city’s got, a mind of its own, I’m gonna catch another kind of train”. The upbeat nostalgic beats follow the traveler as she struggles to let go of her past, with the song slowing down cooly in the outro as she finally finds her train. The song is pure longing and a message of hope in these hectic times, striking you as you perhaps reminisce of a time past or wonder if it’s your time to catch a new train.
Continuing with the theme of chasing new beginnings, “Storm” is a song about betting your heart on an exciting intrepid love. “Storm” starts with an upbeat rock chord, revealing the fearful joy of gambling your heart, “Makes me feel alive, I just can’t deny you’re the one I want, hey baby I’m a storm chaser.” The chorus is uplifting, giving a soulful feel with a riff introducing a slow short jam as the chorus repeats, binding our loverboy to an adventurously chaotic chase.
This album is ultimately a musical collection of poems dedicated to not forgetting the beauty of the past but also maintaining hope in the face of the callousness of life’s twists and turns.
Sara Michael
THE CUTTING ROOM PRESENTS FAIR PLAY 2025: A CONCERT FOR JUSTICE ANNOUNCES ARTIST LINEUP FOR BENEFIT CONCERT IN PARTNERSHIP WITH HER JUSTICE
THE CUTTING ROOM PRESENTS FAIR PLAY 2025: A CONCERT FOR JUSTICE ANNOUNCES ARTIST LINEUP FOR BENEFIT CONCERT IN PARTNERSHIP WITH HER JUSTICE
NEW YORK CITY – May 21, 2025 Fair Play 2025: A Concert for Justice returns to the stage on September 4, 2025 at 7:00 PM at The Cutting Room in Manhattan. This year’s event promises another unforgettable night of music and mission with a dynamic lineup of artists lending their voices in support of justice. The evening will be emceed by longtime Q104 rock radio personality Maria Milito, whose passion for music and advocacy has made her a respected (and award winning) voice on the airwaves.
Fair Play 2025: A Concert for Justice will feature a truly genre-spanning roster of talent, with performances by Tito Puente, Jr., Annie Minogue Band, Tammy Faye Starlite, James Maddock & Shawn Pelton, The Violet Mine, Steve Conte, and Brandi & the Alexanders, who are all united for an incredible cause.
All proceeds from this year’s concert will benefit Her Justice, a nonprofit that provides free legal services to women living in poverty in New York City — many of whom are mothers and survivors of domestic violence seeking safety and autonomy through our courts — and advocates for improvements to the civil justice system for all New Yorkers. The organization helps women in our community build new beginnings for themselves and their families through the support of excellent legal representation in court.
Since its launch in 2019 and follow-up event in 2020, Fair Play raised critical funds and imperative awareness for vulnerable communities through its partnership with the Bronx Immigration Partnership. After a brief hiatus, it returns as a beloved tradition where music meets activism. Each performance serves as a powerful reminder of the impact that’s possible when artists and audiences unite for a greater purpose. Music is medicine, and Fair Play is tangible evidence of how art can be used as a force for change.
“Just as music is the universal language, Fair Play 2025 hopes to utilize these amazing artists’ talents to bring justice to a universal community, which is needed now more than ever,” said event organizers Meredith & Annie Minogue.
ABOUT HER JUSTICE: Her Justice is a nonprofit organization that takes a ‘pro bono first’ approach to providing legal services to women living in poverty in all five boroughs of New York City. In FY2024, 13 Her Justice lawyers mentored 1,484 volunteer attorneys serving 3,698 women and children for a total of 49,511 hours donated, representing more than $45 million in value. The organization also pursued over 40 policy initiatives to change our civil justice system for the better. Her Justice is committed to creating a more fair and functional civil justice system for women in New York City, so they can build safer, freer futures for themselves, their families, and their communities. Learn more at herjustice.org.
ABOUT THE CUTTING ROOM: The Cutting Room is one of New York’s most well-known rock clubs, particularly renowned for its rich history and the prominent acts that have passed through over the years. It’s been a long standing favorite among both artists and fans, having hosted legendary names and up-and-coming acts in a warm, cabaret-style setting. More at thecuttingroomnyc.com.
You can find tickets, donation links, and more info at fpconcerts.com. Check out Fair Play’s Socials Below:
For media contact, email kelsy@kelzanamgmt.com
Flippin’ Gothic Fabp Presents ‘Flippin’ Gothic Fabp Live @ QED Astoria Open Mic 2025′
You know you’re in for a treat when Flippin Gothic Fabp gets on stage, and his performance last week at Q.E.D. Astoria’s open mic was no different. He took the stage and delivered an electrifying freestyle, commanding the night from the first bar and even artfully delivering a couple of plugs for his website without a break in the rhythm.
Now if you’re active in New York’s underground music scene, Flippin Gothic Fabp is by no means an unfamiliar name, as he’s been lighting up the stage for years now, with a recent appearance at Manhattan’s Under St. Marks Theater.
At Q.E.D., Fabp stepped up his game with a tighter and more melodic performance with a flow so steady that it was almost as if he never paused to take a breath. But despite the refined showmanship, Fabp did not compromise on his usual fire, delivering bars filled with raw power and theatrics.
Fabp’s maturity as a rapper is betrayed by his stagecraft, as he works the audience, getting applause as he throws in subtle references to the local crowd and culture. His body language and steady sway exudes confidence, but maintains authenticity, telling you that this is a guy who’s on stage not just for the applause but for the love of the craft.
His lyrical palette remains wide, but has that signature gothic-poetic flair to it. The verses are well thought out, intentional, and soul-baringly authentic; a testament to
Fabp’s incredible improv skills. He becomes one with the beat as his vocal presence carves through the mix rather than wrestling it.
While the recordings he posts online give you a great idea of Fabp’s style, nothing beats seeing him live on stage, because it’s that atmosphere of the New York underground that adds grit and soul to his performance.
After Q.E.D., Fabp’s next appearance is at Snapps Splash 2025. With the growth that we’re seeing in Fabp from show to show, you can bet that the underground’s latest icon is about to take another leap toward wider acclaim.
Website / Socials (3 MAX)
http://www.X-CaladePromotionz.com
http://www.X.com/therealfabp
http://www.instagram.com/therealfabp
Fiora Anicca Reclaims Her Soul in New Single “I Died Once”
A Spiritual Pop Anthem Born from Addiction, Trauma & Transformation
Emerging from the shadows of addiction and complex PTSD, Mystic Pop artist Fiora Anicca unveils “I Died Once” — a deeply spiritual and emotionally raw single that captures her rebirth through healing, self-discovery, and music. Released this November, the track is a sonic confession and a soul offering for anyone seeking light in the darkest places.
“I truly felt like I died once — emotionally, spiritually. But I came back. And this song is the sound of that return,” Fiora shares. ‘’ I came to conclusion that everything in our life happens for a reason, good or bad . t’s there for us to grow not to ” punish” us. There is a lesson in every experience. As it is today I’m grateful for all my experiences including abuse, trauma and addiction as it made me who I am. I wouldn’t change anything. I feel freer , wiser and authentic about myself because of my past experiences.’’
For Listeners Who Want More Than Just a Song
With influences like Björk, Nessi Gomes, Beth Gibbons, and Kate Bush, Fiora’s Mystic Pop sound is designed to awaken, not just entertain. She is building a new genre where sound becomes a healing experience and lyrics carry the weight of lived experience.
Fiora is also a certified MAP trauma coach and founder of Anicca Healing, a practice supporting others through emotional reprogramming. Her music, coaching, and personal story converge into one mission: to show that rebirth is possible, and that we are more than our pain—we are who we choose to become.
Quotes
Last night, the incredible @fiora_anicca graced the stage at @thefulfordarms with her first-ever live gig, debuting her stunning new songs. Her performance was nothing short of mesmerizing-an amazing, haunting experience that captivated everyone in the room. It was a night to remember, showcasing her immense talent and emotional depth. – Jorvik Radio
“Remarkable artist and music!” – Darren Northfield, Chapel FM
“Gorgeous song… big fan of this!” – Emily Pilbeam, BBC Introducing
“Music that can’t be pigeonholed—maybe that’s why we love it.” – Radio Lublin
Born in Poland and based in Leeds, UK, Fiora’s path has been anything but linear. A childhood marked by emotional and physical abuse led to adult struggles with alcohol, PTSD, and identity loss. Traditional therapies failed her—until she began to heal from within using MAP (Make Anything Possible) subconscious reprogramming, somatic practices, meditation, and spiritual work inspired by Dr. Joe Dispenza and others.
“I Died Once” is both a song and a statement. Ethereal, haunting, and empowering, it bridges sonic beauty with a visceral emotional journey. Fiora’s voice drifts between fragility and strength, guiding listeners through a cathartic experience rooted in vulnerability and truth.
This release isn’t just music—it’s a movement. Fiora is part of a rising wave of artists using sound as a tool for healing, awakening, and transformation. Her genre, Mystic Pop, merges alt-pop elements with spiritual intention and psychological depth.
For fans of Florence + The Machine, Björk, and Aurora, Fiora Anicca offers something rare: music that doesn’t just sound beautiful—it means something.
Follow Fiora Anicca
Instagram: Fiora Annica Instagram
Website: Fiora Anicca
Spotify: Fiora Anicca Spotify
Youtube: Fiora Anicca Youtube
Ed Roman Presents “I Found God” Via MTS Records
A Canadian singer-songwriter, multi-instrumentalist, and eco-mystic with a populist bent, Ed Roman delivers his Earth-first theology in the most grounded way possible—literally. “I Found God” is less sermon than suggestion, less conversion than confrontation. Not with fire and brimstone, but with dirt and roots and rivers. The chorus hammers home the thesis (“Hey, I found God, you’re standing on it”) with a repetition that’s more hypnotic than preachy—call it a mantra for the pantheistically inclined.
Roman’s voice, ragged and resonant, isn’t built for belting—it’s for believing. This track doesn’t aim to overwhelm. It aims to infiltrate. Layered with folk-rock pacing, a restrained electric guitar by Mike Freedman, and Dave Patel’s steady drums, the song drifts into your psyche with the confidence of someone who’s not asking for permission to speak the truth. It’s a form of protest, sure, but not the kind that ends in slogans. Roman’s strength is nuance. “Gather up your karma and throw away the dogma” is a lyric you’d expect from a guy who’s read Krishnamurti and lived to tell about it.
https://www.youtube.com/watch?v=kvM5GZdCy0o
The track’s true complement is its animated music video, illustrated by Paul Ribera—a surrealist eco-gospel in visual form. Trees cry, oceans sigh, eyes blink open across continents. It’s high-concept but never over-intellectualized. You feel it in the gut before the brain catches up.
Roman’s got the instincts of a seeker and the boots of a wanderer. He’s not here to save you. He’s just here to tell you where he found salvation. That it happens to be under your feet? Well, that’s on you.
Consumer advisory: Best absorbed barefoot.
–Bobby Christman
Tobin Mueller Releases ‘Fragments’
If you’re a fan of world music and jazz fusion, then you’ll love ‘Fragments’ by Tobin Mueller. Tobin really has a knack for writing catchy compositions that are creative to the bone. Tobin Mueller invites listeners everywhere to get lost in a world of ‘Fragments’ where music has no boundaries.
Tobin explains that “Fragments refers to snippets that echo inside your head, staying with you over a lifetime”. Tobin Mueller creates highly original material that many people will enjoy and appreciate. These ‘Fragments’ will pass from person to person and from place to place with memories being made along the way. This album contains samples of famous songs by many notable artists such as Lennon-McCartney, Jimi Hendrix, Elton John, Joni Mitchell, James Taylor, Paul Simon, and more. Tobin puts his authentic stamp on each song and ‘Fragments’ is born!
The album features Tobin Mueller on acoustic & electric pianos, organ, clavinet, vibraphone, marimba, kalimba, Trilian basses, Ruben de Ruiter on percussion, Bob Lanzetti on guitar, Woody Mankowski on vocals, sax, Roy Agee on trombone, Tomás Martinez on saxophones, Mikie Martel on trumpet, flugelhorn, Chris West on flute, saxophone, Amit Erez on guitar, Niels van der Steenhoven on guitar, Filip Dinev on bass, guitar, Peter Ferguson on guitar and Noah Hoffeld on cello. The overall sound is invigorating and audiences everywhere will cherish ‘Fragments’, piece by piece.
We head down “Tobacco Road” first where Tobin is simply on fire and lighting up the airwaves. “Tobacco Road” is one smoky jam with its intoxicating blend of notes that will attract listeners near & far. Next, “Feels So Good” will hit you with its enriching and lively sound that will spark your senses. It’s time to break out the “Electric Boots” and boogie on down to this sizzling number. Track four, “Dreamer”, displays much depth musically and offers a big, bright melody. “All Come To Look For America” is full of spirit and wonder while “Winding Road” has mass appeal and is musically enticing. Tobin is hitting on some emotional chords on “Always Thought I’d See You Again” that will keep the audience engaged. A peaceful vibe rushes past you on “An Empty Space To Fill In” as a soft ‘n’ sincere tone is detected. Magical moments are captured next and “Seasons Will Pass You By” if you’re not careful, so listen closely. A question you may want to ask yourself now “Is It Tomorrow Or Just the End of Time”? With a bit of intrigue in place and good use of surprise and suspense, Tobin Mueller dares to ask us all “Is It Tomorrow Or Just the End of Time”? A wonderful journey awaits you on “Apollo’s Lyre Reimagined” and you will find a comforting and inviting space on “No Place Like Home”.
‘Fragments’ is a true labor of love for Tobin Mueller as the creative direction is off the charts. Mueller explains that “Fragments of tunes have never left my internal musical imagination. This project is a homage to how music has sustained me.” Allow ‘Fragments’ to consume you and let Tobin Mueller be your musical guide.
By Jimmy Rae
“Bluegrass State of Mind” by Danny Paisley
If you’ve ever stood in a dusty record store thumbing through Bill Monroe LPs while your phone buzzes with push notifications from apps you wish you’d deleted years ago, you’ll appreciate the stubborn beauty of Danny Paisley’s Bluegrass State of Mind. It’s not a flashy record. It doesn’t care about your Spotify algorithm. It cares about mandolins, banjos, heartbreak, and church pews — and that’s exactly what makes it feel like a warm handshake from another time.
URL: https://www.dannypaisley.com/
Danny Paisley — Pennsylvania’s living proof that Bluegrass isn’t just a Kentucky or Carolina birthright — turns 50 years deep in the genre this year. That alone is worth a toast, or at least a quiet nod of respect as you drop the needle (or click the WAV, more likely) on the title track. Written by David Stewart, “Bluegrass State of Mind” does exactly what it says on the tin: three minutes of foot-tapping, high-lonesome therapy for anyone weary of slick country radio.
The real trick here is how Paisley and his trusted Southern Grass band keep things fresh without changing a damn thing. There’s “Have I Stayed Away Too Long” — a Frank Loesser number from another century that lands like a handwritten letter in a world full of spam texts. Hank Williams’ “Six More Miles” still packs a lonesome punch, and Paisley croons it like he’s the last man left who remembers how to cry into a mason jar of black coffee.
Highlights? Try the slow burn of “Diagnosis Broken Heart,” co-written by some Nashville pros but delivered with that plainspoken grit Paisley’s fans love him for. “Two Old Church Pews” is a Sunday-morning singalong you didn’t know you needed — a reminder that the best gospel moments in Bluegrass are the ones that feel like they were never meant for show, just a few friends harmonizing under a steeple or a porch roof.
https://open.spotify.com/album/4rbpZJqrLpi8GTrPqc4Ews
Instrumentally, it’s classic fare done right: Josh Swift’s dobro is pure liquid gold, Scott Vestal’s banjo rolls are as tight as your uncle’s handshake at a family reunion, and Paisley’s own mandolin playing (alongside son Ryan, who’s clearly picking up the family torch) keeps every chorus rooted in tradition. Does Bluegrass State of Mind break any new ground? Lord, no. But that’s the point. If you want slick genre-bending, look elsewhere. If you want to feel the same warm hum that Monroe, Stanley, and Scruggs sparked decades ago — that feeling that time can’t kill every good thing — then spin this album while you’re fixing a fence, sipping something strong, or staring out at a stand of pines.
It’s not nostalgia. It’s a reminder that some parts of the American songbook still sound best on wood and wire, sung by a voice that’s been around the block enough times to mean every word. Danny Paisley knows that better than most, and on Bluegrass State of Mind, he’s inviting you to sit down, tune in, and stay a while.
Gwen Waggoner
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ELLA LANGLEY CELEBRATES BACK TO BACK NO. 1 SINGLES AT COUNTRY RADIO AS “weren’t for the wind” OFFICIALLY TOPS THE CHART
https://www.youtube.com/watch?v=U4NPZi2b0aQ
TK Kravitz – Smell Good Feat. Young Dro [DJ Pack]
https://music.apple.com/us/album/smell-good-single/1813642249
Genre-busting Pop Artist Cassandra Releases New Music Video, “Prima Donna”
New Music: bat zoo – Lemon
https://soundcloud.com/batzoo/lemon-1
Toronto-Based FUNK BROTHERS Descendant NATHAN ALI Releases Empowered Anthem “Forward” From New EP ‘Parallel’
https://www.youtube.com/watch?v=aDhiMukAKWQ
TV CULT Slam Morally Bankrupt Politicians On New Electronic Hardcore Single ‘Crack The Whip’ Released 8th July 2025
https://orcd.co/tvcult_crackthewhip
Ella Eyre announces her long-awaited 2nd album ‘everything, in time’ – out Nov 21st + announces 4 intimate UK headline shows
https://ella-eyre.ffm.to/everything-in-time
BEAUTY SLEEP Reveal New AA Single ‘BIG + BAD’ / ‘Unfamiliar’ Released 8th July 2025 via Alcopop! Records
https://bfan.link/big-bad-unfamiliar
Indigo De Souza shares “Be Like The Water” | New album “Precipice” out 25th July via Loma Vista Recordings
https://fm.indigodesouza.com/bltw
JESSICA WINTER RELEASES NEW SINGLE ‘BIG STAR’
LEGSS announce debut album Unreal | ‘909’ single out now
La cantante cristiana Marleni lanza el video musical “Gracia” de su álbum debut “Mi Gran Amor”
https://open.spotify.com/track/1EuRcLrCrJzI1IyoVMNf3M
PRESS INFO: Asha Puthli, Ustad Noor Bakhsh, Metz n Trix + More Announced for Summer Sounds x Dialled In (Bradford 2025)
https://bradford2025.co.uk/event/summer-sounds-saturday/
HOME COUNTIES announce new album ‘Humdrum’ – out 24th Oct on Submarine Cat | Produced by Al Doyle (Hot Chip)
https://www.youtube.com/watch?v=TqJU-vxG8uQ
Best Boys Make Their Debut with Infectious New Single, “Forgive Forget” Out Everywhere Today
https://atwoodmagazine.com/bbff-best-boys-forgive-forget-song-music-video-premiere/
Cricket Legends Omari Banks & Chris Gayle – ‘Living It Up’ – Two Caribbean Icons, One Infectious Reggae Summer Single
https://www.youtube.com/watch?v=s0UlvgOM0OM&list=RDs0UlvgOM0OM&start_radio=1
Kalipo Unveils “Alles” – A First Look at His Sixth Solo Album
https://bfan.link/kalipo-alles
Impureza Release Fiery Salute on “Reconquistar Al-Ándalus”
https://www.youtube.com/watch?v=42TwalcvWfY
TAMI NEILSON duets with Neil Finn (Crowded House, Fleetwood Mac) on “Neon Cowgirl,” the title track of her new album
Pushing Veronica Unleashes Explosive New Single “WASTED”
https://open.spotify.com/track/75khcRmE8VydTcmT7DIqHm
Jeremiah Chiu & Marta Sofia Honer’s ‘Different Rooms’ out now
https://international-anthem.lnk.to/DifferentRooms
Kee Nola Celebrates His 22nd Birthday with “At The Top,” His Poignant New Single
https://newwrld.vyd.co/AtTheTop
BJRNCK Shows Off Her Fiery and Unapologetic Attitude In New Single and Video For “Crazy” Out Now
BLOOD ORANGE ANNOUNCES SPECIAL HEADLINE SHOWS THIS FALL
https://www.youtube.com/watch?v=yTaz0TB9Zco
ROME ft. DIRTY HEADS ‘Slow & Easy’ Most Added At Alternative Radio!
https://www.youtube.com/watch?v=kVxP05Aj1bs
Jeremiah Chiu and Marta Sofia Honer’s Different Rooms Is Streaming Now
https://international-anthem.lnk.to/DifferentRooms
Mae Powell’s new single “Contact High” is out today, 7/8! | New LP drops 8/15!
https://www.youtube.com/watch?v=mljoOq_stvM
ANTROPOMORPHIA unleash new video single ‘Funeral Throne’
Liam lanza su nuevo álbum “A-temporal”: un viaje acústico, experimental y reflexivo sobre el tiempo
https://open.spotify.com/intl-es/album/3SMCEEMfAWuQd1kTVzBZMl
Key Glock – She Ready [DJ Pack]
https://keyglock.lnk.to/Glockaveli
LA DISPUTE DROP ACT 3 + NEW VIDEO FROM UPCOMING ALBUM
https://www.youtube.com/watch?v=gRefsMP8LIU
Neko Case Returns With New Album ‘Neon Grey Midnight Green’ Out September 26
https://www.youtube.com/watch?v=gLwev5sWQXM
Rosetta Stone’s Poison Leaves Livid Scars
https://orcd.co/rosettastone_scars
SCALP share new track “EGODEATH”
https://www.youtube.com/watch?v=Oe1Yn-CxLWw
Green Carnation Announce New Album ‘The Shores of Melancholia’
https://www.youtube.com/watch?v=_FWGHgS6Wh8
Michael Little Releases “I Gotcha Baby”
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Xennedy Cambelle Presents “Memory Lane”
Rising RnB and dark pop artist Xennedy CamBelle makes a powerful statement with her latest single, “Memory Lane,” inviting listeners into a melancholic yet empowering reflection on the emotional wreckage of love and loss. This track continues her artistic journey into cinematic introspection, refining a signature sound that fuses R&B textures with emotionally charged lyricism.
The musicianship on Memory Lane is intriguing, as it varies between both heavy instrumentation and bare, stripped-down vocals, switching between sonic landscapes that are intimate and expansive.
The opening lines “I walk down memory lane/’cause I like running into you” are somber and haunting, hinting at the regret in her heart. But the song gradually grows and swells, and at the halfway mark, almost crying in desperation, “And I feel you/ And I want you/ And I feel so alone without you” gives way to a heavy-hitting bass-driven instrumental section.
The production on this track really pulls through with shimmering synths and understated percussion, providing a perfect backdrop for CamBelle’s aching vocal delivery. Her voice, gentle but weighted with sorrow, guides the listener through the heartbreak, nostalgia, and the difficult but necessary act of letting go.
Thematically, Memory Lane fits comfortably into CamBelle’s growing discography, exploring feelings of vulnerability, trauma, strength, and resilience like her previous singles “Monster” and “Consent.”
– https://skopemag.com/2025/06/25/xennedy-cambelle-releases-new-single-memory-lane
However, this release is set apart by its restraint; there is no dramatic climax here, with the closing line “And I feel you/ And I want you/ And I’m so alone without you,” there is only a quiet storm of accepting what once was and allowing it to pass, ending with barely a whisper “Take me right back to memory lane.”
Memory Lane is a masterclass in emotional storytelling, pairing minimalist production with lyrical vulnerability. It’s a haunting and graceful addition to CamBelle’s growing collection, and a reminder that the most powerful pop songs aren’t always the loudest, but the ones that echo long after they end.
INTERVIEW: Qymira On The Power And Cinematic Symphony of ‘Melodrama’
In this exclusive interview, Qymira opens up about the inspiration behind the bold grandeur of her new single, ‘Melodrama,’ her fusion of classical and urban influences, the symbolism in her theatrical music video, and why now is the time to challenge boundaries – musical, cultural, and societal…
Can you tell us about the inspiration behind your new single, ‘Melodrama?’
Actually, not many people know that I love poetry and enjoy writing poems as a hobby. During the pandemic I wrote a few and one of them was inspired by a pretty hot topic in the world of politics at the time. I was very passionate about that as it was related to war and peace, which I have always felt strongly about. But because I never wanted to discuss politics or religions, I thought it would be good to incorporate that poem into my music so that I could take creative license to express my thoughts. So “Melodrama” was born, packaged in a way where it could be interpreted freely from different perspectives – current affairs or personal relationships, and no one would be offended. The “rap” parts are the poem I wrote during the pandemic. With such a title and subject matter, strings are the obvious choice to score the story as it creates drama and emotional turmoil bringing alive the story in a most cinematic way that hopefully stays around for a while.
Described as a fusion of hip-hop and dark-pop grandeur, Melodrama is your most dramatic release yet. How did you blend genres and instruments to create its hypnotic sound?
Much like my name, Qymira, inspired by the Greek mythical beast, Chimera, which is a 3-headed animal, I’m very much about contrasts. It’s not a formula, but more a state of being which comes naturally to me. I was blessed to be raised in a very multi-cultural environment between the classical world of piano, violin, orchestra in HK and the UK, and the urban world in LA. Both are parts of me and I find myself flowing between the two depending on mood and circumstances. I find that fusion creates magic which can be hypnotic. In the world of entertainment where music, especially, is universal, it is also a perfect platform to reach out to a wider audience, maybe even bringing these different worlds together to share something in common which they otherwise would not have.
The single explores themes of power, illusion, and manipulation. How do these ideas come through in the track?
Through the lyrics and rap which started off as a poem, like a script in a movie. The music serves as the dramatic score with the cascading cinematic strings enhancing the power theme, and the rhythmic melody and harmony depicting the sense of illusion, and finally all orchestrated or manipulated into a musical display of power play on all levels.
In the music video, you’re seen conducting the Qymira Symphony Orchestra. What inspired you to include this, and how does the orchestra’s elegance reflect the song’s message?
The Melodrama music video is high-drama about control, deception and power. Orchestral strings is the obvious choice to score the story as it creates drama and emotional turmoil bringing alive the story in a most cinematic way. Unlike traditional orchestras which symbolise elegance, with the Qymira Symphony Orchestra where the musicians perform in unconventional ways, sometimes acting as characters and playing by heart, it’s the perfect instrument to show the dynamic between the puppeteer conductor and her puppet players. I wanted to convey the lyrics from opposite perspectives. Where I am conducting, I am actually playing the character of a dictator puppeteer dressed in all her designer outfits, whilst manipulating the musicians like her minions luring them into playing her symphony orchestrated by her. Where I am singing and rapping in designer gowns, I am actually playing the “people”. Adorned with the finest whilst living a lie and falling victim to the system. The historical Pinto Art Museum with its haunting sculptures and theatrical scenes then act as the eerie battleground of power and vulnerability.
The haunting string arrangements add a whole new dimension to the track. Do you think classical music deserves more space in the pop world?
Absolutely. At the end of the day, music is music, every genre gives a different tone and feel. We are often categorised and labelled in life, compartmentalised in different boxes. Especially as artists. But I think we should think out of the box and appreciate the beauty of the different flavours and sprinkle them on our creations to enrich the stories we are trying to tell. Like spice on pizza. It’s all about the balance. Classical orchestral music conveys intensity and myriads of colours, textures, sounds and harmonies all of which creates and enhances the drama and emotional turmoil. Like in Melodrama, I wrote the strings as a variation of the motif in Beethoven’s Symphony No. 5 to create the intensity and urgency. The right dose creates magic in a song and strengthens the narrative, tugs your heartstrings or keeps you on the edge of your seats.
With its cinematic energy, Melodrama feels like it could belong on a film soundtrack. If it were to score a movie, which one would it be and why?
Even though Melodrama was inspired by two different scenarios that share the same sentiment and narrative in modern times – one personal and one public, the poem which is the rap takes on a historic tone to paint the visuals and illustrate the drama and torment. Eg. Tied to the stake by one man’s act. The movie(s) which this would fit, word for word, would be The Tudors or The Other Boleyn Girl. Henry VIII was a master of power, deception and manipulation, who let multiple ladies “floating on cloud nine in his melodrama” and “letting them down and watch them drown like a floating clown”. Time to do a remake of the infamous Henry VIII and his wives!
You’ve recently been honouring Mother Nature in celebration of World Earth Day. Why do you feel it’s more important than ever to raise awareness about the ongoing climate crisis?
Our climate crisis is getting rapidly more and more serious. Sea levels are rising, the Arctic is melting, coral reefs are dying, oceans are acidifying, and forests are burning. Humans tend to take more than give. But we’ve come to a point where if we don’t wake up now and start loving this rented home of ours in our lifetime, Earth won’t have anything left to feed us and we will also become history.
You toured with Boyzlife earlier this year – can fans look forward to more live performances soon?
Yes, there
are a few potential UK and world tours that are looking quite promising at the moment – just working out the schedule as I am currently in pre-production of a feature film in which I will be playing the lead role. I’m also finalising my album “Labyrinth of Life” and working on its multimedia stage show. I’m super excited about that as this will be a full length immersive experience, which will also feature my piano albums and the Qymira Symphony Orchestra.
What’s your favourite part of being a musician? Is it writing songs, performing live, or something else entirely?
All of it. Each is liberating in its own way. I love writing as I get to express my thoughts, feelings and emotions in a creative way, be it through music or lyrics, whilst performing live enables me to express my heart through my instruments – my piano, my violin, my voice, my body… and connect deeply with the audience right there and then. And nothing is more rewarding than when they feel you and join you. The energy is electric. You get high from it, all of it.
R&B talent Alex Ko returns with a Summer single, Broken-hearted Club
Rising R&B provocateur Alex Ko is bringing the heat to dance floors everywhere with the release of his new summer single, “Broken-Hearted Club,” an unapologetic, high-octane anthem inspired by early 2000s club icons like Janet Jackson’s “Feedback” and Justin Timberlake’s “SexyBack.” With pulsing synths, a pounding bassline, and a fierce vocal delivery, “Broken-Hearted Club” is made for strobe lights, midnight escapes, and leaving your baggage behind.
Produced by Mantra, the track fuses gritty pop energy with a R&B flare that nods to Y2K nostalgia while keeping its eyes firmly on the future. Clocking in at a humble 2 minutes the track is a hypnotic rush of empowerment, driven by a singular message: heartache has no place on the dancefloor.
“‘Broken-Hearted Club’ is about reclaiming your night, your body, your joy,” says Ko. “It’s for anyone who’s been through the emotional wringer but refuses to stay down. You walk into that club, and you become someone else—someone free.”
With lyrics like “Take a break from pain, we came here to escape or fake, there’s no broken-hearted club tonight,” the song captures a collective post-breakup defiance that’s sure to resonate with a generation craving catharsis. It’s more than a track—it’s an invitation to join a movement: a neon-lit sanctuary where broken hearts turn into beats.
“Broken-Hearted Club” is available now on all streaming platforms.
https://www.instagram.com/officialalexko/
Gino McKoy Releases “Everything to Me”
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Valerie Rose releases new single “Tin Can Woman” Friday, July 4th
Valerie Rose releases new single “Tin Can Woman” Friday, July 4th
New York, NY – July 4th, 2025 — Indie roots-rock artist Valerie Rose is making it happen this summer with the release of her new single, “Tin Can Woman,” dropping Friday, July 4th on all streaming platforms. Quirky, soulful, and unapologetically original, the track blends Americana, blues, and rock into a feel-good anthem that captures Valerie’s signature sound and spirit.
Anchoring the song is legendary saxophonist Richie Cannata, known for his work on Billy Joel’s classic early albums, whose performance brings a powerful edge and timeless energy to the track. Cannata is joined by an all-star studio band including guitarist Jim Moran, drummer Shinya Miyamoto, bassist Neville L’Green (Gloria Gaynor), and keyboardist Mark Mancini.
The single’s release is accompanied by a humorous, high-energy music video shot on Nashville’s iconic Broadway Strip. It follows a string of genre-defying singles from Valerie, who previously drew comparisons to Bonnie Raitt with her blues-rooted album Rising, and later explored Latin rock with LOVEBLOCK and retro R&B-pop with Take Care of You.
Known for doing it all, producing, engineering, editing, designing, and booking, Valerie Rose exemplifies the modern independent musician. With no major label backing, she’s building a career on talent, hustle, and heart.
Before the single officially drops, Valerie just hit the stage opening for Los Lonely Boys at The Ridgefield Playhouse on July 1st, her biggest live performance to date!
About Valerie Rose:
Valerie Rose is all over the map. Literally and musically. From her solo shows with her keytar, or her electrifying group ‘Red Hot’ – The Ultimate All-Female Mötely Crüe Tribute band, she is one of the busiest and hardest working musicians on Long Island. She is known for her over-the-top stage performances, killer keytar skills, sweet and salty, passionate vocals.
Valerie is also the producer and star of her show ‘Decades of Divas’, which is a fun, interactive experience for audiences to not only hear- but see Valerie take on these roles of Iconic and bold women like Tina Turner, Stevie Nicks, and Cher. But beyond engaging in weekly shows 4-5 times a week, she is also a songwriter, composer and lyricist. With several single releases and a full album (‘Rising’), Valerie shares intimate heartfelt songs, vibing from the Jazz and R&B realms to harder more, ‘alternative music’, with influences ranging from Bonnie Raitt, Alanis Morissette, to The Pretenders. She has also contributed vocals and lyrics to other songs and producers, including Swedish producer Patrik Reman of KPN Records.
With over 15 years of professional stage experience, Valerie is certainly covering a lot of ground in her musical career; traveling, writing, learning how to make the most of every single moment. To her music is not just a talent, but her calling.
Follow Valerie Rose:
Website | Instagram | Facebook
CARSEX Show They Are A Force To Reckon With On New “Human Interest” EP
When it comes to the songs of “Human Interest”, the just released EP by CARSEX, “Sitting Ducks” gets things underway, with no holding back their L.A. punk routes and prowess in the process. It makes for a grand entrance and is a killer opener for the EP. Next up, “Crooked Canvas” is a fiery tale of how the blind lead the blind, and how much of the population are just “sheeple”. The album title leaves much room for interpretation through imagination, but it can also be summed up as a study of modern times, which takes a degree of sophistication usually not found in old or new punk. This is much more, as it crosses over from underground to mainstream hard rock avenues.
The energy throttles back to a more contemplative, mid-tempo grooved there with “Beyond The Trees”. CARSEX takes us on a trip through a slower tunnel to get there with this trippy song about a dream of a serial killer in the forest. I rate this as one of the deepest tracks on this release, even though it is nonreality based – it’s still about a form of human interest. “Fuck This” is a straight ahead banger formed from rage at the status quo, and is a fierce and unforgiving track.
“Landmine” is another trippy story, and the band flexes their musical muscles in a new direction. They showcase their energy in the video, with director Chris Michael describing it as having the effects of an bad acid trip…. They use blues and reds for emotional effect as they blaze through the song in this performance video. I like everything about this song and video, as it shows the growth of the band both lyrically and in their playing.
The musicianship is high quality throughout, and showcases these seasoned players as a cut above the rest. The vocals of Nigel Burk and his and bassist Jeremy Schott’s lyrics, move things forward in a thoughtful manner. There are strong hooks and solos throughout – but in a more economical fashion that get the point across without being too overwrought. “D.K.C.” is another skull cracking hard rocker with a grunge meets metal attack, featuring sizzling guitars and a moving theme involving school shooting with Burk putting in one of his finest efforts. Everything about this song is great, so don’t skip it, put it on repeat until it clicks. After a few listens – you’ll fully understand the emotion behind it – with Burk’s voice carrying it all the way home.
“Stella” gets to exit the stage in grand fashion, with a smokey tale about a sultry rock star’s ups and downs. The song itself is a slinky hard rock number with explicit lyrics to describe the tale, with Burk laying down some of his gnarliest screams, and some of the best guitar work on display of the entire EP. This is by no means a leftover closer, as it would go just as well as an opener and that is why “Human Interest” is consistently good from front to back, start to finish, and why CARSEX are a force to reckon with.
Gwen Waggoner
Who Let the Dogs Out (Hodgee Films, 2019) Only Boston Screening!
Tuesday July 22, 2025, 7:00 PM
Alamo Drafthouse Cinema
60 Seaport Blvd., Boston MA, 02210 Trailer:
Tickets: https://drafthouse.com/boston/event/who-let-the-dogs-out-live-qa
In celebration of the 25th anniversary of Baha Men’s global pop sensation, Who Let the Dogs Out, OPEN is presenting screenings of Who Let the Dogs Out, a documentary film following artist Ben Sisto from Seattle to the UK as he attempts to gently nudge-back against the concept of individual authorship in favor of a view that art is a collective process. Produced by Hodgee Films, Who Let the Dogs Out made its debut at SXSW (2019), was a hit at Hot Docs (Toronto), and was later adapted into an episode of the popular podcast 99% Invisible. In addition to the Boston screening, the film will play at the Providence Public Library alongside Sisto’s collection of some 300 pieces of research materials and ephemera.
The Boston screening will be followed by a live Q&A with Who Let the Dogs Out writer Ben Sisto and critic Oscar Goff of The Boston Hassle.
Some kind words:
“…niftily balances a tightrope equation of “how much is this a white paper and how much is this an entertaining movie,” — Observer
You’ll never hear that damn song the same way again, that’s for certain.” – POV Magazine
It’s all just very confusing.” –A/V Club
About Ben:
Ben Sisto is an artist who lives in Providence, RI with his family, including a dog called Andie. He is the world’s leading expert (unchallenged) on Who Let the Dogs Out. Back in the 2000s, Ben lived in Boston where he organized many concerts, parties, and flea markets at places like Mass Art, Great Scott, and The Milky Way.
Ronnue Releases “Like A Virgin”
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CONCERT REVIEW: COLLECTIVE SOUL 6-26-2025 – MGM NORTHFIELD, CLEVELAND
By R.M. Engelman
Since getting together in 1992 and releasing their first album three years later, the band has maintained a steady loyal following. Not only do the fans continue to fill the seats, the audience can pretty much sing along with every song. Quite an accomplishment to their longevity. A major plus is that the band still features founders Ed Roland and his brother Dean, and bassist Will Turpin who joined early on. Other members drummer Johnny Rabb and lead guitarist Jesse Triplett have become established members. They now have 12 albums (one double) in their catalogue. Their touring schedule always remains filled.
The band kicked off with Why P.2, and then led into Mother’s Love off the new Here to Eternity double album (recorded at one of Elvis’s previous houses). Right as Rain followed off the recent Blood album. With the exceptions of Not the Same and Keep it on Track (off the new album), the majority of the balance of material was of their classic “Greatest Hits” variety. The group naturally finished off their set with the classic hit Run, where all of the band members file off the stage with just Ed singing and playing the 12-string.
After all of these productive years, frontman Ed Roland might be more animated than ever. He entertained with various commentary and stories, and of course solicited audience participation. The evening consisted of Ed playing to the crowd wearing a hat, without a hat, without his coat, putting on an audience supplied T-shirt, and letting loose his ponytail. They joked after the show that the guitar tech also doubled as a “Hat Tech”, when he retrieved and delivered Ed’s hat back to him.
The rest of the bands interaction throughout the performance shows they are having just as much fun entertaining. During the start of the show, the members gathered on the drum riser cheering on the percussion.
Collective Soul is a must see for any old or new fans. If you want to see a band just stand in place in front of a mic for an entire set, these aren’t those guys!
– https://collectivesoul.com/#tour
Indie Pop-Rock Star Abigail Fierce Releases New Song “14 Cigarettes”
Abigail Fierce is the real deal. With over 5.7 million streams under her belt on Spotify alone, Abigail Fierce’s potential for mass appeal is palpable. The LA-based completely indie artist is unafraid to be herself. And what is she, exactly? Fiercely authentic. She doesn’t seem to edit herself based on what she wants people to see, which is evident in her diverse music catalog, that ranges from the melancholy folk song, “I Just Wanna Feel Okay Again” to the raring pop-punk LGBTQ+ anthem “Scream It to the Whole World”.
Abigail’s upcoming single “14 Cigarettes” is the next chapter in her music journey. Weaving all of her favorite genres to make something truly special, Abigail Fierce seems to have seamlessly found a bizarre yet intoxicating crossroad between Taylor Swift and Courtney Love. On the track, you’ll hear 2010’s singer-songwriter & 90’s grunge influence, creating the perfect modern day indie sound. Swirling electric guitars and angsty vocals will have you recalling Alanis Morissette & Ed Sheeran at the same time. You may even think of Billie Eilish or Fiona Apple, Miley Cyrus, circa ‘Flowers’ or ‘Hannah Montana’. When Abigail flat out screams on the bridge, not only do you feel her emotional turmoil, but for a quick moment you think…is this emo? You’ll hear Abigail’s true love for all kinds of music throughout her whole discography, but this song really brings them all together in a way that works, and still feels cohesive.
As always, Abigail’s lyrics draw a clear image in your mind and elicit a poignant, often visceral, feeling. The song’s most poetic moments lie in the verses. With lines like “Err on the side of disconnect, our love always had side effects” and the killer opening lyric “We didn’t die a natural death, you killed us with disrespect”, Abigail Fierce, the sole writer on the song, proves that she could hang up there with Bob Dylan & Taylor Swift, all while maintaining a dark, haunting edge à la Kurt Cobain. Simply driving the message home on the chorus, Abigail sings: “Now it hurts me to think of you driving away in your old Mustang, with my cassette tapes on the dash. When you left you took a piece of me, 14 cigarettes & all my best memories.” A break-up song at its core, it covers the full span of heartbreak, from still being in contact with your ex, missing them, being angry at them, and then – on the exploding, chaotic bridge – being mad at yourself, and finally admitting that you saw the red flags all along. (All within the span of under 4 minutes.)
Abigail says the song is inspired by Abigail’s love for vintage cars and a real-life trip to the desert with an argument that led to erratic driving, and that sickening feeling of when red flags become reality.
“Everyone in the business always says ‘fake it til you make it’ but I hate fake sh*t. l’d rather work quietly and then let the music speak for itself.” It’s also worth mentioning Abigail’s other career: acting. She can be seen as Wendy in the Hulu series “Love, Victor”, as well as the NBC show “This is Us”, Netflix’s “American Vandal” and the LeBron James produced Paramount+/Nickelodeon movie “Fantasy Football” starring Kelly Rowland (from “Destiny’s Child”). Abigail latest project is starring alongside mega-influencers Bryce Hall & Hannah Stocking in the 50-Cent produced horror satire film “SkillHouse”, slated to premiere in theaters July 11th, 2025. A versatile and charming young actress, her skill also shines through in her award-winning music videos
